--- title: Mood Review: Music, Sex Work, and Influencer Culture Collide description: Nicôle Lecky joins the ranks of theater crossovers Phoebe Waller-Bridge and Michaela Coel with this musical drama about a struggling singer. canonical: https://time.com/6227822/mood-review-bbc-america/ author: Judy Berman article:opinion: false article:content_tier: free article:published_time: 2022-11-04T15:01:11.000Z article:modified_time: 2026-05-11T04:53:46.704Z article:section: Entertainment og:title: BBC America's Exhilarating 'Mood' Marks the Arrival of a Multitalented Artist og:description: Nicôle Lecky joins the ranks of Phoebe Waller-Bridge and Michaela Coel with this musical drama about a struggling singer og:url: https://time.com/6227822/mood-review-bbc-america/ og:site_name: TIME og:image: https://static.time.com/v3/assets/bltea6093859af6183b/blt8c99a1dfc6f28717/698a370dd07533e711e6d666/mood1.jpeg?branch=production&width=3840&quality=75&auto=webp&crop=16:9 og:image:width: 1200 og:image:height: 675 og:image:alt: mood1 og:type: article twitter:card: summary_large_image twitter:title: BBC America's Exhilarating 'Mood' Marks the Arrival of a Multitalented Artist twitter:description: Nicôle Lecky joins the ranks of Phoebe Waller-Bridge and Michaela Coel with this musical drama about a struggling singer twitter:image: https://static.time.com/v3/assets/bltea6093859af6183b/blt8c99a1dfc6f28717/698a370dd07533e711e6d666/mood1.jpeg?branch=production&width=3840&quality=75&auto=webp&crop=16:9 ---  # BBC America's Exhilarating _Mood_ Marks the Arrival of a Multitalented Artist > Sponsored content. 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Terms and conditions apply. * Savings buckets are a feature of Ally Bank's Savings Account. * No ATM fees from Ally Bank at Allpoint and Moneypass ATMs plus we reimburse for fees charged by other ATM owners nationwide up to $10 per statement cycle. * Early direct deposit offers eligible direct deposits up to two days sooner. * Spending buckets are a feature of Ally Bank's Spending Account.  by [Judy Berman](https://time.com/author/judy-berman/)  ## Judy Berman TV Critic Nov 4, 2022 3:01 PM UTC  Nicôle Lecky in Mood Nicôle Lecky in MoodBBC America  by [Judy Berman](https://time.com/author/judy-berman/)  ## Judy Berman TV Critic Nov 4, 2022 3:01 PM UTC For a young artist with dreams of conquering the world, the gulf between aspiration and reality can seem unbridgeable. In fact, it usually is. So how is a person supposed to make a life for herself when she’s talented but also broke, lonely, self-destructive, decidedly unfamous, and the only career path that appeals is to somehow become the next [Beyoncé](https://time.com/5793791/beyonce-100-women-of-the-year/)? _Mood_, a six-part British musical drama that premieres Nov. 6 on BBC America and AMC+, is executive producer, writer, and star Nicôle Lecky’s inventive and empathetic attempt to chart a course. Try not to judge its heroine too harshly at first glance. We meet 25-year-old songwriter and aspiring pop star Sasha Clayton (Lecky, a [_Sense8_](https://time.com/3903793/review-sense8-netflix-wachowskis/)alum) on what might be the worst day of her life. After waking from a nightmare, she makes a frantic effort to piece together the events of the previous evening; clues include black smudges on her hands, the remains of greasy takeout, and dozens of missed calls and desperate texts to her ex-boyfriend, Anton (Jordan Duvigneau). Because she still lives with her mother (Jessica Hynes), stepfather (Paul Kaye), and teenage half-sister (Mia Jenkins)—who are already sick of her lying, weed-smoking, and clambering in drunk at all hours—they’re all present when a police officer shows up to question her about a fire that “someone” set in Anton’s garden. The the stepdad informs Sasha that the family is moving, without her. A physical fight breaks out. Suddenly, she has no place to live. A period of increasingly desperate couchsurfing leaves her with little choice but to move in with a new acquaintance—a gorgeous, charismatic Instagram influencer who calls herself Carly Visionz ([_Brave New World_](https://time.com/5863307/brave-new-world-peacock-review/)’s Lara Peake). With her designer wardrobe, glamorous social calendar, and adoring followers, Carly lives the life of Sasha’s fantasies. So what if she pays for it by making X-rated videos for subscribers on an off-brand version of [OnlyFans](https://time.com/collection/time100-companies/5950032/onlyfans/)? Ambivalent about sex work but dazzled by the lifestyle it supports, Sasha ignores many red flags as she grows closer to Carly and drifts farther from her dream of becoming a major recording artist, instead of just dressing like one.  Lara Peake, left, and Nicôle Lecky in Mood BBC America _Mood_ fits snugly into a TV landscape that has been reshaped, over the past decade, by female creators attuned to both a uniquely millennial brand of feminism and a uniquely millennial experience of aimlessness. Like [Issa Rae](https://time.com/collection/100-most-influential-people-2022/6177737/issa-rae-icons/)’s hip-hop dramedy [_Rap Sh!t_](https://time.com/6197265/rap-shit-girls5eva-girl-bands-tv-shows/), _Mood_ situates characters at the intersection of the music industry, social media, and sex work, where dollar signs dissolve boundaries. Like [Phoebe Waller-Bridge](https://time.com/collection/100-most-influential-people-2020/5888489/phoebe-waller-bridge/)’s [_Fleabag_](https://time.com/5590251/fleabag-season-2-review/)and [Michaela Coel](https://time.com/collection/100-most-influential-people-2020/5888492/michaela-coel/)’s [_Chewing Gum_](https://time.com/4724864/michaela-coels-chewing-gum-netflix-season-2/), it’s an adaptation of a solo stage show that marks the arrival on TV of a multitalented artist with something profound to say about being a young woman in the UK right now. And like [Rachel Bloom’s _Crazy Ex-Girlfriend_](https://time.com/4185470/crazy-ex-girlfriend-rachel-bloom-spanx-diversity-cw/)—minus the novelty-track quirk—it reveals its protagonist’s interior world through original songs and musical numbers that unfold mostly in her imagination. Though it’s easy to guess at Lecky’s influences, her natural, nuanced performance and Sasha’s depth of character ensure that _Mood_ never comes across as derivative. There’s no denying that Sasha can be narcissistic and defensive and arrogant, that she lies to get what she wants and lashes out when she doesn’t, that she wants to reap all the rewards that come with artistic achievement without putting in any of the requisite effort. But she’s also a biracial woman who feels like an outsider in her all-white family; Sasha’s mom doesn’t even understand why they can’t use the same hairstylist. Her breakup with Anton isn’t as simple as it seems. And her fear of rejection—or maybe just of [being perceived](https://defector.com/on-being-perceived/)—keeps her from performing in public.  Nicôle Lecky in Mood Natalie Seery—BBC Studios—Bonafide Films Yet Sasha’s latent capacity for growth comes through in her introspective music. Each episode is punctuated by eloquent, self-aware songs that straddle pop, R&B, and hip-hop. At a benefits office in London’s East End, she strikes up a jaunty tune that redirects bureaucrats’ open disdain for the poor at the do-nothing government employees themselves. In a quieter moment, Sasha envisions herself as a lounge singer, serenading her indifferent family with the heartbreaking lamentation, “I’m nobody’s favorite.” Lecky has an ear for the absurdities of spoken language in the age of the influencer, too. “This is a sponsored outfit,” Carly explains, straight-faced, to the stranger she recruits to photograph her and Sasha at the gym. As in real life, cynicism, hypocrisy, and performative positivity infect social media like a virus. Sasha’s sister Megan, who idolizes Carly, enthuses that “she doesn’t let anyone police her naked body.” If the show isn’t quite the same tour de force as Coel’s and Waller-Bridge’s debuts, blame the pacing. _Mood_ moves slowly in its first half, then rushes a resolution in the finale that hews a bit too closely to the prototypical tropes of the trauma plot. But the penultimate episode, a standalone psychological thriller set amid a harrowing “girls trip,” is as masterly an hour of TV as I’ve seen this year. The chaotic chemistry between Lecky and Peake, who’s fantastic as a party girl with a dark side, makes their many scenes together riveting. As the two women’s relationship develops into something more codependent and complex, it becomes clear that deciding who you _don’t_ want to be is a crucial part of figuring out who you are. “I am just trying to live my truth,” Sasha glibly announces in the premiere. 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