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1 of 11“It’s All Over Now” Dissection Class University of Maryland School of Medicine, circa 1915Stanley B. Burns, MD & The Burns Archive -
2 of 11Dissection Room circa 1930Stanley B. Burns, MD & The Burns Archive -
3 of 11“A Student’s Dream” Illusion of Dissection Anxiety 1906Stanley B. Burns, MD & The Burns Archive -
4 of 11Anatomy Class, 1910Stanley B. Burns, MD & The Burns Archive -
5 of 11Studying Skull Anatomy Albany, NY 1857Stanley B. Burns, MD & The Burns Archive -
6 of 11Cranio-cerebral Topographical Study of A Child’s Head, 1916Stanley B. Burns, MD & The Burns Archive -
7 of 11Deformed Skeleton Due to Rickets, 1879Stanley B. Burns, MD & The Burns Archive -
8 of 11Anatomical Model Maker, Dr. Azouz 1858Stanley B. Burns, MD & The Burns Archive -
9 of 11“Dear Mary, What do You Think of My Chum? Postcard mailed to Mary Miller, Mifflinburg, PA, 1908Stanley B. Burns, MD & The Burns Archive -
10 of 11X-Ray of Deformity of Hand, Fused Metacarpal Bones, 1907Stanley B. Burns, MD & The Burns Archive -
11 of 11Ossuary at Hallstatt Beinhaus, Austria, 1910Stanley B. Burns, MD & The Burns Archive
In the 19th Century, posing with and taking photographs of dead loved ones was a common occurrence, allowing people to have a keepsake of their departed family members. Today, this cultural phenomenon has all but disappeared. “During the early 20th Century, death was removed from everyday life and dead bodies were removed from personal photographs,” says Stanley B. Burns MD, an ophthalmologist, collector, historian and founder of The Burns Archive.
Over the last 40 years, Burns, aided by his daughter Elizabeth, has gathered more than a million images of the darker side of life: disease, war, disaster, crime, racism, revolution and, yes, death, creating the world’s largest private collection of such photographs.
In a new photo book, Stiffs, Skulls & Skeletons: Medical Photography and Symbolism, due to be released in January 2015, the Burns have brought together 450 photographs that reveal the 19th Century’s fascination with body parts and the skeleton. “[The book] is the first comprehensive visual analysis of the use of skeletons, bodies and body parts,” says Burns. “The skull is the most significant and time-honored prop for self-validation in a profession. The physician, the actor, the scientist, the explorer, the holy man, and the warrior all pose with skulls to convey accomplishment and status. In these images, the attitude of those posing with body parts changes over time, as each generation acquired new knowledge and approached the sanctity of the body with new cultural considerations.”
The final selection of images goes beyond the classic visual iconography of postmortem, dissection and bone photography, it also includes early autopsy images and X-ray studies. These photographs, says Burns, provide clear evidence of how our society has changed. “Many cultural phenomena disappear from collective memory, as changing cultural taboos dictate the past be hidden.” But, they are also “beautiful examples of the art of photography and its ability to portray unpleasant subject matter artistically.”
Stiffs, Skulls & Skeletons: Medical Photography and Symbolism will be published in January 2015.
Paul Moakley is TIME’s Deputy Director of Photography and Visual Enterprise.
Olivier Laurent is the editor of TIME LightBox. Follow him on Twitter and Instagram @olivierclaurent
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