-
An early portrait sitting, 1951, Germantown, Pa.Patti Smith Archive
-
Practice room at the old Victoria Theater building (now demolished) on Times Square, 1975Frank Stafanko
-
Performing, 1977Lynn Goldsmith
-
Taking a nap with her first electric guitar, a Fender Duo-Sonic, while rehearsing for a tour, 1976Lynn Goldsmith
-
Fire Island, 1974© Robert Mapplethorpe Foundation. Courtesy Sean Kelly Gallery
-
Boat to Fire Island© Robert Mapplethorpe Foundation. Courtesy Sean Kelly Gallery
-
Chelsea Hotel, 1970© Robert Mapplethorpe Foundation. Courtesy Sean Kelly Gallery
-
An outtake from the cover shoot for Easter, 1978Lynn Goldsmith
-
Practice room with pianist Richard Sohl, from the Radio Ethiopia album cover shoot, 1976Judy Linn—Feature Inc
-
The loft space on twenty-third street, over the Oasis Bar, shared with Robert Mapplethorpe. 1971Judy Linn—Feature Inc
-
The 68th Street subway station in New York City, 1971Gerard Malanga
-
Chelsea Hotel, 1970© Robert Mapplethorpe Foundation. Courtesy Sean Kelly Gallery
-
Haircut. One Fifth Avenue, 1978© Robert Mapplethorpe Foundation. Courtesy Sean Kelly Gallery
-
Robert Mapplethorpe's sole full nude portrait of Smith, taken at his Bond Street Studio, 1978© Robert Mapplethorpe Foundation. Courtesy Sean Kelly Gallery
-
MacDougal Street, New York City, 1975Frank Stefanko
-
Robert Mapplethorpe's last image of Smith before she withdrew from public life, San Francisco 1979© Robert Mapplethorpe Foundation. Courtesy Sean Kelly Gallery
-
Saint Laurent Prison, French Guiana. Patti and Fred Smith's first wedding anniversary, March 1 1981Frederick Smith—Patti Smith Archive
-
Smith being photographed by Richard Avedon for The New Yorker, 1998Oliver Ray—Patti Smith Archive
-
For her German Vogue photo shoot, Bruce Weber asked Smith how she would like to be photographed—She chose a ballerina style ball gown. New York City, 1996Bruce Weber
-
Rimbaud tee shirt, for German Vogue.Bruce Weber
-
During a protest of America's invasion of Iraq, Washington D.C., 2003Steven Sebring
TIME asked artist, writer and musician Patti Smith, one of this year’s TIME 100 honorees, to tell us about her life in front of the lens. Smith shares some of her personal photographs and offers photographers some advice, from a subject’s point of view.
To be the subject of a photographer, whether artist or blessed amateur, is a privilege and a joy. I was delighted as a child to sit for my first portrait. It made me feel special. As a teenager I posed for my siblings in dramatic lighting borrowed from James Whale and film-noir.
In the late sixties, before the conspiratorial lens of Judy Linn, I referenced French New Wave. My schoolmate Frank Stefanko shot me as I first tread upon the road of Rock and Roll. Kate Simon documented the early steps in black and white. Lynn Goldsmith often joined my band on the road and within her studio we shot the atmosphere of Easter, joyfully in color.
There have been so many moments of collaboration, both intense and ebullient, allowing me to experience a sense of being a muse, a hot shot, or merely myself. In 1978, Annie Leibovitz shot me in New Orleans behind a small wall of flame for the cover of Rolling Stone magazine. In the early eighties, my only photographer was my late husband, Fred Sonic Smith. After Fred’s untimely death, Steven Sebring documented my way back to public life. Michael Stipe photographed my first tour with Bob Dylan. Bruce Weber shot me in a ballet gown and jewels worthy of the throat of Liz Taylor. Oliver Ray, who took the cover picture for Peace and Notice, snapped a moment as I posed for Richard Avedon for the New Yorker.
Finally, I must speak of Robert Mapplethorpe. I was his first model, a fact that fills me with pride. The photographs he took of me contain a depth of mutual love and trust inseparable from the image. His work magnifies his love for his subject and his obsession with light.
So, as one who has stood before the camera of many artists and friends, I can only advise a photographer to love his subject, and if this is not possible, love the light that surrounds her.
—By Patti Smith
Marco Grob’s portrait of Smith for this year’s TIME 100 can be viewed here.
Smith’s memoir Just Kids is published by Ecco.
Judy Linn’s book of portraits, Patti Smith 1969-1976, published by Abrams Books can be purchase here.
- The Biggest Moments From the Second Republican Debate
- Rooftop Solar Power Has a Dark Side
- Death and Desperation Take Over the World's Largest Refugee Camp
- Right-Wing's New Aim: a Parallel Economy
- Is It Flu, COVID-19, or RSV? Navigating At-Home Tests
- Kerry Washington: The Story of My Abortion
- How Canada and India's Relationship Crumbled
- Want Weekly Recs on What to Watch, Read, and More? Sign Up for Worth Your Time