--- title: David Foster Wallace: What It Was Like to Work With Him description: In honor of the July 31 release of 'The End of the Tour,' a look back at the writer's working process on a 1995 article for Tennis magazine canonical: https://time.com/3979078/1996-tennis-david-foster-wallace/ author: TIME article:opinion: false article:content_tier: free article:published_time: 2015-07-30T20:00:54.000Z article:modified_time: 2026-05-11T05:02:14.089Z article:section: History og:title: David Foster Wallace: What It Was Like to Work With Him og:description: One of the writer's one-time editors looks back on their work together og:url: https://time.com/3979078/1996-tennis-david-foster-wallace/ og:site_name: TIME og:image: https://static.time.com/v3/assets/bltea6093859af6183b/blt4156f4c9bd4966c3/69885d3c3c1639ad384590e3/dfw.jpg?branch=production&width=348&quality=75&auto=webp&crop=16:9 og:image:width: 348 og:image:height: 196 og:image:alt: David Foster Wallace edit og:type: article twitter:card: summary_large_image twitter:title: David Foster Wallace: What It Was Like to Work With Him twitter:description: One of the writer's one-time editors looks back on their work together twitter:image: https://static.time.com/v3/assets/bltea6093859af6183b/blt4156f4c9bd4966c3/69885d3c3c1639ad384590e3/dfw.jpg?branch=production&width=348&quality=75&auto=webp&crop=16:9 ---  # What It Was Like to Work With David Foster Wallace > Sponsored content. 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They are at time.com/newsletters and are separate from a paid subscription. by [Jay Jennings / Harry Ransom Center](https://time.com/author/harry-ransom-center/) ## Jay Jennings / Harry Ransom Center Jul 30, 2015 8:00 PM UTC  Page 1 of corrected proof of David Foster Wallace’s 1996 essay on the U.S. Open for Tennis magazine. Page 1 of corrected proof of David Foster Wallace’s 1996 essay on the U.S. Open for Tennis magazine. Harry Ransom Center by [Jay Jennings / Harry Ransom Center](https://time.com/author/harry-ransom-center/) ## Jay Jennings / Harry Ransom Center Jul 30, 2015 8:00 PM UTC  _This post is in partnership with the_ [_Harry Ransom Center at The University of Texas at Austin_](http://www.hrc.utexas.edu)_. A version of the article below was originally published on the_ [_Ransom Center’s Cultural Compass blog._](http://blog.hrc.utexas.edu/2012/08/27/jennings/) _In 1995, Jay Jennings, a former editor of_ Tennis _magazine, commissioned David Foster Wallace to write an article about the U.S. Open, which was published as “Democracy and Commerce at the U.S. Open” one year later. In 2010, Jennings contributed a_ [_file of corrected proofs and correspondence_](http://research.hrc.utexas.edu:8080/hrcxtf/view?docId=ead/00540.xml) _to the Ransom Center relating to the essay and revealing Wallace’s close involvement in the editorial process. Wallace had warned Jennings that he would be a difficult editee, but the papers demonstrate the contrary. Though Wallace’s comments on the proof pages are often assertive, they are equally good-natured, dotted throughout with smiley faces, and oftentimes showing his humor. Jennings recounts his working with Wallace:_ In 1995, I contacted a young writer named David Foster Wallace to ask if he would come to the U.S. Open over Labor Day weekend and riff on the scene, not so much the one on the court but that going on all over the grounds of the National Tennis Center in New York. Though he was not widely known, editors were clamoring to have him to riff on some scene or another on the basis of a hilarious, hyperobservant essay he’d published in _Harper’s_ magazine in 1994 about the Illinois State Fair. A few years earlier he’d written about playing junior tennis on the windy plains of the Midwest for _Harper’s_, so I knew he was a deft player and knowledgeable fan. The lure of the all-access media pass was the clincher and he agreed to do the story for much less than he could have commanded elsewhere. We put him up at the official hotel, the Hyatt above Grand Central Station in Manhattan, and I met him in the lobby on Sunday morning to ride the shuttle bus out to Queens. Unshaven and in his trademark bandana, he looked the part of a raucous rock star but was unfailingly polite, appreciative, and both excited and a little nervous. At the site, we settled into the main stadium for the marquee match that day, between eventual champion Pete Sampras and a rising Australian star, Mark Philippoussis. I remember being concerned by how few notes he was taking in his tiny notebook and wondering if he was getting enough material. We chatted about tennis and books and other things, I pointed out my boss (a woman in a sunhat nearby), and after the match he decided to wander off on his own. Over the next two days, we’d meet up occasionally on the grounds, and as we were leaving together one day, he asked me if I wanted to join him and his friend Jon (Franzen, then a struggling novelist in New York) for a showing of Larry Clark’s film _KIDS_ that night. My then-wife had other plans for us, so I had to demur, to my eternal regret, relegating myself to an even smaller DFW footnote in literary history. The story he produced from that weekend and his tiny notebook proved to be one of the longest (and best) _Tennis_ magazine has ever run, and I had difficult battles with the lady in the sunhat, as Dave and I came to call her, to see that it was published as Dave intended it, footnotes, eccentric abbreviations and all. In the essay, after having spent only a few days there, he had crystalized all the annoyances, grievances, glories and grandeur that those of us who had been attending the event for years had observed but with more humor, sharpness and empathy: the “felonious” price of the Häagen-Dazs bars, the “big ginger beard” that made one of the ball boys look like a “ball grad student,” and the “mad crane” style of a 6’6″ player. We held the story for a year to run in our 1996 U.S. Open issue, and in the interim, _Infinite Jest_ was published and Dave became the reluctant darling of the literary world. After the issue appeared, he generously wrote to thank me for the short profile I’d written of him for the magazine’s “Editor’s Page” and, again later that year, to explain why the _Tennis_ story would not appear in his collection _A Supposedly Fun Thing I’ll Never Do Again_, even though he thought it better than another tennis piece, “The String Theory,” originally from _Esquire_: the latter had received more attention and to include both would be too much tennis for the book. He didn’t owe me that explanation but, like his intellect, his empathy was wide-ranging and deep, and he knew that having the _Tennis_ story in the collection would probably help my editing career. Instead, I got a consolation prize I enjoyed even more: he put me in the acknowledgements as “Jay (I’m Suffering Right Along With You) Jennings,” commemorating our joint battles with my superior. We continued to correspond sporadically over the years, the last time just months before he took his own life, when I wrote to him about an exhibition match I’d seen between the retired Pete Sampras and John McEnroe. He replied by postcard that he thought McEnroe was ‘so lovely to watch play’ but ‘a ghastly TV commentator,’ a contrarian view I shared. When I heard he’d committed suicide, I remembered an earlier postcard he’d sent me, not so much for what he wrote, which was typically funny and kind, but for the picture. It showed a detail from the exterior of Salisbury Cathedral in England, a close-up of a stone bust in a silent, eternal, open-mouthed scream; on the verso, the work, a portrait of pain, was identified simply as “Head of Man.” _Jay Jennings is the author of_ Carry the Rock: Race, Football, and the Soul of an American City, _and the editor of_ Tennis and the Meaning of Life: A Literary Anthology of the Game _and_ Escape Velocity: A Charles Portis Miscellany. _See more about the Ransom Center’s collection_ [ _here_](http://blog.hrc.utexas.edu/2012/08/27/jennings/) _at the Harry Ransom Center blog_ ```json [{"@context":"https://schema.org","@type":"NewsArticle","@id":"https://time.com/3979078/1996-tennis-david-foster-wallace/","mainEntityOfPage":{"@type":"WebPage","@id":"https://time.com/3979078/1996-tennis-david-foster-wallace/"},"headline":"What It Was Like to Work With David Foster Wallace","datePublished":"2015-07-30T20:00:54.000Z","dateModified":"2026-05-11T05:02:14.089Z","description":"One of the writer's one-time editors looks back on their work together","url":"https://time.com/3979078/1996-tennis-david-foster-wallace/","keywords":["Media","Books","People"],"thumbnailUrl":"https://static.time.com/v3/assets/bltea6093859af6183b/blt4156f4c9bd4966c3/69885d3c3c1639ad384590e3/dfw.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1200:675&height=675","author":[{"@type":"Person","name":"Jay Jennings / Harry Ransom Center"}],"articleSection":"History","image":[{"@type":"ImageObject","url":"https://static.time.com/v3/assets/bltea6093859af6183b/blt4156f4c9bd4966c3/69885d3c3c1639ad384590e3/dfw.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1200:675&height=675","width":1200,"height":675,"headline":"David Foster Wallace edit","caption":"David Foster Wallace edit","creditText":"Harry Ransom Center","representativeOfPage":true}],"publisher":{"@type":"Organization","name":"Time","url":"https://time.com/","logo":{"@type":"ImageObject","url":"https://time.com/images/logo.png","width":528,"height":156},"foundingDate":"March 3, 1923","sameAs":["https://www.facebook.com/time","https://www.instagram.com/time/?hl=en","https://twitter.com/time","https://www.pinterest.com/timemagazine"]}},{"@context":"https://schema.org","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"/section/history/","name":"History"}},{"@type":"ListItem","position":2,"item":{"@id":"/tag/media/","name":"Media"}},{"@type":"ListItem","position":3,"item":{"@id":"https://time.com/3979078/1996-tennis-david-foster-wallace/","name":"What It Was Like to Work With David Foster Wallace"}}]}] ```