--- description: The Sundance smash has a chance to rewrite, or at least revise, history title: Why the Title of the New 'Birth of a Nation' Movie Matters image: https://static.time.com/v3/assets/bltea6093859af6183b/blte294c137a086f307/69887abaf887dc1c78e94524/the-birth-of-a-nation.jpeg?branch=production&width=3840&quality=75&auto=webp&crop=16:9 ---  * [History](/section/history/) ## History Update your preferences in [Account Settings](/account/preferences/) Close * [movies](/tag/movies/) ## movies Update your preferences in [Account Settings](/account/preferences/) Close # Why the Title of the New _Birth of a Nation_ Movie Matters by [Sarah Begley](/author/sarah-begley/) ## Sarah Begley Update your preferences in [Account Settings](/account/preferences/) Close Jan 27, 2016 4:48 PM CUT  Actors costumed in the full regalia of the Ku Klux Klan ride on horses at night in a still from the 'The Birth of a Nation,' directed by D. W. Griffith, California, 1914. Actors costumed in the full regalia of the Ku Klux Klan ride on horses at night in a still from the 'The Birth of a Nation,' directed by D. W. Griffith, California, 1914.Hulton Archive/Getty Images by [Sarah Begley](/author/sarah-begley/) ## Sarah Begley Update your preferences in [Account Settings](/account/preferences/) Close Jan 27, 2016 4:48 PM CUT Filmmaker Nate Parker made history on Tuesday by setting a new record for [the biggest Sundance deal of all time](http://time.com/4194287/fox-the-birth-of-a-nation-nat-turner-record-breaking-price/ "undefined"): his film _The Birth of a Nation_ was acquired by Fox Searchlight for $17.5 million, well above the previous record for the festival, considered to be held by _Little Miss Sunshine_ for $10 million. But that’s not the only history the film is poised to make: with its repurposed title, the movie is stepping into some very big, very notorious shoes. Parker’s film tells the story of Nat Turner’s 1831 slave rebellion, a critical event in African American history. But it takes its title from another such event: D.W. Griffith’s iconic silent film about the Civil War, a movie that both revolutionized the film industry and left a disgraceful societal legacy. Griffith’s 1915 film, based on the Thomas Dixon Jr. novel _The Clansman_, tells the story of Northern and Southern gentlemen friends who must fight each other in the Civil War. Afterward, the emancipation of slaves (played here mainly by white men in blackface) changes their world, in their view, for the worse. As the late, great TIME film critic Richard Corliss wrote [last year](http://time.com/4194287/fox-the-birth-of-a-nation-nat-turner-record-breaking-price/ "undefined") on the occasion of the film’s centennial: --- > “” --- The movie invented a whole new way of filmmaking: as TIME [wrote in 1948](http://content.time.com/time/subscriber/article/0,33009,888442,00.html "undefined"), Griffith “rammed his camera into the middle of the action. He took closeups, crosscuts, angle shots and dissolves. His camera was alive, picking off shots; then he built the shots into sequences, the sequences into tense, swift narrative.” Movies were no longer just theater on screen, but their own dynamic art form. As Charlie Chaplin [once said](http://content.time.com/time/subscriber/article/0,33009,888442,00.html "undefined"), “The whole industry owes its existence to him.” But the film (which made about [$1.8 billion](http://time.com/3729807/d-w-griffiths-the-birth-of-a-nation-10/ "undefined") in today’s dollars) had repercussions outside Hollywood, too. Its depiction of the South as the land of white gentility and of blacks as sex-crazed savages “helped revive the dormant Ku Klux Klan, which for the next few decades went on a righteous spree of killing black men,” as Corliss wrote. Even while black communities protested the film, then-President Woodrow Wilson praised it as “like writing history with lightning.” He invited Griffith to screen the film in the White House, “the second film ever shown on the grounds of the White House and the first ever inside,” as TIME [wrote last year](http://time.com/3699084/100-years-birth-of-a-nation/ "undefined"). Despite its nasty legacy, it continues to be taught as a landmark moment in film history, a fact that has made some uncomfortable. Spike Lee had to study the film in his first year of graduate school at NYU’s Tisch School of the Arts, and swung back at the faculty by making a short film called _The Answer_. It’s [premise](https://books.google.com/books?id=A9eNBAAAQBAJ&pg=PA239&lpg=PA239&dq=spike+lee+birth+of+a+nation+the+answer&source=bl&ots=fbwDaPOdUJ&sig=Z53Ouww1SZ6v6FiFECPMrjhzdls&hl=en&sa=X&ei=azfVVOi9E5Xdao%5FFgYgG&ved=0CEMQ6AEwBQ#v=onepage&q=spike%20lee%20birth%20of%20a%20nation%20the%20answer&f=false "undefined"): A black filmmaker is tasked with making a big-budget studio remake of _The Birth of a Nation._ “Resistance lives in the air in this current moment,” Nate Parker told the [_Hollywood Reporter_](http://www.hollywoodreporter.com/features/birth-a-nation-slave-revolt-857177 "undefined") earlier this month. “Anyone who sees this film should leave the theater and feel compelled to be a change factor with respect to relations that are taking place in this country. But also, they should be proud to be an American. This country was built on rebellion.” If Parker’s rebellious movie is as powerful as the big paycheck indicates, it stands to permanently rewrite the story of America’s first blockbuster. ```json [{"@context":"https://schema.org","@type":"NewsArticle","@id":"https://time.com/4195581/the-birth-of-a-nation-title/","mainEntityOfPage":{"@type":"WebPage","@id":"https://time.com/4195581/the-birth-of-a-nation-title/"},"headline":"Why the Title of the New Birth of a Nation Movie Matters","datePublished":"2016-01-27T16:48:41.000Z","dateModified":"2026-02-22T14:28:44.030Z","description":"The Sundance smash has a chance to rewrite, or at least revise, history","url":"https://time.com/4195581/the-birth-of-a-nation-title/","keywords":["movies"],"thumbnailUrl":"https://static.time.com/v3/assets/bltea6093859af6183b/blte294c137a086f307/69887abaf887dc1c78e94524/the-birth-of-a-nation.jpeg?branch=production&width=1200&quality=75&auto=webp&crop=1200:675&height=675","author":[{"@type":"Person","name":"Sarah Begley","jobTitle":null,"url":"https://time.com/author/sarah-begley/"}],"articleSection":"History","image":[{"@type":"ImageObject","url":"https://static.time.com/v3/assets/bltea6093859af6183b/blte294c137a086f307/69887abaf887dc1c78e94524/the-birth-of-a-nation.jpeg?branch=production&width=1200&quality=75&auto=webp&crop=1200:675&height=675","width":1200,"height":675,"headline":"the-birth-of-a-nation","caption":"Actors costumed in the full regalia of the Ku Klux Klan ride on horses at night in a still from the 'The Birth of a Nation,' directed by D. 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