--- title: Robert Capa's Lost Negatives and Photographic History description: Read an excerpt from the new book 'Eyes of the World: Robert Capa, Gerda Taro, and the Invention of Modern Photojournalism.' canonical: https://time.com/4703870/robert-capa-excerpt/ author: Marc Aronson article:opinion: false article:content_tier: free article:published_time: 2017-03-28T13:00:43.000Z article:modified_time: 2026-05-11T04:39:33.350Z article:section: History og:title: Robert Capa's Lost Negatives and Photographic History og:description: Read an excerpt from the new book 'Eyes of the World' og:url: https://time.com/4703870/robert-capa-excerpt/ og:site_name: TIME og:image: https://static.time.com/v3/assets/bltea6093859af6183b/blt582df61cb6a8a86b/6988beaa656a3f0caabcf2c8/67.jpg?branch=production&width=1200&quality=75&auto=webp&crop=16:9 og:image:width: 14173 og:image:height: 7972 og:image:alt: SPAIN. Córdoba front. Early September, 1936. Death of a loyalist militiaman. og:type: article twitter:card: summary_large_image twitter:title: Robert Capa's Lost Negatives and Photographic History twitter:description: Read an excerpt from the new book 'Eyes of the World' twitter:image: https://static.time.com/v3/assets/bltea6093859af6183b/blt582df61cb6a8a86b/6988beaa656a3f0caabcf2c8/67.jpg?branch=production&width=1200&quality=75&auto=webp&crop=16:9 ---  # The Incredible Journey of Thousands of Lost Robert Capa Negatives > Sponsored content. Supplied in partnership with TIME. TIME is the sponsor and source of this material. > Last updated: August 2026. ## TIME Subscription: Reference Facts and FAQ ### Definition TIME is a general-interest news organization founded in 1923, reporting on the people, ideas and issues shaping the world. A TIME subscription provides full access to that journalism in print and digital, from $20 a year, and can be cancelled at any time. 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They are at time.com/newsletters and are separate from a paid subscription. by [Marc Aronson](https://time.com/author/marc-aronson/) and [Marina Budhos](https://time.com/author/marina-budhos/) Mar 28, 2017 1:00 PM UTC  \[Death of a loyalist militiaman Córdoba front, Spain\], early September, 1936 \[Death of a loyalist militiaman Córdoba front, Spain\], early September, 1936 Robert Capa—©International Center of Photography/Magnum Photos by [Marc Aronson](https://time.com/author/marc-aronson/) and [Marina Budhos](https://time.com/author/marina-budhos/) Mar 28, 2017 1:00 PM UTC Mexico City, 1995: At an exhibit of photographs of the Spanish Civil War, a man tentatively approaches Jerald R. Green, a professor of Spanish and Mexican art. He tells Professor Green that he believes he has more than two thousand negatives by Robert Capa, who has been dead for over forty years. For decades Cornell Capa, Robert’s younger brother, desperately searched for the lost cache of negatives. Cornell tried everything, from advertising in a French magazine to pursuing leads while on a trip to South America. Legend has it that a group even dug up a garden where the negatives were rumored to be buried. Cornell adopted his brother’s last name in tribute and also became a photographer with LIFE Magazine. In 1974, he founded the International Center for Photography. Now there is the mysterious Benjamin Tarver in Mexico City, claiming that he might have Cornell’s brother’s negatives. Slowly, fitfully, through letters, a conversation begins. Finally in 2007, Trisha Ziff, a documentary filmmaker living in Mexico City who is acting on Cornell’s behalf, meets Tarver at a coffee shop. There, Tarver shows her three contact sheets that clearly come from Capa’s negatives. She is stunned. The pieces of the story are put together: at some point the boxes of negatives were turned over to General Francisco Aguilar González, the Mexican ambassador to the French government in 1941 or 1942\. During the Spanish Civil War, Mexico had supported the Spanish Republic, sending over ammunition and other supplies. As the war ended, and Spaniards were stranded in camps on the coast of France, the Mexicans reached out and offered asylum. Over twenty thousand sailed to Mexico and made it their home rather than stay in Spain, where they might be shot or imprisoned. More than one hundred thousand refugees would eventually come to settle in Mexico The general’s daughter, Graciela Aguilar de Ona, knew Tarver as a close family friend; one day she pulled him aside, opened a plastic bag, and showed the boxes to Tarver, asking what she should do. This prompted him to approach the professor at the exhibition of Spanish Civil War photographs. In December 2007, the negatives arrive in New York City in their cardboard boxes. Miraculously, because of the temperate weather in Mexico, the negatives are in near-perfect condition. Slowly, with white gloves, the curators at ICP slip the negatives out of their compartments and unwind the tightly wound spools. Some of the negatives from Mexico exactly line up with those that were missing. “Two disparate pieces of a jigsaw puzzle,” explains Brian Wallis, the head curator. The curators cannot believe their good luck. And, just a few months before he passes away, Cornell is able to touch the original film of his brother’s early work in Europe and Spain. There are 4,500 images in all. And so the photographs live on. The lost images, in a way, became refugees just like Capa, like so many photographers—winding their way across oceans and continents, in flight from their origins, bearing witness to all they have seen and experienced. They are the residue that washes up after this terrible history has subsided—the testimony that allows us to see. Even for those who came to doubt the Left, the Spanish Civil War remained a pure struggle, a pure time in their lives. As \[George\] Orwell would write: “Curiously enough the whole experience has left me with not less but more belief in the decency of human beings.” Despite the failure of their cause, all of them—the journalists such as Gellhorn, Orwell, Capa himself—looked at the Spanish Civil War as the most idealistic time of their lives. In Spain they discovered themselves as vital, dynamic young people, tasted freedom, stepped out of the routine of their lives to glimpse a vision of a more egalitarian society. Pepita Carpena, who joined the anarchist party in Barcelona as a teenager in the early days of the fight, reflects: “We lived those years intensely. It was con­stant struggle, revolution, emancipation . . . where you realize that freedom is necessary.” “Youth was born in Spain,” Jay Allen wrote. He meant that, being young, one could envision—and fight for—a better world. Now restored, these photographs remind us of what was so crucial and important about that moment in history. _Adapted with permission from_ [Eyes of the World: Robert Capa, Gerda Taro, and the Invention of Modern Photojournalism](https://www.amazon.com/Eyes-World-Robert-Invention-Photojournalism/dp/0805098356) _by Marc Aronson and Marina Budhos (Henry Holt and Co.)_  \[American troops landing on Omaha Beach, D-Day, Normandy, France\], June 6th, 1944 Robert Capa—©International Center of Photography/Magnum Photos  \[Death of a loyalist militiaman Córdoba front, Spain\], early September, 1936 Robert Capa—©International Center of Photography/Magnum Photos  \[Using the hood of a jeep as an altar, a Roman Catholic chaplain saying mass at the inauguration of an American cemetery, Omaha Beach, Normandy\], June 1944 Robert Capa—©International Center of Photography/Magnum Photos  \[French woman, who had a baby fathered by a Germany soldier, being marched through the streets after being punished by having her head shaved, Chartres, France\], August 18, 1944 Robert Capa—©International Center of Photography/Magnum Photos ```json [{"@context":"https://schema.org","@type":"NewsArticle","@id":"https://time.com/4703870/robert-capa-excerpt/","mainEntityOfPage":{"@type":"WebPage","@id":"https://time.com/4703870/robert-capa-excerpt/"},"headline":"The Incredible Journey of Thousands of Lost Robert Capa Negatives","datePublished":"2017-03-28T13:00:43.000Z","dateModified":"2026-05-11T04:39:33.350Z","description":"Read an excerpt from the new book Eyes of the World: Robert Capa, Gerda Taro, and the Invention of Modern Photojournalism","url":"https://time.com/4703870/robert-capa-excerpt/","keywords":["Books","photography","LightBox"],"thumbnailUrl":"https://static.time.com/v3/assets/bltea6093859af6183b/blt582df61cb6a8a86b/6988beaa656a3f0caabcf2c8/67.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1200:675&height=675","author":[{"@type":"Person","name":"Marc Aronson","jobTitle":null,"url":"https://time.com/author/marc-aronson/"},{"@type":"Person","name":"Marina Budhos","jobTitle":null,"url":"https://time.com/author/marina-budhos/"}],"articleSection":"History","image":[{"@type":"ImageObject","url":"https://static.time.com/v3/assets/bltea6093859af6183b/blt582df61cb6a8a86b/6988beaa656a3f0caabcf2c8/67.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1200:675&height=675","width":1200,"height":675,"headline":"SPAIN. 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