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![](https://static.time.com/v3/assets/bltea6093859af6183b/blt3b9de97007a890c3/6988a41ae20a872fcda9232e/wilder.jpeg?branch=production&width=2400&quality=75&auto=webp&crop=16:9)


# How Gene Wilder Channeled His 'Hysteria' Into Success


![Lily Rothman](https://static.time.com/v3/assets/bltea6093859af6183b/bltd8eb1311b7067f39/698a1248b21a9c0e12504068/Rothman-headshot.jpg?branch=production&width=3840&quality=75&auto=webp&crop=1:1)

by 

[Lily Rothman](https://time.com/author/lily-rothman/)


![Lily Rothman](https://static.time.com/v3/assets/bltea6093859af6183b/bltd8eb1311b7067f39/698a1248b21a9c0e12504068/Rothman-headshot.jpg?branch=production&width=96&quality=75&auto=webp)

## Lily Rothman


Rothman is managing editor at TIME.

Aug 29, 2016 8:06 PM UTC

![The Bell System Family Theatre](https://static.time.com/v3/assets/bltea6093859af6183b/blt3b9de97007a890c3/6988a41ae20a872fcda9232e/wilder.jpeg?branch=production&width=3840&quality=75&auto=webp&crop=3:2)

Gene Wilder as Ernie in "The Office Sharers," 1972

Gene Wilder as Ernie in "The Office Sharers," 1972NBC / Getty Images

![Lily Rothman](https://static.time.com/v3/assets/bltea6093859af6183b/bltd8eb1311b7067f39/698a1248b21a9c0e12504068/Rothman-headshot.jpg?branch=production&width=3840&quality=75&auto=webp&crop=1:1)

by 

[Lily Rothman](https://time.com/author/lily-rothman/)


![Lily Rothman](https://static.time.com/v3/assets/bltea6093859af6183b/bltd8eb1311b7067f39/698a1248b21a9c0e12504068/Rothman-headshot.jpg?branch=production&width=96&quality=75&auto=webp)

## Lily Rothman


Rothman is managing editor at TIME.

Aug 29, 2016 8:06 PM UTC

Gene Wilder, the [_Blazing Saddles_](http://content.time.com/time/subscriber/article/0,33009,944788,00.html) star whose death at 83 was [announced](http://time.com/4471438/gene-wilder-death-willy-wonka-blazing-saddles/) on Monday, knew that his fame was tied to a certain frenetic energy that, in his wake, can only be described as, well, Gene Wilder-esque. In 1970, on the occasion of the release of his movie _Quackser Fortune Has a Cousin in The Bronx_, he told TIME that he had worried about being typecast until that latest film had come along.

“There was always a reservoir of hysteria in me that I could call upon as an actor,” he said at the time. “As I grew out of it, I became more and more dissatisfied with the parts I was playing. But Hollywood, of course, couldn’t keep up with my psychological advancement. So I played hysterical accountants \[[_The Producers_](http://content.time.com/time/subscriber/article/0,33009,837773,00.html)\], nervous undertakers \[_Bonnie and Clyde_\], and mad aristocrats \[_Start the Revolution Without Me_\].”

But even though he didn’t want to get pigeonholed, that “reservoir of hysteria” was hard-won, through personal troubles and firsthand research:

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> “”

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Eventually, however, as agitation brought his success on screen, he was able to try to relax in real life—to look for happiness in the face of anxiety.

“My quiet exterior used to be a mask for hysteria,” he said in 1970\. “After seven years of analysis, it just became a habit.”

[_Get your history fix in one place: sign up for the weekly TIME History newsletter_](http://time.com/newsletter)

**_Read the full profile, here in the TIME Vault:_** [The Happy Peasant](http://time.com/vault/issue/1970-07-20/page/46/)

Gene Wilder: How the Actor Made 'Hysteria' Into Success

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