David Lynch and Mark Frost made something really weird happen, and I’m not talking about Laura Palmer’s murder, a dancing dwarf, a Log Lady or an owl. They turned primetime TV into a giant indie art-house theater, and regular American channel surfers by the millions became its black-turtlenecked denizens. The story of a teen girl’s death in the Pacific Northwest—and the pie-eating, deadpan-soliloquy-spouting FBI agent investigating it—carried on the theme, from Lynch movies like Blue Velvet, of sordid secrets and ancient horrors hid behind a facade of wholesome Americana, proving that TV could equal or surpass film in its storytelling ambitions. Twin Peaks may have had the shelf life of a freshly poured cup of coffee, but it was damn fine nonetheless.
- Inside the Massive Effort to Change the Way Kids Are Taught to Read
- Dubai's Real Estate Market is Booming. One Company is Making It Possible to Invest From Anywhere in the World
- How to Exercise When It's Really Hot Outside
- A New Documentary Sheds Light on a Pivotal Movement in Asian American History
- Far From Home: Afghan Women are Attempting to Build New Lives Abroad
- What Experts Say About How Valuable The Inflation Reduction Act's Green Subsidies Will Be
- What to Know About Long COVID in Kids
- Want to Do More Good? This Movement Might Have the Answer