Photographer LaToya Ruby Frazier Wins MacArthur ‘Genius Grant’ of $625,000

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LaToya Ruby Frazier is the only photographer among this year’s 24 winners of the prestigious John D. and Catherine T. MacArthur Fellows grant. She will receive $625,000 over the course of five years to support her documentary work.

“I’m overjoyed to receive this award because often, when you’re a young black woman talking about inequality, people don’t take you seriously,” she says. “It’s validation to my work being a testimony and a fight for social justice and cultural change.”

Frazier, a 33-year-old assistant professor at the School of the Art institute of Chicago, has examined issues of social inequality, class and industrial decline through portraits, still lifes, landscapes and most recently, aerial views. Her ongoing project, The Notion of Family, documents herself and her family amid the economic decline and failing health care system in Braddock, Penn., a town historically known for its steel mill industry.

Her black and white images shed light on those who have been there generation after generation. Many who worked in the mills are not only unemployed because of the downsizing but have also lost access to health care when the community hospital was demolished in 2010. Her book, which captures the living conditions of those who suffer from the effects of the highly toxic environment, received the ICP Infinity Award. “My work is giving a platform and a voice to the families that have endured this for decades,” she says.

Frazier, who, she says, is battling her own terminal illness (Lupus) and has watched her family die from cancer and other job-related ailments from the factory, says the project is very personal. “If I was going to tell a story about this situation that I experienced firsthand, it was necessary for me to scrutinize my own body and lay bare my own body for the public, in addition to my family members,” she says.

The MacArthur Fellows program, often called the “genius grant,” is awarded to individuals who are nominated for pushing boundaries to improve the world in unexpected ways, in varied fields in the arts, humanities and sciences.

When the Personal Turns Political: LaToya Ruby Frazier at the Whitney Biennial

Grandma Ruby and Me, 2005. From the series The Notion of Family.LaToya Ruby Frazier
Aunt Midgie and Grandma Ruby, 2007. From the series The Notion of Family.LaToya Ruby Frazier
Mom and her Boyfriend Mr. Art, 2005. From the series The Notion of Family.LaToya Ruby Frazier
Grandma Ruby on Her Bed, 2005. From the series The Notion of Family.LaToya Ruby Frazier
Momme (Floral Comforter), 2008. From the series The Notion of Family.LaToya Ruby Frazier
Home On Braddock Ave, 2007. From the series The Notion of Family.LaToya Ruby Frazier
Self Portrait March 10am, 2009. From the series The Notion of Family.LaToya Ruby Frazier
John Frazier, LaToya Ruby Frazier and Andrew Carnegie, raster etched aluminum print, 2010. From the series A Monument for Braddock.LaToya Ruby Frazier
On view at the Whitney Biennial 2012.Grandma Ruby and U.P.M.C., 2011. From the series Campaign for Braddock Hospital (Save Our Community Hospital).LaToya Ruby Frazier
Paper Magazine Ad, 2011. From the series Campaign for Braddock Hospital (Save Our Community Hospital).LaToya Ruby Frazier
Race Base, Class Base, 2011. From the series Campaign for Braddock Hospital (Save Our Community Hospital).LaToya Ruby Frazier
Urban Pioneer, 2011. From the series Campaign for Braddock Hospital (Save Our Community Hospital).LaToya Ruby Frazier
The following work is debuting at the Whitney Biennial 2012.Covered in Gramps’ Blanket, 2010. From the series Homebody.LaToya Ruby Frazier
In Grandma Ruby’s Valor Bottoms, 2010. From the series Homebody.LaToya Ruby Frazier
In Gramps’ Pajamas, 2010. From the series Homebody.LaToya Ruby Frazier

For Frazier, this award allows her to expand her work. “I was in disbelief and shock and when I hung up the phone after speaking with the grantees,” she says. “I was overcome with tremendous joy but then at the same time, I had to sit down and take a moment of reflection because an award like this is a serious responsibility.”

With the cumulative $625,000 funding, Frazier will get back on the ground to continue documenting and preserving the lives of the Braddock community residents. “Telling stories of these families and individuals in the rust belt is an important archive to build,” she says. “It hearkens back to the Pittsburg Survey, which was shot by Lewis Hine in 1907 and 1908, who documented the living and working conditions of steel workers in Pittsburg. Had it not been for that work, there wouldn’t have been social and economic reform and policy changes for those workers.”

Past winners of the MacArthur Fellowship include An-My Lê, Camilo José Vergara, and Lynsey Addario, among others.

Rachel Lowry is a writer and contributor for TIME LightBox. Follow her on Twitter and Instagram @rachelllowry.

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