--- title: The Woman King Is an Exhilarating Action Spectacle description: Viola Davis stars in Gina Prince-Bythewood’s historical action epic, based on a fearsome female military force known as the Agojie. canonical: https://time.com/6213834/the-woman-king-review-viola-davis/ author: Stephanie Zacharek article:opinion: false article:content_tier: free article:published_time: 2022-09-16T16:51:44.000Z article:modified_time: 2026-05-11T04:53:54.738Z article:section: Entertainment og:title: The Woman King Is an Exhilarating Action Spectacle og:description: Viola Davis stars in Gina Prince-Bythewood’s historical epic, based on a female military force known as the Agojie og:url: https://time.com/6213834/the-woman-king-review-viola-davis/ og:site_name: TIME og:image: https://static.time.com/v3/assets/bltea6093859af6183b/blte38c6a759a1fa65b/698a358122fb85c1f9e2de07/wk5.jpg?branch=production&width=3840&quality=75&auto=webp&crop=16:9 og:image:width: 1200 og:image:height: 675 og:image:alt: 2470911 - THE WOMAN KING og:type: article twitter:card: summary_large_image twitter:title: The Woman King Is an Exhilarating Action Spectacle twitter:description: Viola Davis stars in Gina Prince-Bythewood’s historical epic, based on a female military force known as the Agojie twitter:image: https://static.time.com/v3/assets/bltea6093859af6183b/blte38c6a759a1fa65b/698a358122fb85c1f9e2de07/wk5.jpg?branch=production&width=3840&quality=75&auto=webp&crop=16:9 ---  # _The Woman King_ Is an Exhilarating Action Spectacle With a Beating Heart > Sponsored content. 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Terms and conditions apply. * Savings buckets are a feature of Ally Bank's Savings Account. * No ATM fees from Ally Bank at Allpoint and Moneypass ATMs plus we reimburse for fees charged by other ATM owners nationwide up to $10 per statement cycle. * Early direct deposit offers eligible direct deposits up to two days sooner. * Spending buckets are a feature of Ally Bank's Spending Account.  by [Stephanie Zacharek](https://time.com/author/stephanie-zacharek/)  ## Stephanie Zacharek Film Critic Sep 16, 2022 4:51 PM UTC  Viola Davis as General Nanisca in 'The Woman King' Viola Davis as General Nanisca in 'The Woman King'Ilze Kitshoff—Sony Pictures Entertainment  by [Stephanie Zacharek](https://time.com/author/stephanie-zacharek/)  ## Stephanie Zacharek Film Critic Sep 16, 2022 4:51 PM UTC We’ve become so conditioned by years of watching men fight men onscreen—jabbing with spears, blamming with guns, high-kicking the daylights out of each other with a mighty _oof_—that, the Amazons of the _Wonder Woman_ movies notwithstanding, it’s a novelty to see women going at it. That’s just one of the pleasures of [Gina Prince-Bythewood’s](https://time.com/collection/american-voices-2017/4696466/gina-prince-bythewood-filmmaker/) history-based adventure epic _The Woman King,_ starring [Viola Davis](https://time.com/collection/2017-time-100/4736294/viola-davis/) as the general of an all-woman army. The setting is the real-life West African kingdom of 19th century Dahomey, which boasted a fearsome [female military force known as the Agojie](https://time.com/5171219/black-panther-women-true-history/). Though screenwriter Dana Stevens, working from a story by Maria Bello, has taken some liberties with historical facts, these warrior women really did exist, and as depicted in the movie, Dahomey did traffic slaves, selling its captives of war to European slave traders, thus bulking up its riches and bolstering its power. But if the film’s historical underpinnings are fascinating, it works beautifully on a mythical level as well: it’s exhilarating to watch these women fighting possibly even more fearlessly than men do, even as they navigate the complications of living within their own close-knit society. This is an action spectacle with a beating heart. Davis plays Nanisca, and our first glimpse of her and her troops in the opening scene is a magnificent one: as they’re set to attack an enemy encampment, Nanisca rises from a field of grassy cover, her eyes resolute as a tiger’s; the other women pop up around her, silently, though you can almost hear their nerves whirring. The battle sequence that follows is sharp and concise, a cyclone of sinewy limbs and blazing machetes that’s part stylized interpretive dance, part traditional fight choreography. Just to watch these women move is galvanizing. **Read more:** [_The 52 Most Anticipated Movies of Fall 2022_](https://time.com/6206648/fall-movies-2022/) The mechanics of the story are rooted in the complexities of West African history: A new king of Dahomey, Ghezo (John Boyega), has ascended the throne, and he and his general Nanisca, whom he respects more than anyone in his kingdom, seek to break from the powerful Oyo Empire, to which Dahomey has long paid tribute. Both the Oyo and the Dahomey feed the slave trade to some degree, a reality that doesn’t sit well with Nanisca: She’s ambitious—she aspires to be named the Woman King, an honor that Ghezo has the power to bestow on her. But she also urges Ghezo to find ways beyond slave trafficking to enrich his kingdom—she believes the export of palm oil could be the answer.  Lashana Lynch in the midst of fierce battle Ilze Kitshoff—Sony Pictures Entertainment Yet as wise and respected Nanisca she is, she’s plagued by personal demons that she has kept secret from nearly every one of her sister soldiers. The arrival of a ball-of-fire new recruit, Nawi (played, wonderfully, by Thuso Mbedu, of _The_ _Underground Railroad_), rattles her composure further. Davis, unsurprisingly, is terrific at balancing Nanisca’s blazing confidence with her gnawing self-doubt, though another actor comes close to stealing the show: As Izogie, the soldier in charge of training the young aspiring warriors, Lashana Lynch doesn’t so much stride through the movie as whirl her way through it, often on a cloud of wit. Her heavy eyebrows frame her mischievous eyes like a hovering cloud; she’s like a gorgeous, Amazonian Groucho. In a scene where she explains to Nawi how she strives to find just the right stone to sharpen her machete, she also proffers her magnificently pointed talons as an auxiliary weapon, excellent for plucking out eyeballs. Nawi is deeply impressed, even as she flinches. This is a manicure you don’t want to mess with. **Read more:** [_The Best Movies of 2022 So Far_](https://time.com/6182325/best-movies-2022-so-far/) There’s a great deal of pageantry and glamor in the costumes and production design, courtesy of Gersha Phillips and Akin McKenzie: The warriors wear dazzling stripey tunics; fierce-looking tailored cuffs curl around their ears. The palace courtyards, where the women learn to fight, are a rich playground of sandy reds and golds. Shot by Polly Morgan, the movie has a fanciful, imaginative look rather than a stolidly historical one, though it’s easy enough to imagine these women, en masse, as real human beings who lived and breathed in another time and place. _The Woman King_ is also further proof, if you need it, of Prince-Bythewood’s sterling instincts. One of the great things about movies as we near the second quarter of the 21st century is that people are finally hip to her skills as a filmmaker. She’s made superb dramas about what it means to be an ambitious woman in the world, like the 2000 [_Love and Basketball_](https://time.com/5822507/love-and-basketball-movie-20th-anniversary/)_,_ now rightly considered a classic, as well as the marvelous 2014 meditation on stardom and power [_Beyond the Lights_](https://time.com/3819780/beauty-and-the-beast-gugu-mbatha-raw/)_._ It’s only recently that mainstream audiences have stopped to consider what it means to be a Black woman trying to get a movie made; Prince-Bythewood has been _living_ that fight for more than two decades. It’s fitting that she’s made a movie about literal women warriors, after years of getting the job done and doing it right, while so many people were looking the other way. 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