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title: Underfire and Tony Vaccaro: G.I. Who Brought a Camera to War
description: A new HBO documentary examines the life and work of Tony Vaccaro, whose career in photography began with bringing a camera with him to war
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author: Lily Rothman
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article:published_time: 2016-11-10T14:30:53.000Z
article:modified_time: 2026-05-11T04:59:22.895Z
article:section: History
og:title: See What Happened When an Infantryman Brought a Camera to World War II
og:description: A new HBO documentary examines the life and work of Tony Vaccaro
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twitter:title: See What Happened When an Infantryman Brought a Camera to World War II
twitter:description: A new HBO documentary examines the life and work of Tony Vaccaro
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![](https://static.time.com/v3/assets/bltea6093859af6183b/bltdb3e747ca57dbb36/6988abfea988caa8c96b9ee7/161028-tony-vaccaro-02.jpg?branch=production&width=1200&quality=75&auto=webp&crop=16:9)


# What Happened When an Infantryman Brought a Camera to World War II

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![Lily Rothman](https://static.time.com/v3/assets/bltea6093859af6183b/bltd8eb1311b7067f39/698a1248b21a9c0e12504068/Rothman-headshot.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1:1)

by 

[Lily Rothman](https://time.com/author/lily-rothman/)


![Lily Rothman](https://static.time.com/v3/assets/bltea6093859af6183b/bltd8eb1311b7067f39/698a1248b21a9c0e12504068/Rothman-headshot.jpg?branch=production&width=96&quality=75&auto=webp)

## Lily Rothman


Rothman is managing editor at TIME.

Nov 10, 2016 2:30 PM UTC

![Horse Eating Hay, Ruins of Cassino, Italy, 1946 by Tony Vaccaro.](https://static.time.com/v3/assets/bltea6093859af6183b/bltdb3e747ca57dbb36/6988abfea988caa8c96b9ee7/161028-tony-vaccaro-02.jpg?branch=production&width=1200&quality=75&auto=webp&crop=3:2)

Horse Eating Hay, Ruins of Cassino, Italy, 1946.

Horse Eating Hay, Ruins of Cassino, Italy, 1946. Tony Vaccaro—courtesy of HBO

![Lily Rothman](https://static.time.com/v3/assets/bltea6093859af6183b/bltd8eb1311b7067f39/698a1248b21a9c0e12504068/Rothman-headshot.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1:1)

by 

[Lily Rothman](https://time.com/author/lily-rothman/)


![Lily Rothman](https://static.time.com/v3/assets/bltea6093859af6183b/bltd8eb1311b7067f39/698a1248b21a9c0e12504068/Rothman-headshot.jpg?branch=production&width=96&quality=75&auto=webp)

## Lily Rothman


Rothman is managing editor at TIME.

Nov 10, 2016 2:30 PM UTC

It’s not hard to understand why, in 1944, a young man with an eye for photography might want to join the official photographic ranks of the U.S. Army’s Signal Corps. As TIME [explained](http://time.com/vault/issue/1944-11-06/page/72/) that year, they had the twofold mission of both relaying the news of the troops at work so that citizens could keep up with the news and documenting the action for future War Department records.

“Like scores of similar companies on other battlefronts, they had had a high proportion of casualties (seven dead, 14 wounded, three captured out of 62),” the magazine noted. “But their work had paid off by helping to make the battles of World War II the best understood in history.”

So when Tony Vaccaro, then 21, was drafted, that “small, brave group” was where he wanted to end up. But, as he relates in the new HBO documentary [_Underfire: The Untold Story of Pfc. Tony Vaccaro_](http://tonyvaccarofilm.com/), he was told he was too young to qualify as an Army photographer.

Undeterred, despite the knowledge that an infantryman was not supposed to be taking pictures, Vaccaro (not to be confused with the [correspondent of the same name](http://time.com/vault/issue/1947-09-01/page/11/) who worked for the Associated Press during a similar time span) decided to bring his camera along when he went to war. Before the war ended, he had taken more than 8,000 photos—even some that he developed in helmets while on after-dark missions. They offer a rare, close-up view of what a soldier really sees.

[_Get your history fix in one place: sign up for the weekly TIME History newsletter_](http://time.com/newsletter)

After a post-war stint with _Stars and Stripes_, Vaccaro transitioned to a career in news, sports and fashion photography, a world away from the battlegrounds where his camera had proved so crucial. As these images show, it was a drastic transition—but what he had seen during the war stayed with Vaccaro throughout.


_Underfire_ will receive a Veterans Day HBO Go and On Demand preview on Friday before officially debuting on [HBO](http://www.hbo.com/documentaries/underfire-the-untold-story-of-pfc-tony-vaccaro) on Nov. 14.

![Bonafreno Man by Tony Vaccaro](https://static.time.com/v3/assets/bltea6093859af6183b/bltd526624fc5f8df6f/6988abfe2dce011bcb9eb360/161028-tony-vaccaro-01.jpg?branch=production&width=1200&quality=75&auto=webp)

Bonafreno Man, Italy, 1946 Tony Vaccaro—courtesy of HBO

![Horse Eating Hay, Ruins of Cassino, Italy, 1946 by Tony Vaccaro.](https://static.time.com/v3/assets/bltea6093859af6183b/bltdb3e747ca57dbb36/6988abfea988caa8c96b9ee7/161028-tony-vaccaro-02.jpg?branch=production&width=1200&quality=75&auto=webp)

Horse Eating Hay, Ruins of Cassino, Italy, 1946. Tony Vaccaro—courtesy of HBO

![Crying Girl, Italy 1947, by Tony Vaccaro](https://static.time.com/v3/assets/bltea6093859af6183b/blt3207a6ed5145e1b4/6988abfe656a3f2541bcda32/161028-tony-vaccaro-03.jpg?branch=production&width=1200&quality=75&auto=webp)

Crying Girl, Italy, 1947. Tony Vaccaro—courtesy of HBO


![De Kooning Portrait, East Hampton, 1953 by Tony Vaccaro.](https://static.time.com/v3/assets/bltea6093859af6183b/blt40cfc8f8932d01e9/6988abff0a4a226dcc9cbd50/161028-tony-vaccaro-04.jpg?branch=production&width=1200&quality=75&auto=webp)

De Kooning Portrait, East Hampton, 1953. Tony Vaccaro—courtesy of HBO

![Anna Magnani Close up, Rome Italy, 1956, by Tony Vaccaro.](https://static.time.com/v3/assets/bltea6093859af6183b/blt70d118d3ad979454/6988abfff887dc1763e97fb5/161028-tony-vaccaro-05.jpg?branch=production&width=1200&quality=75&auto=webp)

Anna Magnani Close up, Rome Italy, 1956. Tony Vaccaro—courtesy of HBO

![Mary Hilen, Polka Dots, New York 1958 by Tony Vaccaro.](https://static.time.com/v3/assets/bltea6093859af6183b/blt160268a1ed23f3f5/6988abffa988ca595a6b9eed/161028-tony-vaccaro-06.jpg?branch=production&width=1200&quality=75&auto=webp)

Mary Hilen, Polka Dots, New York 1958. Tony Vaccaro—courtesy of HBO


![Givenchy. Paris, France, 1961 by Tony Vaccaro.](https://static.time.com/v3/assets/bltea6093859af6183b/bltec5525f913fa6baf/6988ac000b72e30c8f6eb8ce/161028-tony-vaccaro-07.jpg?branch=production&width=1200&quality=75&auto=webp)

Givenchy. Paris, France, 1961. Tony Vaccaro—courtesy of HBO

![Melina Mercuri, Athens, 1965 by Tony Vacarro.](https://static.time.com/v3/assets/bltea6093859af6183b/blt8825ce788f75ff6e/6988ac00196cf4011d03dbea/161028-tony-vaccaro-08.jpg?branch=production&width=1200&quality=75&auto=webp)

Melina Mercuri, Athens, 1965. Tony Vaccaro—courtesy of HBO

![The Moon, Look NYC, 1969 by Tony Vaccaro.](https://static.time.com/v3/assets/bltea6093859af6183b/bltd3e652ba8a4ad21b/6988ac00524fc003a4dfa077/161028-tony-vaccaro-09.jpg?branch=production&width=1200&quality=75&auto=webp)

The Moon, Look NYC, 1969. Tony Vaccaro—courtesy of HBO

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