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---
title: Rihanna Defended for Texting, Late at Slave Play Broadway
description: Slave Play playwright Jeremy O. Harris defended Rihanna after critics slammed her for arriving late and texting during the broadway show.
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author: Cady Lang
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article:published_time: 2019-09-17T16:44:49.000Z
article:modified_time: 2026-04-13T08:00:18.803Z
og:title: Rihanna Defended for Texting at Broadway Show Slave Play
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og:image:alt: Rihanna&#x27;s 5th Annual Diamond Ball
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# Rihanna Arrived Late and Texted During Broadway Show 'Slave Play.' Here's Why Playwright Jeremy O. Harris Is Defending Her From Critics

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![Cady Lang](https://static.time.com/v3/assets/bltea6093859af6183b/bltd534f2cb81c3b094/69894087e76ad2e66b633ad3/c_lang.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1:1)

by 

[Cady Lang](https://time.com/author/cady-lang/)


![Cady Lang](https://static.time.com/v3/assets/bltea6093859af6183b/bltd534f2cb81c3b094/69894087e76ad2e66b633ad3/c_lang.jpg?branch=production&width=96&quality=75&auto=webp)

## Cady Lang


Sep 17, 2019 4:44 PM UTC

![Rihanna's 5th Annual Diamond Ball](https://static.time.com/v3/assets/bltea6093859af6183b/blteda4ef4b99cf6737/698a0300011682112097e386/rihanna-slave-play-broadway.jpg?branch=production&width=1200&quality=75&auto=webp&crop=3:2)

NEW YORK, NEW YORK - SEPTEMBER 12: Rihanna attends the 5th Annual Diamond Ball benefiting the Clara Lionel Foundation at Cipriani Wall Street on September 12, 2019 in New York City. (Photo by Taylor Hill/WireImage)

NEW YORK, NEW YORK - SEPTEMBER 12: Rihanna attends the 5th Annual Diamond Ball benefiting the Clara Lionel Foundation at Cipriani Wall Street on September 12, 2019 in New York City. (Photo by Taylor Hill/WireImage) Taylor Hill—WireImage

![Cady Lang](https://static.time.com/v3/assets/bltea6093859af6183b/bltd534f2cb81c3b094/69894087e76ad2e66b633ad3/c_lang.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1:1)

by 

[Cady Lang](https://time.com/author/cady-lang/)


![Cady Lang](https://static.time.com/v3/assets/bltea6093859af6183b/bltd534f2cb81c3b094/69894087e76ad2e66b633ad3/c_lang.jpg?branch=production&width=96&quality=75&auto=webp)

## Cady Lang


Sep 17, 2019 4:44 PM UTC

[_Slave Play_](https://time.com/5663574/fall-theater-2019/) playwright Jeremy O. Harris is defending music and fashion doyenne [Rihanna](https://time.com/5644171/rihanna-donald-trump-tweet-mass-shooting/) after online critics took her to task for arriving late and texting during a preview of the Broadway show.

Harris, who interviewed Rihanna earlier this year for [_T Magazine_](https://www.nytimes.com/interactive/2019/05/20/t-magazine/rihanna-fenty-louis-vuitton.html), took to his Twitter to address the critiques, where he tweeted that Rihanna, “a patron saint of the play I wrote,” and her music played a key role in the play’s conception. He also noted that she was texting him during the play and he responded.

“The patron saint of the play I wrote is literally a pop star, fashion icon, and Demi-goddess named Rihanna,” Harris wrote in a quote tweet of another post that criticized special treatment of the singer. “Her words are all over it. She’s a 9th character in the play. When Dionysus is coming, you hold the curtain.”

> [](https://twitter.com/somedayboy/status/1173628343440293892)

> [](https://twitter.com/somedayboy/status/1173318663316889608)


> [](https://twitter.com/jenn32870/status/1173943354368962562)

Rihanna’s influence on the play, is overt and integral. Audio from her hit 2016 song [“Work”](https://time.com/4195453/rihanna-work-drake-new-song-anti/) opens and closes the play and plays a key role in the storyline throughout, while a lyric from the song is featured prominently as part of the set.

> [](https://twitter.com/jeremyoharris/status/1173106496844029953)

> [](https://twitter.com/jeremyoharris/status/1173361628953399296)


Harris also used criticism of Rihanna’s attendance and behavior as a way to open up a dialogue about respectability politics inherent in traditional theater etiquette and the issue of accessibility in the theater world. _Slave Play,_ which parses out the complexities of race, gender and sexuality in three contemporary interracial relationships, has put accessibility at the forefront of the production, offering 10,000 tickets at $39 and introducing a digital lottery and in-person rush system; at just six previews so far, the play has filled a nearly 99% capacity.

> [](https://twitter.com/jeremyoharris/status/1173366886328930304)

> [](https://twitter.com/jeremyoharris/status/1149336420852600832)


Harris also organized a night for a showing of _Slave Play_ with an all-black audience, something he felt was important “after years of being the only black person in an audience of white faces…it felt like a corrective might be in order to show the potentialities of the space.”

> [](https://twitter.com/jeremyoharris/status/1173703601614655494)

> [](https://twitter.com/jeremyoharris/status/1173704383667810305)

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