--- description: Director Lucy Walker’s new film follows the photographer as he finds subjects at the world’s largest garbage dump in Brazil title: 'Waste Land' Shows Artist Muniz Transform Lives with Trash image: https://static.time.com/v3/assets/bltea6093859af6183b/blt276276c3c10bd5ce/698787992dce0170159de7ac/6-view-down-on-irmas-portrait.jpg?branch=production&width=3840&quality=75&auto=webp&crop=16:9 ---  * [World](/section/world/) ## World Update your preferences in [Account Settings](/account/preferences/) Close * [LightBox](/tag/time-section-lightbox/) ## LightBox Update your preferences in [Account Settings](/account/preferences/) Close # Portraits with Purpose: Vik Muniz in Waste Land  by [Paul Moakley](/author/paul-moakley/)  ## Paul Moakley Update your preferences in [Account Settings](/account/preferences/) Close Mar 22, 2011 11:00 AM CUT  The portrait of Irma is created on the floor of the studio by Muniz and the workers of Jardim Gramacho. Once complete, the final portrait will be photographed from above by Muniz The portrait of Irma is created on the floor of the studio by Muniz and the workers of Jardim Gramacho. Once complete, the final portrait will be photographed from above by MunizCourtesy of Vik Muniz Studio  by [Paul Moakley](/author/paul-moakley/)  ## Paul Moakley Update your preferences in [Account Settings](/account/preferences/) Close Mar 22, 2011 11:00 AM CUT Since the mid-1990s, Brazilian-born artist Vik Muniz has established a reputation not only for his critically acclaimed appropriations of iconic figures like Jackson Pollack in chocolate syrup or the Mona Lisa in peanut butter and jelly but for his early work, a subtly deceptive series of portraits featuring smiling children made from sugar. The “Sugar Children” are child laborers whom the artist befriended in the Caribbean, and in this work, he contemplates their future as workers in the cane fields. The portraits launched his career and were shown as part of the Museum of Modern Art’s esteemed New Photography series. This kind of social consciousness is also the subject of Muniz’s most recent work, which is chronicled in the Oscar-nominated film _Waste Land_ by director Lucy Walker. The film begins with Muniz returning to his family home in Brazil, where he describes his humble beginnings and journeys to the Jardim Gramacho, the world’s largest garbage dump on the outskirts of Rio de Janeiro. The film’s incredible cinematography captures the endless toil of the _catadores_, a small band of garbage collectors who separate recyclable materials. These low-paid collectors are found working in dangerous conditions, overwhelmed in oceans of trash. “These people are at the other end of consumer culture,” says Muniz. “I was expecting to see people who were beaten and broken. But they are survivors.” The humanity of these marginalized people is captured in heartbreaking interviews with the workers and in small details: in one scene, meals are cooked in the dump from reclaimed food. Muniz initially planned to paint their portraits with the garbage, but instead he worked with them to create enormous photographs of each person from materials in the dump. In the film, the careful collaboration results in a crash course in contemporary art and therapy. Muniz has to persuade his subjects to participate, shoot portraits of them in an impromptu studio in the dump, get the collectors to pick garbage to sculpt with for their portraits, and then document the final collage. Within this time, Muniz transforms the workers into diligent art assistants. They go though a deep process of learning about his work while creating monumental sculptures of their likenesses. In turn, they begin to see themselves differently. The film prompts ethical questions about where a journalist or an artist should draw the lines with a subject. For Muniz, those lines are undefined and repeatedly tested in the film and in his artistic process. Toward the end of the film, Muniz goes to London to auction the work at Phillips de Pury, selling one portrait for more than $64,000\. He returns 100% of the proceeds to the subjects so they can improve their labor union to educate and protect the workers of Jardim Gramacho. _Waste Land_ documents a self-reflective artistic process that leaves no one untouched, and in the end, the final portraits stand as testimony that art can indeed change lives in small and great ways. To see more of Muniz’s work, visit [www.vikmuniz.net](http://www.vikmuniz.net/ "undefined"). The film was released on DVD on March 15, 2011, by [New Video and ArtHouse Films](http://www.newvideo.com/featured-releases/waste-land/ "undefined").  The portrait of Irma is created on the floor of the studio by Muniz and the workers of Jardim Gramacho. Once complete, the final portrait will be photographed from above by Muniz Courtesy of Vik Muniz Studio  A scene from the film in which Muniz looks at Magna’s photo while her final portrait is created in the studio Courtesy of Vik Muniz Studio  The Gypsy Magna, from the series Pictures of Garbage Vik Muniz—Sikkema Jenkins and Co.  A scene from the film in which Muniz takes a photo of Tiao, inspired by a painting of Marat at Jardim Gramacho Vik Muniz  The final image of Tiao, titled Marat/Sebastio, from the series Pictures of Garbage Vik Muniz—Sikkema Jenkins and Co.  Woman Ironing (Isis), from the series Pictures of Garbage Vik Muniz—Sikkema Jenkins and Co.  Atlas (Carlão), from the series Pictures of Garbage Vik Muniz—Sikkema Jenkins and Co.  Mother and Children, from the series Pictures of Garbage Vik Muniz—Sikkema Jenkins and Co. ```json [{"@context":"https://schema.org","@type":"NewsArticle","@id":"https://time.com/3775724/portraits-with-purpose-vik-muniz-in-waste-land/","mainEntityOfPage":{"@type":"WebPage","@id":"https://time.com/3775724/portraits-with-purpose-vik-muniz-in-waste-land/"},"headline":"Portraits with Purpose: Vik Muniz in Waste Land","datePublished":"2011-03-22T11:00:09.000Z","dateModified":"2026-05-11T04:41:35.615Z","description":"Director Lucy Walker’s new film follows the photographer as he finds subjects at the world’s largest garbage dump in Brazil","url":"https://time.com/3775724/portraits-with-purpose-vik-muniz-in-waste-land/","keywords":["LightBox","brazil","Out There","portraiture"],"thumbnailUrl":"https://static.time.com/v3/assets/bltea6093859af6183b/blt276276c3c10bd5ce/698787992dce0170159de7ac/6-view-down-on-irmas-portrait.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1200:675&height=675","author":[{"@type":"Person","name":"Paul Moakley","jobTitle":null,"url":"https://time.com/author/paul-moakley/"}],"articleSection":"World","image":[{"@type":"ImageObject","url":"https://static.time.com/v3/assets/bltea6093859af6183b/blt276276c3c10bd5ce/698787992dce0170159de7ac/6-view-down-on-irmas-portrait.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1200:675&height=675","width":1200,"height":675,"headline":"View down on Irma's Portrait","caption":"The portrait of Irma is created on the floor of the studio by Muniz and the workers of Jardim Gramacho. Once complete, the final portrait will be photographed from above by Muniz","creditText":"Courtesy of Vik Muniz Studio","representativeOfPage":true}],"publisher":{"@type":"Organization","name":"Time","url":"https://time.com/","logo":{"@type":"ImageObject","url":"https://time.com/images/logo.png","width":528,"height":156},"foundingDate":"March 3, 1923","sameAs":["https://www.facebook.com/time","https://www.instagram.com/time/?hl=en","https://twitter.com/time","https://www.pinterest.com/timemagazine"]}},{"@context":"https://schema.org","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"/section/world/","name":"World"}},{"@type":"ListItem","position":2,"item":{"@id":"/tag/time-section-lightbox/","name":"LightBox"}},{"@type":"ListItem","position":3,"item":{"@id":"https://time.com/3775724/portraits-with-purpose-vik-muniz-in-waste-land/","name":"Portraits with Purpose: Vik Muniz in Waste Land"}}]}] ```