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title: A Million Ways to Die in the West Box Office Report: Westerns Decline
description: Seth MacFarlane is the latest Hollywood power player to learn that the &quot;American genre&quot; has long lost its box-office appeal
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author: Richard Corliss
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article:published_time: 2014-06-02T14:25:21.000Z
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og:description: Seth MacFarlane is the latest Hollywood power player to learn that the &quot;American genre&quot; has long lost its box-office appeal
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![](https://static.time.com/v3/assets/bltea6093859af6183b/blt2aefd0bf0d6f686d/69869113169ab074b02797f1/5693_d028_00275_00279r_comp.jpg?branch=production&width=3840&quality=75&auto=webp&crop=16:9)


# A Chilling Way to Die at the Box Office: Make a Western


by 

[Richard Corliss](/author/richard-corliss/)


## Richard Corliss


Jun 2, 2014 2:25 PM CUT

![A Million Ways to Die in the West](https://static.time.com/v3/assets/bltea6093859af6183b/blt2aefd0bf0d6f686d/69869113169ab074b02797f1/5693_d028_00275_00279r_comp.jpg?branch=production&width=3840&quality=75&auto=webp&crop=3:2)

Lorey Sebastian—© Universal Pictures

by 

[Richard Corliss](/author/richard-corliss/)


## Richard Corliss


Jun 2, 2014 2:25 PM CUT

For Seth MacFarlane, the weekend box-office numbers were brutal. His _A Million Ways to Die in the West_ earned just $17.1 million, or less than a quarter of the estimated $70 million gleaned by Disney’s _Maleficent_ — and less than a third of the $54.4-million opening for MacFarlane’s own _Ted_ two summers ago. His new comedy also failed to reach the modest predictions, in the mid-to-upper $20 millions, of the industry’s blogging touts.

What went wrong? A few obvious things. Instead of _Ted_‘s reliable marquee name Mark Wahlberg, as the guy whose best friend was a toy bear with an R-rated mouth, MacFarlane made himself the star for his first visible leading movie role. _A Million Ways to Die_ received mostly negative reviews from the critics, and a poor “B” rating from the CinemaScore survey of early attendees. But MacFarlane’s main crime? He dared to make a Western.

**(READ: Corliss’s** [**review of** **_A Million Ways to Die in the West_**](http://time.com/122945/a-million-ways-to-die-in-the-west-movie-review/ "undefined")**)**

Throughout the movies’ golden age, the Western enriched Hollywood financially and artistically. But in the 1970s, the genre lost its audience appeal to fantasy films of the _Star Wars_ stripe, which told more or less the same story — elemental animosities leading to an armed showdown — but at a faster tempo, and in outer space. The spectacle of men in kerchief and boots hanging around a seedy 19th-century town waiting to shoot or be shot suddenly seemed painfully slow.

Directors still love Westerns, and when they’ve won their patrons’ trust with a big hit, they often use that favor to make one. But Westerns often carry high production budgets; and this quintessentially American genre doesn’t often attract moviegoers abroad, where the box-office gravy is. [Of Westerns released in the past decade](http://www.boxofficemojo.com/genres/chart/?id=western.htm "undefined"), the one unqualified success is [Quentin Tarantino’s _Django Unchained_](http://entertainment.time.com/2012/12/12/django-unchained-tarantino-frees-the-slaves/ "undefined"). Made for about $100 million, it earned $425.4 million worldwide, 62% of that coming from foreign markets. [The Coen brothers’ _True Grit_](http://content.time.com/time/arts/article/0,8599,2039471,00.html "undefined") remake was a domestic hit ($171.2 million) that tanked internationally ($81 million), but the movie cost less than $40 million to produce, so we’ll call that a success, too. After that, the results are mixed to bad.

**(READ:** [**Is the Movie Western Too Tough to Die?**](http://content.time.com/time/arts/article/0,8599,1664187,00.html "undefined")**)**

Recent flop Westerns include [_Cowboys & Aliens_](http://entertainment.time.com/2011/07/28/cowboys-aliens-review/ "undefined") ($163 million budget, $174.8 million worldwide gross) and [Johnny Depp’s _The Lone Ranger_](http://entertainment.time.com/2013/07/02/the-lone-ranger-lost-in-a-western-myth/ "undefined") ($215 million budget, $260.5 million worldwide). Keep in mind that the producing studios often spend $100 million to promote a movie, and that little more than half of its total gross comes back to them. So these movies — and _The Alamo_, and [Depp’s animated Western _Rango_](http://content.time.com/time/magazine/article/0,9171,2056715,00.html "undefined"), and Brad Pitt’s _The Assassination of Jesse James by the Coward Robert Ford_ — mostly spilled red ink.

If there’s an upside for MacFarlane, it’s that he spent less making _A Million Ways_ ($40 million) than he did on _Ted_ ($50 million). So his new movie won’t lose much money. It also, alas, won’t lure audiences back to the Western.

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