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![](https://static.time.com/v3/assets/bltea6093859af6183b/blt154f3e72d079dc98/69887ab43c1639802145bba8/michael-kors-headshot.jpeg?branch=production&width=1200&quality=75&auto=webp&crop=16:9)


# Michael Kors Explains His Philosophy on Fashion Uniforms

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<!-- video src="https://cdn.jwplayer.com/manifests/imG7g1zS.m3u8" -->
## Video: 10 Questions for Michael Kors

[Watch (HLS stream): 10 Questions for Michael Kors](https://cdn.jwplayer.com/manifests/imG7g1zS.m3u8) (5:15)

![10 Questions for Michael Kors](https://cdn.jwplayer.com/v2/media/imG7g1zS/poster.jpg?width=720)

_Published 2016-02-02. Since 1981, the award-winning fashion designer has created classic American clothing under his own label. He answers reader questions here_


by 

[Michael Kors](https://time.com/author/michael-kors/)


## Michael Kors


Feb 3, 2016 5:14 AM UTC

![michael-kors-headshot](https://static.time.com/v3/assets/bltea6093859af6183b/blt154f3e72d079dc98/69887ab43c1639802145bba8/michael-kors-headshot.jpeg?branch=production&width=1200&quality=75&auto=webp&crop=3:2)

Courtesy of Michael Kors, Photograph by Victor Demarchelier

by 

[Michael Kors](https://time.com/author/michael-kors/)


## Michael Kors


Feb 3, 2016 5:14 AM UTC

I don’t care what you do for a living; I don’t care how old you are. What everyone is lacking in the world is time. So if you can find a uniform that makes you feel confident and comfortable in your own skin and you’re able to get dressed in less time, that’s a game changer.

Life is busy, and for me, as a designer, I spend all my time thinking about what everyone else is wearing. So the last thing I want to do is spend too much time thinking about what I put on. And though it might look like I’m wearing the same thing every day—aviators, a black T-shirt, jeans and sneakers—I’m actually not. I have 68 pairs of shoes. The 68 pairs are divided into three categories: Sneakers, driving loafers and slide sandals. They may seem the same, but one’s black suede, one’s crocodile, one’s black leather. Same thing with sunglasses. I have over a hundred pairs, and they’re all aviators, but they are in every shade and metal finish known to man. And they’re big, small, medium. Also, I love a pea coat. So I have short pea coats, I have mid-thigh pea coats and I have knee-length pea coats. And they are all either navy or black. See? Totally different.

When some people hear the word “uniform,” they get scared and think, “Oh, does that mean I won’t have any fun?” The answer is no, you can have all the fun you want. You just have to figure out consistency on the one hand and variety on the other to make your style both easy and relevant.

People go through different cycles of personal style. When you’re young and you’re finding your way in the world, professionally and personally, you should try everything. When I was 18 or 19 years old, whatever came my way, I went there. I wore leg warmers, army hats, triple-wrap belts, shoulder pads, no shoulder pads, zoot suit pants, skin-tight pants. At that time in your life, you’re figuring out what you want to tell the world about who you are. And you have to try different things to discover not only the persona that you want to present, but the kind of life you want to live.


The simple truth is that, for most people, unless you are really an iconoclastic dresser, unless you’re Iris Apfel or David Hockney, the best thing you can do is have people notice you. If people are the picture, then the best clothes are the frame. And I’m the framer.

Jackie Kennedy understood the concept of having a uniform better than anyone else. She was always evolving her look—it really wasn’t the same, but it was. Whether she was a young reporter in the 1950s, First Lady and a mom in the ’60s, a jetsetter in the early ’70s, a working woman in the later ’70s and then the family matriarch in the ’80s, she was consistent. She knew clean lines worked for her, and she never wore fussy patterns. But if you look closely, the length changed and the shoulder line changed. Those are the things that kept it relevant.

While I love uniforms, I don’t believe in sticking with strict fashion rules. My only two age rules are: Experiment like mad when you’re young, and do the same thing when you’re older. Because really, at a certain age, the gloves are off. So have fun with it—wear red tights, wear a crazy hat. You’ve lived long enough—do whatever you want. Those are my two age rules: Have fun early, and have fun late.


_Michael Kors, who was named to the TIME 100 in 2013, is an American fashion designer._


## Transcript

So we're here with Michael Kors in his midtown Manhattan office, and we're going to do ten questions for Time magazine. Thank you for joining us today, Michael. Great to see you. What is your biggest inspiration for your upcoming collection? Well, I have to say that I always think there's cause and reaction, like where were we coming from and where are we going next? And I kind of felt like fall was this very tough season. And I like that everything got streamlined, but I wanted to find a way to have something that's tough but at the same time, pretty. So it's not that I went to a museum and saw a sculpture and said, Oh, it's all about that sculpture or went to a place.

This is not a kind of a specific thing to a place, but it's how do you take pretty and at the same time make it strong would really be the main kind of focus of the collection. Your designs are emblematic of American sportswear. What did you do to cultivate your fashion eye? How did you develop the course? Look. I think, you know, I think that fashion designers are we are products of our time. And, you know, I grew up I was a small child in the sixties. I came of age in the seventies. And it really was the revolution of comfort and versatility and mobility. And, you know, I grew up with a mom who was very casual and liked to look great, but was never dressed up.

And so I think that sportswear just made sense to me. And at the same time, also, I'm very casual. So intrinsically, even if I'm looking at an evening gown, the gown that turns me on is kind of just an overgrown t shirt. And so I think it's the timing and how you grew up. Who do you currently admire in the fashion industry? Hmm. I would probably say, you know, one of the people who intrigues me the most is, is Oscar de la Renta, because longevity and kind of reinvention, fashion is about reinvention. And I think Oscar has seen it all and he has managed to reinvent himself consistently. And that's something that you've got to take your hat off to.

What is your favorite article of clothing? Oh, a black T-shirt, Hands down. I think a black T-shirt can take you anywhere from the beach to black tie. Too many American men fall into the trap of ill fitting clothing and horrifying shoes. Is there any way to guide more American men to have a more refined approach to their clothes? I think the biggest thing that American men don't seem to remember is that you need a tailor. So you know what? Look in the three way mirror and alter your clothes. I think that's the biggest thing. Everyone's clothes are either too big or too small. When and why did you decide to go into the fashion business?

Well, it's an odd thing. There was always the tug of war between show business and fashion. And I took acting lessons when I was a teenager. And when I was around 14, I realized that I couldn't sing and I couldn't dance. And if I became an actor, I would probably be a waiter. And at the end of the day, every time I left acting class, all I wanted to do was go shopping. So I knew that fashion was really the pull for me. What is the most difficult decision you've made in your career thus far? And looking back now, do you regret it? I don't regret anything I've done in my career. I think that it's always it's a journey.

And I think that everything you do, if you think that you've arrived and you know everything, then you're cooked. So regretting even, you know, things that have happened that haven't been great, I don't regret them because how do you learn? So I don't have any regrets. What do you consider as a turning point in your career? Oh, I've had a few turning points. I would say probably the two most important. If I had to go down to to my first windows, my first season on Fifth Avenue and Bergdorf Goodman. It was just, you know, out of the ad, out of the gate, just to start out like that was amazing. And I think showing a collection in Paris at Celine in the late nineties, we really at the time, no one ever thought American designers would be showing in Paris.

And I think we taught the we taught the French a few things about how to get dressed comfortably and safely at the same time. What's the greatest satisfaction you've had as a designer? I I'm kind of you know, it's not a singular one. I think I'm satisfied when I see people on the street wearing my designs and they look great in them, you know? So it's not only the fashion show, you know, and it equates to just doesn't really work in life, you know, And it could be someone famous and it could be just, you know, a neighbor woman walking by me. So whether it's Michelle Obama looking spectacular in Michael Kors for her official portrait or my next door neighbor carrying a handbag, and I think the bag looks great and it works for her life, that's when I really think I'm kind of, wow, doing something right.

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