HighTech farming 2013
The courtyard of the juvenile prison in Mzuzu, Malawi. The prison was built in the early '60s by the British to house 50 inmates. Today, the prison houses 450 prisoners including 60 juveniles. During the day, the inmates are allowed in the courtyard but by 3:30pm they’re locked back in their cells.Kadir van Lohuizen—NOOR
HighTech farming 2013
HighTech farming 2013
HighTech farming 2013
HighTech farming 2013
HighTech farming 2013
HighTech farming 2013
HighTech farming 2013
HighTech farming 2013
HighTech farming 2013
HighTech farming 2013
HighTech farming 2013
HighTech farming 2013
The courtyard of the juvenile prison in Mzuzu, Malawi. The prison was built in the early '60s by the British to house 50
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Kadir van Lohuizen—NOOR
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Teaching Photography Inside Malawi's Prisons

Jun 16, 2015
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The conditions inside the prison in Mzuzu, Malawi’s third-largest city, are tough. Built in the 1960s to accommodate 50 prisoners, it now holds 450, including 60 teenagers. “It’s so overcrowded that they have to sleep sitting up,” says Noor photographer Kadir van Lohuizen.

Last year, the Dutch photographer gained access to the prison after partnering with Young in Prison, an NGO that runs a reintegration program for juveniles, to offer a photography workshop for 12 of them.

“It was a serious workshop with classes in the morning, and shoots in the afternoon,” van Lohuizen tells TIME. “What was remarkable was that it became almost like therapy for them. For many of these kids, it was the first time that they saw themselves in an image.”

malawi-prisons-noor-02Mzuzu prison, Malawi. Gift, a juvenile prisoner 

During the week-long workshop, van Lohuizen’s students spent the first days acting tough, posing for the camera in virile postures. “But after a week, their transformation was remarkable,” he says. “They started to talk about their lives and that led to a discussion on how they got there in the first place. I felt like it actually made a difference.”

Through the workshop, van Lohuizen was also able to gain unprecedented access to the prison. “Usually, there are many restrictions, so you have only a very short time to work.” This time, he was able to stay as long as he wanted, interacting with all prisoners to produce a more complete body of work about the dire conditions behind bars. “Many of these prisoners have committed only minor crimes, mostly due to economic and social troubles in the country,” he says.

Mzuzu prison, Malawi. James, a juvenile prisoner. 

Van Lohuizen feels he was able to contribute to the lives of these prisoners — they became more than just subjects for his work. “What I hadn’t realized at first was that some of them would be released soon afterwards and would be able to use their new skills in their lives outside,” he says. “That’s when photography can mean something different than what we usually think.”

While van Lohuizen has secured funding to bring his workshop to South Africa, his wish is to go global from El Salvador, where he worked in 2011, to Russia and even, maybe, the U.S.

Kadir van Lohuizen is a documentary photographer represented by NOOR.

Olivier Laurent is the editor of TIME LightBox. Follow him on Twitter and Instagram @olivierclaurent

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