--- title: How 'The Diary of Anne Frank' First Made It to the U.S. description: Documents show that publishers were initially wary canonical: https://time.com/4081483/how-the-diary-of-anne-frank-first-made-it-to-the-u-s/ author: TIME article:opinion: false article:content_tier: free article:published_time: 2015-10-24T16:00:30.000Z article:modified_time: 2026-05-11T05:01:12.149Z article:section: History og:title: How 'The Diary of Anne Frank' First Made It to the U.S. og:description: Documents show that publishers were initially wary og:url: https://time.com/4081483/how-the-diary-of-anne-frank-first-made-it-to-the-u-s/ og:site_name: TIME og:image: https://static.time.com/v3/assets/bltea6093859af6183b/blta7da5c912f0a0565/698869a53c1639be5e45a604/anne-frank.jpeg?branch=production&width=1200&quality=75&auto=webp&crop=16:9 og:image:width: 1200 og:image:height: 675 og:image:alt: Anne Frank's diary og:type: article twitter:card: summary_large_image twitter:title: How 'The Diary of Anne Frank' First Made It to the U.S. twitter:description: Documents show that publishers were initially wary twitter:image: https://static.time.com/v3/assets/bltea6093859af6183b/blta7da5c912f0a0565/698869a53c1639be5e45a604/anne-frank.jpeg?branch=production&width=1200&quality=75&auto=webp&crop=16:9 ---  # How _The Diary of Anne Frank_ First Made It to the U.S. > Sponsored content. 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They are at time.com/newsletters and are separate from a paid subscription. by [Eric Colleary / Harry Ransom Center](https://time.com/author/harry-ransom-center/) ## Eric Colleary / Harry Ransom Center Oct 24, 2015 4:00 PM UTC  Copies of Anne Frank's diary photographed in Amsterdam, Feb. 23, 1981, at the Dutch War Documentation Centre, Copies of Anne Frank's diary photographed in Amsterdam, Feb. 23, 1981, at the Dutch War Documentation Centre, AP by [Eric Colleary / Harry Ransom Center](https://time.com/author/harry-ransom-center/) ## Eric Colleary / Harry Ransom Center Oct 24, 2015 4:00 PM UTC  _This post is in partnership with the_ [_Harry Ransom Center at The University of Texas at Austin_](http://www.hrc.utexas.edu)_. A version of the article below was originally published on the_ [_Ransom Center’s Cultural Compass blog._ ](http://blog.hrc.utexas.edu/2015/10/06/anne-frank-and-the-archive/) It has been over 60 years since _The Diary of Anne Frank_ was first published in the United States. Frequently listed among the most significant books of the twentieth century, the classic account of the 13-year-old girl who hid from the Nazis with her family in an attic in Amsterdam has long been an international bestseller. Many came to know the story in grade school, or through the adaptations for stage and screen. Few realize how difficult it was for the story to be published, and how even more difficult it was to get the book adapted for the stage. Several collections across the Harry Ransom Center help to tell this story. After his liberation from Auschwitz in 1945, Anne’s father Otto Frank discovered he was the sole survivor of the family. He was given his daughter’s diaries by Miep Gies, a family friend who had helped hide the Franks and had recovered the documents from the house shortly after the family’s arrest. (The diaries themselves are now part of the permanent collections of the Anne Frank House in Amsterdam.) Frank edited the diaries himself, and had them published in Dutch under the title _Het Achterhuis_ (_The Secret Annex_) by Contact Publishing of Amsterdam in 1947. In the years after, Frank struggled to find an American publisher. After the manuscript was offered to several publishers, it eventually made its way to Alfred Knopf, Inc. in July of 1950\. According to the rejection letter found in the [Alfred Knopf, Inc. Records](http://norman.hrc.utexas.edu/fasearch/findingAid.cfm?eadid=00301p1) at the Ransom Center, the reviewer found the manuscript to be “childish” and “very dull reading”: --- > “” --- The report is notable for a number of reasons. First, it reflects a growing fatigue in the United States regarding Holocaust stories only five years after the end of the war. The full extent of the atrocities of the Nazi regime had yet to be disclosed and there was a belief that, in the post-war period, focusing on such dark stories made it impossible for society to move on. The document is also a great example of how publishing houses reviewed manuscripts, and an inside look into how sometimes they got it wrong. Within a year, the American rights to the _Diary of Anne Frank_ were picked up by Doubleday (Knopf and Doubleday would eventually merge in 2008), but Doubleday delayed publication. The editors of _Commentary_ magazine, published by the American Jewish Committee, learned of the _Diary_ and wrote to Doubleday requesting permission to publish excerpts of the manuscript. According to the [records of _Commentary_, held at the Ransom Center](http://norman.hrc.utexas.edu/fasearch/findingaid.cfm?eadid=00672), Doubleday initially refused, stating that they had hoped to syndicate the story “in a magazine that pays top prices.” When they failed to find a magazine, Doubleday returned to _Commentary,_ who paid $250 for the serial rights and copyright credit. Thus, the first time _The Diary of Anne Frank_ appeared in print in the United States was in the May and June 1952 issues of _Commentary_. The response was enthusiastic, and Doubleday moved forward with publishing the full manuscript. A document in _Commentary_’s papers notes that “no other manuscript has ever created comparable excitement in Commentary and the editorial secretaries actually fought over the privilege of typing it.” After the overwhelming success of the book version of _The Diary of Anne Frank,_ Otto Frank turned his attention toward a stage adaptation. Novelist Meyer Levin wrote one adaptation, but when Frank couldn’t find a producer for it, he looked for other adapters. Among them was Lillian Hellman, who declined the opportunity. According to an interview David Goodrich had with Garson Kanin, who directed the Broadway production, Hellman said, “I think it is a great historical work which will probably live forever, but I couldn’t be more wrong as the adapter. If _I_ did this it would run one night because it would be deeply depressing. You need someone with a lighter touch.” Hellman ultimately recommended Frances Goodrich and Albert Hackett, who would go on to write the Pulitzer Prize–winning drama. Hellman, for her part, invested in the producing company for _The Diary of Anne Frank._ Her contract and investment statements are [included in her papers at the Ransom Center](http://norman.hrc.utexas.edu/fasearch/findingAid.cfm?eadid=00398p1). The play opened on Broadway on October 5, 1957, and ran for over 700 performances. **_Read more about Anne Frank and see images from the archives_**[**_here_**](http://blog.hrc.utexas.edu/2015/10/06/anne-frank-and-the-archive/)**_, at the Harry Ransom Center Cultural Compass blog._** ```json [{"@context":"https://schema.org","@type":"NewsArticle","@id":"https://time.com/4081483/how-the-diary-of-anne-frank-first-made-it-to-the-u-s/","mainEntityOfPage":{"@type":"WebPage","@id":"https://time.com/4081483/how-the-diary-of-anne-frank-first-made-it-to-the-u-s/"},"headline":"How The Diary of Anne Frank First Made It to the U.S.","datePublished":"2015-10-24T16:00:30.000Z","dateModified":"2026-05-11T05:01:12.149Z","description":"Documents show that publishers were initially wary","url":"https://time.com/4081483/how-the-diary-of-anne-frank-first-made-it-to-the-u-s/","keywords":["Books","Holocaust","Theater"],"thumbnailUrl":"https://static.time.com/v3/assets/bltea6093859af6183b/blta7da5c912f0a0565/698869a53c1639be5e45a604/anne-frank.jpeg?branch=production&width=1200&quality=75&auto=webp&crop=1200:675&height=675","author":[{"@type":"Person","name":"Eric Colleary / Harry Ransom Center"}],"articleSection":"History","image":[{"@type":"ImageObject","url":"https://static.time.com/v3/assets/bltea6093859af6183b/blta7da5c912f0a0565/698869a53c1639be5e45a604/anne-frank.jpeg?branch=production&width=1200&quality=75&auto=webp&crop=1200:675&height=675","width":1200,"height":675,"headline":"Anne Frank's diary","caption":"Anne Frank's diary","creditText":"AP","representativeOfPage":true}],"publisher":{"@type":"Organization","name":"Time","url":"https://time.com/","logo":{"@type":"ImageObject","url":"https://time.com/images/logo.png","width":528,"height":156},"foundingDate":"March 3, 1923","sameAs":["https://www.facebook.com/time","https://www.instagram.com/time/?hl=en","https://twitter.com/time","https://www.pinterest.com/timemagazine"]}},{"@context":"https://schema.org","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"/section/history/","name":"History"}},{"@type":"ListItem","position":2,"item":{"@id":"/tag/books/","name":"Books"}},{"@type":"ListItem","position":3,"item":{"@id":"https://time.com/4081483/how-the-diary-of-anne-frank-first-made-it-to-the-u-s/","name":"How The Diary of Anne Frank First Made It to the U.S."}}]}] ```