--- description: The work of the only female full-time staff photographer for Look Magazine provides a unique look at a changing world title: See Incredible Images by Look Magazine's Only Female Staff Photographer image: https://static.time.com/v3/assets/bltea6093859af6183b/bltdf2e5569bb788403/6988a665e20a87d9e8a9271b/160916-charlotte-brooks-look-04.jpg?branch=production&width=3840&quality=75&auto=webp&crop=16:9 ---  * [History](/section/history/) ## History Update your preferences in [Account Settings](/account/preferences/) Close * [photography](/tag/photography/) ## photography Update your preferences in [Account Settings](/account/preferences/) Close # How _Look_ Magazine's Only Female Staff Photographer Captured a Changing World by [Lily Rothman](/author/lily-rothman/) and [Liz Ronk](/author/liz-ronk/) Sep 28, 2016 3:00 PM CUT  Joan Elizabeth Murray hailing a cab in Manhattan, 1963\. Similar frame published in "A New Job For Joan," LOOK 27: 25 (Dec. 17, 1963) Joan Elizabeth Murray hailing a cab in Manhattan, 1963\. Similar frame published in "A New Job For Joan," LOOK 27: 25 (Dec. 17, 1963)Charlotte Brooks—courtesy of the LOOK Magazine Photograph Collection, Prints/Library of Congress by [Lily Rothman](/author/lily-rothman/) and [Liz Ronk](/author/liz-ronk/) Sep 28, 2016 3:00 PM CUT When Charlotte Brooks was first hired by _Look_ Magazine in 1951, she got the kinds of assignments one might expect for a woman in a male-dominated industry at the time: fashion, promotions, assorted fluff. “Her tasks included the ‘sociable cheese’ series—photographing supermarket displays when a cheese manufacturing company was a major Look advertiser,” notes her Library of Congress [bio](https://www.loc.gov/rr/print/coll/womphotoj/brooksessay.html "undefined"). Over the next two decades she spent as the magazine’s only female full-time staff photographer, however, Brooks managed to make her way from the grocery aisle to the center of a tumultuous time in American life. As the relative stability of the 1950s gave way to the upheaval of the 1960s, Brooks chronicled the transformation from the inside. Among her subjects were Duke Ellington on tour through the segregated south; a young, working, single mother at a time when few were visible; and the first gay couple to marry legally in the U.S. [_Get your history fix in one place: sign up for the weekly TIME History newsletter_](http://time.com/newsletter "undefined") Brooks’ career is the subject of a new exhibit at the Davis Museum at Wellesley College, opening Wednesday. [_Charlotte Brooks at_ LOOK_: 1951–1971_](https://www.wellesley.edu/davismuseum/whats-on/upcoming/node/90206 "undefined") will be on view through Dec. 18. “Within the male-dominated world of photojournalism and commercial photography during the postwar period in the U.S., Brooks was a pioneer,” Ileana Selejan, a Curatorial Fellow in Photography at the Davis, said in a statement about the show. How did she get there? When profiled in 1945 by _Popular Photography,_ Brooks was dubbed “Girl on Assignment.” The article [explained](https://books.google.com/books?id=2WYzAQAAMAAJ&pg=PA94&dq=%22girl+on+assignment%22+popular+photography&hl=en&sa=X&ved=0ahUKEwiXlajU8KDPAhUFRiYKHcvhDUcQ6AEIHDAA#v=onepage&q=%22girl%20on%20assignment%22%20popular%20photography&f=false "undefined") that she had always been interested in the medium and honed her skills by working with such photographic luminaries as [Gjon Mili](http://time.com/3730221/its-about-time-classic-stroboscopic-photos/ "undefined") before taking a job with the New York _Times_. She then worked freelance before joining _Look_‘s team. Brooks continued to work at _Look—_the main competitor of [LIFE](http://life.com "undefined")—until the magazine folded in 1971\. She [died](http://www.nytimes.com/2014/03/21/business/media/charlotte-brooks-a-photographer-for-look-magazine-dies-at-95.html "undefined") in 2014. What set her work apart was a clear grasp of what made people tick_._ “Learn to anticipate human behavior,” Brooks told _Popular Photography_, “so that when the moment arrives for the picture you can focus, compose, adjust and shoot in a split second.”  The first and only woman photographer for LOOK magazine, Charlotte Brooks, is the focus of a new exhibition at the Davis Museum at Wellesley College opening Sept. 28, 2016\. The show features eight photo essays from the magazine, from between 1951and 1971, illustrating post-war America. This is the first retrospective of her work. Duke Ellington and his band playing baseball in the parking lot of a segregated hotel while touring in Florida, 1955\. Published in: "Duke Ellington: A Living Legend Swings On" LOOK 21: 17 (Aug. 20, 1957) Charlotte Brooks—courtesy of the LOOK Magazine Photograph Collection, Prints/Library of Congress  Dr. Connie M. Guion, the first female doctor in the United States to be named Professor of Clinical Medicine at Cornell University's Weill Medical College visits her neighborhood grocer to give him a vitamin shot, 1958\. Published in "The Amazing Doctor Guion," LOOK 25: 19 (Sept. 12, 1961) Charlotte Brooks—Courtesy of the Davis Museum at Wellesley College, Wellesley, MA, Gift of Katherine Hall Page (Class of 1969)  African American secretary Joan Elizabeth Murray at work on set of television show 'Candid Camera' with Alan Funt and Durwood Kirby, 1963\. Published in "A New Job For Joan," LOOK 27: 25 (Dec. 17, 1963) Charlotte Brooks—courtesy of the LOOK Magazine Photograph Collection, Prints/Library of Congress  Joan Elizabeth Murray hailing a cab in Manhattan, 1963\. Similar frame published in "A New Job For Joan," LOOK 27: 25 (Dec. 17, 1963) Charlotte Brooks—courtesy of the LOOK Magazine Photograph Collection, Prints/Library of Congress  Single mother Vi Erker watching television with her son Gary, 1965\. Published in "The Long, Lonely Wait of a Young Divorcee" LOOK 30:1 (Jan. 11, 1966) Charlotte Brooks—courtesy of the LOOK Magazine Photograph Collection, Prints/Library of Congress  Chi-Chi, a capuchin at the Boston chapter of the Simian Society of America, 1968\. Published in "Monkey Business," LOOK 32: 16 (Aug. 6, 1968). Charlotte Brooks—courtesy of the LOOK Magazine Photograph Collection, Prints/Library of Congress  Lizou, a young squirrel monkey at the Boston chapter of the Simian Society of America, 1968\. Published in "Monkey Business," LOOK 32: 16 (Aug. 6, 1968). Charlotte Brooks—courtesy of the LOOK Magazine Photograph Collection, Prints/Library of Congress  Jack Baker and Michael McConnell were the first same-sex couple to marry legally in the United States, at home shaving together, 1970\. Published in "The Homosexual Couple," LOOK 35: 2 (Jan. 26, 1971) Charlotte Brooks—courtesy of the LOOK Magazine Photograph Collection, Prints/Library of Congress  Ted and Sally Oldham of Reston, Virginia, play with their daughter Erin, 1971\. Published in "The 50/50 Marriage: Is This What Women Want?" LOOK 35:19 (Oct. 5, 1971) Charlotte Brooks—courtesy of the LOOK Magazine Photograph Collection, Prints/Library of Congress  Afro-Cuban musician La Lupe singing in a recording studio, 1970\. Published in "She’s Sex Fire Soul and Voodoo . . . La Lupe!" LOOK 35:8 (April 20, 1971). Charlotte Brooks—Courtesy of the Davis Museum at Wellesley College, Wellesley, MA, Gift of Katherine Hall Page (Class of 1969) ```json [{"@context":"https://schema.org","@type":"NewsArticle","@id":"https://time.com/4497067/charlotte-brooks-look-magazine/","mainEntityOfPage":{"@type":"WebPage","@id":"https://time.com/4497067/charlotte-brooks-look-magazine/"},"headline":"How Look Magazine's Only Female Staff Photographer Captured a Changing World","datePublished":"2016-09-28T15:00:02.000Z","dateModified":"2026-05-11T04:50:25.442Z","description":"Charlotte Brooks went from shooting cheese displays to critical moments of social upheaval","url":"https://time.com/4497067/charlotte-brooks-look-magazine/","keywords":["photography"],"thumbnailUrl":"https://static.time.com/v3/assets/bltea6093859af6183b/bltdf2e5569bb788403/6988a665e20a87d9e8a9271b/160916-charlotte-brooks-look-04.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1200:675&height=675","author":[{"@type":"Person","name":"Lily Rothman","jobTitle":"Rothman is managing editor at TIME.","url":"https://time.com/author/lily-rothman/"},{"@type":"Person","name":"Liz Ronk","jobTitle":null,"url":"https://time.com/author/liz-ronk/"}],"articleSection":"History","image":[{"@type":"ImageObject","url":"https://static.time.com/v3/assets/bltea6093859af6183b/bltdf2e5569bb788403/6988a665e20a87d9e8a9271b/160916-charlotte-brooks-look-04.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1200:675&height=675","width":1200,"height":675,"headline":"Charlotte Brooks Look Magazinek-04","caption":"Joan Elizabeth Murray hailing at cab in Manhattan.","creditText":"Charlotte Brooks—courtesy of the LOOK Magazine Photograph Collection, Prints/Library of Congress","representativeOfPage":true}],"publisher":{"@type":"Organization","name":"Time","url":"https://time.com/","logo":{"@type":"ImageObject","url":"https://time.com/images/logo.png","width":528,"height":156},"foundingDate":"March 3, 1923","sameAs":["https://www.facebook.com/time","https://www.instagram.com/time/?hl=en","https://twitter.com/time","https://www.pinterest.com/timemagazine"]}},{"@context":"https://schema.org","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"/section/history/","name":"History"}},{"@type":"ListItem","position":2,"item":{"@id":"/tag/photography/","name":"photography"}},{"@type":"ListItem","position":3,"item":{"@id":"https://time.com/4497067/charlotte-brooks-look-magazine/","name":"How Look Magazine's Only Female Staff Photographer Captured a Changing World"}}]}] ```