--- title: Philip Pullman Is Building New Worlds With La Belle Sauvage description: Lyra plays a passive role in this book, being only a few months old. But the next book—The Secret Commonwealth—will visit her 20 years later. canonical: https://time.com/4988596/philip-pullman-la-belle-sauvage/ author: Dan Stewart article:opinion: false article:content_tier: free article:published_time: 2017-10-19T13:06:21.000Z article:modified_time: 2026-02-23T17:55:09.300Z article:section: Entertainment og:title: Philip Pullman Has Made a Career Building New Worlds. He’s Not Done Yet og:description: The author's new trilogy follows the beloved 'His Dark Materials' og:url: https://time.com/4988596/philip-pullman-la-belle-sauvage/ og:site_name: TIME og:image: https://static.time.com/v3/assets/bltea6093859af6183b/bltdf0bc58c567f0cd0/6988e292ab6d772a8e6b0466/philip-pullman_lkfb.jpg?branch=production og:image:width: 4844 og:image:height: 2725 og:image:alt: scan 012 og:type: article twitter:card: summary_large_image twitter:title: Philip Pullman Has Made a Career Building New Worlds. He’s Not Done Yet twitter:description: The author's new trilogy follows the beloved 'His Dark Materials' twitter:image: https://static.time.com/v3/assets/bltea6093859af6183b/bltdf0bc58c567f0cd0/6988e292ab6d772a8e6b0466/philip-pullman_lkfb.jpg?branch=production ---  # Philip Pullman Has Made a Career Building New Worlds. He’s Not Done Yet  by [Dan Stewart](/author/dan-stewart/)  ## Dan Stewart Oct 19, 2017 1:06 PM CUT  scan 012 scan 012Lewis Khan for TIME  by [Dan Stewart](/author/dan-stewart/)  ## Dan Stewart Oct 19, 2017 1:06 PM CUT When Philip Pullman was 10 years old, he witnessed a vision that has stayed with him ever since. The year was 1956, and he was living in South Australia, where his stepfather was a pilot with Britain’s Royal Air Force. The River Murray floods that year had left huge parts of the region underwater, and he remembers being driven out to see it. “It was astonishing,” the 70-year-old British author says now. “It was an immense mass, as wide as the sea, of gray water whipped up by a cold wind. The power of it. It was an impression that never left me.” It’s this memory that inspired the flood at the center of [_La Belle Sauvage_](https://www.amazon.com/gp/product/0553510746/ref=as%5Fli%5Fqf%5Fasin%5Fil%5Ftl?ie=UTF8&tag=time037-20&creative=9325&linkCode=as2&creativeASIN=0553510746&linkId=fb940037b6893e1ebbfb84a619f8bb5d "undefined"), the first volume of the _Book of Dust_, Pullman’s new trilogy set in the universe of his fantasy series [_His Dark Materials_](https://www.amazon.com/gp/product/0440419514/ref=as%5Fli%5Fqf%5Fasin%5Fil%5Ftl?ie=UTF8&tag=time037-20&creative=9325&linkCode=as2&creativeASIN=0440419514&linkId=c90268c0951cceeeeab24eaeeb1061ef "undefined"). Released between 1995 and 2000, the three novels that launched the franchise entered the canon of young-adult fiction and, alongside the [_Harry Potter_](http://time.com/4935766/jk-rowling-on-fan-question/ "undefined") series, stands as an early example of the cross-generational appeal of the genre. In 2003, Pullman’s fellow Brits voted the entire trilogy their third favorite book of all time, after [_The Lord of the Rings_](http://time.com/4655338/lord-of-the-rings-reunion-orlando-bloom-elijah-wood/ "undefined") and [_Pride and Prejudice_](http://time.com/4212388/classic-love-stories-valentines-day/item/pride-and-prejudice/ "undefined"). _His Dark Materials_ is mostly set in a parallel universe where the supernatural is everyday; ageless witches exist alongside warrior polar bears; and every human has a “daemon,” a kind of spirit animal with which it shares a soul. The books also wrestle with weighty metaphysical themes, influenced by the poetry of [William Blake](https://www.poetryfoundation.org/poets/william-blake "undefined") and John Milton’s [_Paradise Lost_](http://www.paradiselost.org/8-Search-All.html "undefined"). The villains are the forces of organized religion, and the heroes seek to challenge and overturn the order of the monotheistic universe. The final book ends with Pullman’s heroine, Lyra, unwittingly restaging the fall of man and setting out to create a “Republic of Heaven,” a principled democracy rather than a dictatorship under the authority of God. These heretical themes saw the books condemned by church groups in the U.S., especially after the 2007 movie adaptation of the first volume, [_The Golden Compass_](http://www.imdb.com/title/tt0385752/ "undefined"), brought them wider attention. In the following two years the trilogy was among the country’s most frequently challenged books, according to the American Library Association, as anxious parents attempted to have it removed from public and school libraries. “Atheism for kids,” the Catholic League announced in 2007, “that is what Philip Pullman sells.” In person, Pullman doesn’t seem much like a threat to the moral order. He strikes an avuncular, professorial figure at home in his low-ceilinged cottage just outside of Oxford. But there’s a streak of eccentricity too. While he was writing _La Belle Sauvage_, he vowed not to cut his hair until he was finished. “It was superstition,” he says, “or a bargain with the muse or something. ‘If I don’t cut my hair, this book will be all right.’” He still has the hair, he says, stashed away in a Ziploc bag. “I’m going to give it to the Bodleian Library,” he adds, referring to the University of Oxford’s research library. The fury over _His Dark Materials_ has worn away over the years, and the letters Pullman once regularly received from readers telling him he was going to hell seldom come anymore. He sounds rather disappointed to report that “clearly, no evident evil has sprouted from its presence in the world for 20 years. There’s nothing they can point to and say, This man ought to be burned at the stake.” Despite the presence of a biblical-style flood in its second half, there’s little to object to in _La Belle Sauvage_, which comes out on Oct. 19\. Where the first trilogy traverses worlds to question the fundamentals of existence, this prequel shrinks the canvas to tell a more simplistic story about “the dangers of what Blake called single vision,” Pullman explains, “a narrow, dogmatic point of view that excludes every other angle of vision but what it deems to be true.” Set about a decade before the events of the original trilogy, _La Belle Sauvage_ tells the story of Malcolm, the 11-year-old son of an innkeeper in Oxford. In between helping out at his dad’s pub and riding the city’s canals in the beloved canoe that gives the book its title, Malcolm is introduced to a baby, Lyra, who is being looked after by an order of nuns at a nearby priory. Over the course of the novel, set almost entirely in Oxfordshire, it falls to Malcolm to protect Lyra from the forces threatening her—not just the rising floodwaters but also the various agents of a tyrannical church, or “Magisterium,” now growing in power. In the book’s first half Pullman delves into the authority the Magisterium has accumulated over this alternative version of Britain. It’s a grim vision of totalitarianism: dissenters are “disappeared” or forced to go into hiding. Scientists must carry out their work in secret. A sinister youth organization turns schoolkids into informers. The historical parallels with the Spanish Inquisition and the Soviet Union are unmistakable, but Pullman says similar forces still exist today. “In the Middle East, and in isolated pockets of Western Europe, we see people, especially young men, who love the idea of an absolute answer to everything,” he says. “That cast of mind has not very often acquired political power, but when it does it’s absolutely murderous.” Eventually the flood comes, transporting Malcolm into more fantastical territory as he, Lyra and teenage companion Alice travel through a mysterious, shadowy world inspired by British folklore. As an influence, Pullman cites _The Secret Commonwealth_, a treatise written by Scottish clergyman [Robert Kirk](https://en.wikipedia.org/wiki/Robert%5FKirk%5F%28folklorist%29 "undefined") in the early 1690s on the world of fairies, witchcraft and second sight. “I’m fascinated by that world,” he says. “And it’s the complete opposite of the world that science tells us about.” Although Pullman is an admirer of writers about science, he believes they are as susceptible to the dangers of a “single vision” as politicians or zealots. “They might say X is nothing more than Y,” he says, “or love is nothing more than the excitation of neurons in the brain, for example. I would much rather say love is the excitation of neurons in the brain, among other things. And we’re not truly seeing it unless we see all of those things. And that is something Lyra and Malcolm will have to learn.” Lyra plays little more than a passive role in this book, being only a few months old. But the next book—titled _The Secret Commonwealth_—will visit her 20 years later. “She’s going to be an undergraduate and her own woman, and she’s going to have the beginnings of an adult’s preoccupations,” Pullman says. “And, um, there will be trouble.” He hints that it will be partly set in Central Asia and that there will be a “bit of a surprise” in store about Lyra’s connection to a major character in _La Belle Sauvage_. There’s more of Pullman’s work on the horizon. The [BBC is developing a television adaptation](http://time.com/4098086/pullman-dark-materials-tv-series/ "undefined") of the first trilogy penned by Jack Thorne, the playwright responsible for [_Harry Potter and the Cursed Child_](http://time.com/4768171/harry-potter-cursed-child-broadway-opening-night/ "undefined"). _The Golden Compass_ was an infamous box-office flop, and while Pullman won’t be drawn out about that, he does say he feels his work is better suited to the small screen. “The thing about a movie is that you’ve got to distill 12 to 13 hours of story into 120 minutes, and, of course, you can’t do it because you have to leave things out,” he says. “The great advantage of the new world of long-form television is that you can allow the time for a story to develop.” The new world of television has also given us [_Game of Thrones_](https://www.amazon.com/gp/product/0345535529/ref=as%5Fli%5Fqf%5Fasin%5Fil%5Ftl?ie=UTF8&tag=time037-20&creative=9325&linkCode=as2&creativeASIN=0345535529&linkId=5570922fdfbd9eb3ee0c9fc64beb5c6e "undefined"), another epic series of books set in a parallel fantasy universe and made into a [very successful HBO show](http://time.com/game-of-thrones-2017/ "undefined"). Is he a fan? “Not really my sort of thing,” Pullman says. “I don’t watch or read very much fantasy.” He considers himself a realist more than a fabulist, a fact that might surprise ardent Pullmaniacs obsessed with the universe he has built. In fact, he says, the driving force behind his choice of genre is less a desire to build new worlds than a simple reluctance to explore this one. “It’s because I’m a lazy bastard,” he jokes. “Too idle to get up off my backside and do any research in the real world.” Pullman is similarly humble when I ask what he wants the reader to take away from this new book, what that great flood inspired by a childhood vision really means. “The meaning of the book is never just what the author thinks it is. It’s a great mistake to rely on the author to tell you,” he says. “We don’t know. 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