--- title: The Trouble With Disney's Supertiny Princesses and Hulking Heroes description: Exaggerated differences between male and female bodies in animated movies promote stereotypes and a limited vision of our human potential canonical: https://time.com/3667700/frozen-brave-disney-princesses-heroes-and-sexism/ author: Philip Cohen article:opinion: false article:content_tier: free article:published_time: 2015-01-28T13:00:53.000Z article:modified_time: 2026-05-11T04:43:02.564Z og:title: The Trouble with Disney's Teeny Princesses: Disney's Depiction of Male and Female Bodies Is Terrible for Us og:description: Exaggerated differences between male and female bodies in animated movies promote stereotypes and a limited vision of our human potential og:url: https://time.com/3667700/frozen-brave-disney-princesses-heroes-and-sexism/ og:site_name: TIME og:image: https://static.time.com/v3/assets/bltea6093859af6183b/blt6bf0d0aaa65d9ee2/698779e055a85952b8a853e4/brave.jpg?branch=production&width=1200&quality=75&auto=webp&crop=16:9 og:image:width: 2100 og:image:height: 1181 og:image:alt: BRAVE og:type: article twitter:card: summary_large_image twitter:title: The Trouble with Disney's Teeny Princesses: Disney's Depiction of Male and Female Bodies Is Terrible for Us twitter:description: Exaggerated differences between male and female bodies in animated movies promote stereotypes and a limited vision of our human potential twitter:image: https://static.time.com/v3/assets/bltea6093859af6183b/blt6bf0d0aaa65d9ee2/698779e055a85952b8a853e4/brave.jpg?branch=production&width=1200&quality=75&auto=webp&crop=16:9 ---  # The Trouble With Disney's Teeny, Tiny Princesses > Sponsored content. 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Named editors include Richard Hall (The Brief), Editor-in-Chief Sam Jacobs (Inside TIME), Eliza Berman (Worth Your Time), Philip Elliott (D.C. Brief), Justin Worland (Future Proof) and Harry Booth (In the Loop). Health Matters is written by TIME's health desk. #### How do I sign up for a TIME newsletter? Go to time.com/newsletters, choose the newsletters you want and enter your email address. There is no cost and no subscription requirement. by [Philip Cohen](https://time.com/author/philip-cohen/) ## Philip Cohen Jan 28, 2015 1:00 PM UTC  Queen Elinor and King Fergus in Brave Queen Elinor and King Fergus in Brave Pixar/Disney by [Philip Cohen](https://time.com/author/philip-cohen/) ## Philip Cohen Jan 28, 2015 1:00 PM UTC Disney has taken a lot of flak for perpetrating sexist stereotypes in its princess movies. In today’s competitive, every-moment-counts child-rearing culture, American parents want their kids’ entertainment to be not just fun, but also fulfilling. So if a movie sends the wrong message, many parents stay away. That’s why the company has responded to the criticism, shaping more recent princess movies such as _Frozen_ and _Brave_ around female characters for whom romance is not the primary motivation. I welcome this evolution. But there’s still a lot to wonder about — and even complain about — in today’s animated children’s movies, especially in the radical differences between male and female bodies. Yes, on average real men’s bodies are bigger, and more muscular, than women’s. And yes, animation is an art form not restricted to the boundaries of realism, which is what makes it great. But the exaggerations in these children’s movies are extreme, they almost always promote the same image of big men and tiny women, and they are especially dramatic in romantic situations. Consider just the differences in hand size. Here are the hands of romantic couples in (clockwise from top left): _Frozen_, _How to Train Your Dragon 2_, _Gnomeo and Juliet_, _Hercules_, _Tangled_ and _Brave_.  Disney (4); Dreamworks; Touchstone Pictures The differences between men’s and women’s hands and arms in these pictures are more extreme than almost any you can find in real adults. The men’s hands are routinely three or four times larger than the women’s. For comparison, I checked a [detailed report](http://oai.dtic.mil/oai/oai?verb=getRecord&metadataPrefix=html&identifier=ADA209600) that the Army commissioned to design its equipment and uniforms. In real American adults, for example, men’s wrists are on average only about 15% larger in circumference than women’s. In that scene from _Frozen_, not only is Anna’s hand tiny compared with Hans’, but in fact her eyeball is wider than her wrist.  Disney In the _Hercules_ scene, his bicep is about 2.8 times wider than hers, while the very biggest man in the Army report had a bicep just 2.1 times bigger than the very smallest woman (that bicep difference is also greater than that [observed](http://www.dailymail.co.uk/tvshowbiz/article-2023772/Shaquille-ONeal-tiny-Nicole-Hoopz-Alexander-struggle-share-kiss.html) between Shaquille O’Neal and his former wife, Nicole Alexander). The same is true of their neck and wrist measurements. In the case of Hercules, we can actually compare the Disney depiction to ancient renditions of the demigod and his mistress. From [4th century mosaics](http://www.ancient.eu/image/2844/) to Alessandro Turchi’s [17th century painting](http://www.wikigallery.org/wiki/painting%5F304321/Alessandro-Turchi-%28Orbetto%29/Hercules-slaying-the-Children-of-Megara), the demigod is portrayed relative to Megara in much more normal human proportions. I know Hercules is not supposed to be a regular human, but if he’s really a different species, maybe Disney shouldn’t feature him kissing a girl in a children’s movie. (There are exceptions to the Disney/Dreamworks model of couples, even in modern animation. Consider, for example, the teen couple in Japanese animator Hayao Miyazaki’s magical film _Kiki’s Delivery Service_, Marge and Homer Simpson — or, of course, Charlie Brown and Lucy. Even the older Disney classics, like the 1937 _Snow White and the Seven Dwarves_, had much more normally proportioned couples.) Because humans reproduce sexually, there are obvious differences between males and females, called sexual dimorphism. However, in the grand scheme, as the sociologist [Lisa Wade puts it](http://onlinelibrary.wiley.com/doi/10.1111/soc4.12028/abstract), “men and women are overwhelmingly alike”; our similarities outweigh our differences. Still, we choose whether to highlight the differences that are apparent. And the amount of energy we devote to emphasizing and acting on the different qualities of men and women changes over time and varies across cultures. Artists have been pairing men’s and women’s bodies for millennia. And even in art that was not intended to be realistic, the sex differences were usually not as dramatic as those seen in modern children’s movies. Consider these three works of art. The first is _Seated Man and Woman_, a sculpture from Mexico about 2,000 years old, showing obvious but modest differences in body type. The second is Michelangelo’s famous rendition of Adam and Eve from the ceiling of the Sistine Chapel, completed in 1512, in which Eve’s robust physique is comparable to Adam’s. And the third is the classic _American Gothic_, by Grant Wood, from 1930.  Dallas Museum of Art; Getty Images (2) I wouldn’t argue that differentiating the sexes in animated movies is the most pressing problem we face today. But I do think the choices that artists and producers make — and the popularity of their choices — gives us a window into important cultural dynamics. In my own area of research, [families and gender](http://books.wwnorton.com/books/The-Family/), many of our modern debates revolve around the different roles that men and women play. Can men warmly nurture children and work as nurses? Can women successfully lead families and companies? The differences between mothers and fathers can create comfortable compatibilities with obvious benefits. But unless we see that men and women have physical, emotional and cognitive qualities in common as well, we will continue to treat single parents — and same-sex couples — as fundamentally deficient instead of evaluating them as complex people with their own strengths and weaknesses. Having written about this subject [frequently](https://familyinequality.wordpress.com/2015/01/04/herculean-dimporphism/) in the past few years, I know many people will disagree, arguing that the fundamental differences they perceive between men and women are natural and should be embraced. But what we think of as normal is not simply natural; it’s a product of the interaction between the natural world and our cultural ways. When the beautiful and romantic stories we grow to love in childhood set a standard that exaggerates gender differences and makes them seem natural — built into our very bone structures — it gives us a more limited, and less complex, vision of our human potential. ```json [{"@context":"https://schema.org","@type":"NewsArticle","@id":"https://time.com/3667700/frozen-brave-disney-princesses-heroes-and-sexism/","mainEntityOfPage":{"@type":"WebPage","@id":"https://time.com/3667700/frozen-brave-disney-princesses-heroes-and-sexism/"},"headline":"The Trouble With Disney's Teeny, Tiny Princesses","datePublished":"2015-01-28T13:00:53.000Z","dateModified":"2026-05-11T04:43:02.564Z","description":"A culture populated by absurdly small princesses and hulking male heroes can change the way men and women see themselves","url":"https://time.com/3667700/frozen-brave-disney-princesses-heroes-and-sexism/","keywords":["Living","movies","Opinion topic","Frozen","Disney","entertainment","Cinderella"],"thumbnailUrl":"https://static.time.com/v3/assets/bltea6093859af6183b/blt6bf0d0aaa65d9ee2/698779e055a85952b8a853e4/brave.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1200:675&height=675","author":[{"@type":"Person","name":"Philip Cohen","jobTitle":null,"url":"https://time.com/author/philip-cohen/"}],"articleSection":"","image":[{"@type":"ImageObject","url":"https://static.time.com/v3/assets/bltea6093859af6183b/blt6bf0d0aaa65d9ee2/698779e055a85952b8a853e4/brave.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1200:675&height=675","width":1200,"height":675,"headline":"BRAVE","caption":"BRAVE","creditText":"Pixar/Disney","representativeOfPage":true}],"publisher":{"@type":"Organization","name":"Time","url":"https://time.com/","logo":{"@type":"ImageObject","url":"https://time.com/images/logo.png","width":528,"height":156},"foundingDate":"March 3, 1923","sameAs":["https://www.facebook.com/time","https://www.instagram.com/time/?hl=en","https://twitter.com/time","https://www.pinterest.com/timemagazine"]}},{"@context":"https://schema.org","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"/tag/time-section-living/","name":"Living"}},{"@type":"ListItem","position":2,"item":{"@id":"https://time.com/3667700/frozen-brave-disney-princesses-heroes-and-sexism/","name":"The Trouble With Disney's Teeny, Tiny Princesses"}}]}] ```