Kidding! Don’t ignore your family. Unless your family is awful. In which case, enjoy these distractions
The realities of distance have long dictated that my time spent among family is somewhat limited to a couple weeks in total each year. My people of origin all live in South Florida, while I am in Boston, and although my in-laws in upstate New York are closer, they’re still far enough away, and everyone involved is so busy, that visits are special occasions and not predictable occurrences.
I miss them, enormously, all the time. Because of this, it’s actually pretty rare that I ignore anyone when we’re visiting, given that I treasure and cherish every moment with my beloved family.
But, you know, even I have my limits.
Sometimes, surrounded by people who love you, or at least people to whom you are related, you just want to put your head down and do something, anything other than listen to your cousin talk about her wedding plans for an hour, or your aunt ranting on with her offensive politics from 1953, or have to answer intrusive questions about your professional/marital/reproductive prospects. Sometimes you want to put on some headphones and just ignore everyone just for a bit. I am here for you. It’s OK.
(My husband writes about video games for a living, and when I told him about my “ignoring your family” angle, he called me a cynical jerk. That’s probably a fair assessment. But I thought it was funny.)
I first saw Monument Valley at the Game Developers Conference earlier this year, and I was mesmerized. So it wasn’t a huge surprise when it received a bunch of positive attention right away, and went on to win a 2014 Apple Design Award.
Monument Valley follows Princess Ida on a journey through meticulously designed environments, in which the architecture hides puzzle solutions in optical illusions that borrow liberally from the work of M.C. Escher. In each chapter, you help Ida on her travels by pressing switches and rotating pathways and staircases to create a path for her to follow, and the solutions are elegant and often surprising.
Beautifully surreal, slow-paced, simple to learn and with a soundtrack like aural Valium, it’s an easy game to get lost in. Happily, new chapters are now available.
Device 6 is similarly lauded and similarly surreal, but in some very different ways. A sort of hybrid visual novella and game, Device 6 tells the story of a woman called Anna, who wakes up in a castle on a mysterious island with no recollection of how she got there.
Device 6 dispenses with typical running/jumping game mechanics in favor of a more intuitive approach in which the text itself is the playing field. You read it as much as you play it, and the puzzles give the distinct feeling that you’re a detective collecting and analyzing clues to a much bigger mystery, rather than simply looking for the right random solution. And it is stylish as fuck, with a swingy midcentury vibe that somehow underscores how freaking creepy it can occasionally get.
Also, the sound design on Device 6 is mind-rendingly brilliant.
Sometimes You Die (iOS)
Oh, what’s that? You’re a total freakbrain nerdo who’s captivated by the more meta-level questions of What Is A Game and What Is Fun and Why Does Anything Exist Anyway? ME TOO. This is a thing you will like!
Sometimes You Die has been a bit of a surprise hit this year, given that it is actually a minimalist question with no answer, given game form. Typically, “dying” in a game is a momentary setback, but in Sometimes You Die, death is a necessary part of success, as you must litter the screen with your corpses to carve a path to follow from level to level. (Your corpses are just little black blocks so this is less gory than it might sound.)
What you wind up with is an existential query into the nature of play that also manages to be fun and surprisingly difficult to put down.
First off, Tengami is beautiful. Taking its design from traditional Japanese arts and crafts, you guide a character through a pop-up book world in which you flip pages and slide tabs to discover hidden passages and other secrets.
This is a contemplative puzzle-solving experience that is more style than substance, so if you’re looking for a deeply compelling narrative, you’re better off with other games on this list. But as a chill, low-thinking break from holiday madness, it certainly does the job. And not only is Tengami pretty to look at, the soundtrack is gorgeous as well.
Moving from really relaxing to really really really not, The Last Door is a retro-styled old school point-and-click horror game that is legitimately terrifying. I still hold a special place in my heart for 8-bit games, but even I was surprised by how frightening this game could be, given that the graphics are limited to a heap of loosely arranged pixel chunks. It really makes the point that, in the right hands, lifelike visuals aren’t necessary to sustain an atmosphere of terror.
Set in England of 1891, you play as Jeremiah Devitt, who is investigating the suicide of an old friend, and as he digs up his past, things take an otherworldly, almost Lovecraftian turn. The Last Door owes a significant debt to adventure games of the ’80s and ’90s, and it manages to feel both nostalgic and new at the same time. You explore locations looking for items and clues at your own pace, and solve puzzles to move the plot forward.
Also, The Last Door uses an episodic format, so new pieces of the story are still being made.
A Dark Room has no graphics at all. It is a game that uses only text to tell its story; even the pseudo-graphical “map” you use to explore beyond your campsite is drawn with letters and punctuation marks describing the landscape, ASCII-style. It has no sound design. In the way of traditional resource-management games, it consists of tapping things on your screen to get other things, but it evolves into a role-playing game as well before long in which you’re battling enemies and exploring spooky caves, crumbling houses and abandoned mines.
All this you get to imagine in your head, because like I said: no graphics. Add a dark, convoluted story that is somehow all the more compelling for the lack of concrete details it provides, and you’ve got a minimalist masterpiece.
It is also weirdly addictive. The first time I played A Dark Room months ago, I suddenly realized I’d been sitting on the couch for three hours amassing wood and meat for I don’t even remember what. It seemed very important at the time.
There is also a prequel, The Ensign, that has recently come to the App Store. Enjoy both, and forget your family is even in the room with you.
Lesley Kinzel is Deputy Editor at xoJane.com.
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