Pop music is often dismissed as light, frivolous and artistically bankrupt. But in his new book Love for Sale, music critic David Hajdu argues that it’s one of the most meaningful forms of expression in American culture. Consider songs like “Rock Around the Clock” by Bill Haley and His Comets and “Rapper’s Delight” by the Sugarhill Gang, which were able to unite listeners across race and class divides. Or the Shirelles’ “Will You Love Me Tomorrow,” which reflected shifting social standards regarding sex. Or Lesley Gore’s “You Don’t Own Me,” which primed a generation of feminists for social change. Or flamboyant performers like David Bowie and Lady Gaga, who have helped gay youths feel more comfortable in their own skin. By nature, pop music must appeal to millions of mainstream listeners. But, as Hajdu writes, it “has a long tradition of inciting its audience to defy traditions.”
This appears in the October 10, 2016 issue of TIME.
- Exclusive: The Making of the U.S. Military's New Stealth Bomber
- Your Next House Could Be Made on an Assembly Line
- The Legal Implications of the Debate Over Whether 'Extreme Racism' Is a Mental Illness
- Why European Countries Are Giving Teens Free Money To Spend on Books, Music, and Theater
- Republican Skepticism of Trump Has Never Been Higher
- Column: The U.S. Prison System Doesn't Value True Justice
- How Green Is the Qatar World Cup’s Outdoor AC?
- 16 Funny and Whimsical White Elephant Gifts Under $25
- The 5 Best New TV Shows Our Critic Watched in November 2022