--- title: Robert Capa Reveals an Ugly Side of Liberation in WWII France description: In August 1944, Robert Capa was in Chartres when he came upon an ugly scene that was to play out across much of liberated France. canonical: https://time.com/3880210/robert-capa-reveals-an-ugly-side-of-liberation-in-wwii-france/ author: Ben Cosgrove article:opinion: false article:content_tier: free article:published_time: 2014-06-19T12:49:59.000Z article:modified_time: 2026-05-11T05:03:40.245Z og:title: Robert Capa Reveals an Ugly Side of Liberation in WWII France og:description: In August 1944, Robert Capa was in Chartres when he came upon an ugly scene that was to play out across much of liberated France. og:url: https://time.com/3880210/robert-capa-reveals-an-ugly-side-of-liberation-in-wwii-france/ og:site_name: TIME og:image: https://static.time.com/v3/assets/bltea6093859af6183b/blt64ff760baabd4a71/69884c182dce016ee89e3470/140703-french-nazi-collaborator-capa-feat-crop.jpg?branch=production&width=711&quality=75&auto=webp&crop=16:9 og:image:width: 711 og:image:height: 400 og:image:alt: French Collaboator by Capa, 1944 og:type: article twitter:card: summary_large_image twitter:title: Robert Capa Reveals an Ugly Side of Liberation in WWII France twitter:description: In August 1944, Robert Capa was in Chartres when he came upon an ugly scene that was to play out across much of liberated France. twitter:image: https://static.time.com/v3/assets/bltea6093859af6183b/blt64ff760baabd4a71/69884c182dce016ee89e3470/140703-french-nazi-collaborator-capa-feat-crop.jpg?branch=production&width=711&quality=75&auto=webp&crop=16:9 ---  # Robert Capa Reveals an Ugly Side of Liberation in WWII France > Sponsored content. 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They are at time.com/newsletters and are separate from a paid subscription. by [Ben Cosgrove](https://time.com/author/ben-cosgrove/) ## Ben Cosgrove Jun 19, 2014 12:49 PM UTC  A French woman collaborator and her baby, whose father is German, returns to her home after having her head shaven following the capture of Chartres by the Allies, August 1944. A French woman collaborator and her baby, whose father is German, returns to her home after having her head shaven following the capture of Chartres by the Allies, August 1944. Robert Capa—Getty Images by [Ben Cosgrove](https://time.com/author/ben-cosgrove/) ## Ben Cosgrove Jun 19, 2014 12:49 PM UTC The 1944 liberation of occupied France during World War II endures in our collective memory as a clash of mighty armies — a visual rhetoric that distills the horrors of the occupation, the struggle for freedom and the jubilation of the liberation itself. The photographer Robert Capa was, famously, in the midst of the conflict, embodying his personal motto that “if your pictures aren’t good enough, you’re not close enough” as [he landed with Allied troops on D-Day](http://life.time.com/history/the-best-of-life-37-years-in-pictures/#9). His resulting “[slightly out of focus](http://www.amazon.com/Slightly-Out-Focus-Modern-Library/dp/0375753966)” pictures from Operation Overlord are among WWII’s most memorable. But Capa didn’t reserve his talents for combat, and often sought aspects of war that others missed. In August 1944, not long before the Allies entered Paris, Capa was in the town of Chartres when he came upon a scene that was to play out across much of liberated France: a woman who had engaged in [_collaboration horizontale_](http://www.theguardian.com/lifeandstyle/2009/jun/05/women-victims-d-day-landings-second-world-war) — collaboration with, and in this case having sex with, occupying troops — her head forcibly shaved, carrying the child she had with a German, followed by a throng of taunting townspeople. Tens of thousands of women, many of whom were merely _accused_ of collaboration, suffered similar fates after liberation: some were killed; a good number were beaten; all were humiliated. With this and other, similar photographs, Capa captured the ugly energy lurking in a populace wound tight under the pressure of occupation, casting about for blame in the aftermath of their own subjugation. The picture is a visceral reminder of an old, grim truth: injustice begets injustice. _Hailing from Colombia, undergraduate_ **_Felipe De La Hoz_** _studies journalism at NYU, where he reports and edits for the_ [_Washington Square News_](http://www.nyunews.com/author/felipe-de-la-hoz/)_. See his photography_ [_here_](http://felipedelahozphotography.smugmug.com/) _and follow him_ [_@FelipeDLH_](https://twitter.com/FelipeDLH)_._  A French woman collaborator and her baby, whose father is German, returns to her home after having her head shaven following the capture of Chartres by the Allies, August 1944. 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