TIME Music

Hear Icona Pop’s Jazz-Inspired New Single “Emergency”

The Swedish duo taps into jazz-age vibes on their latest track


The crisis Icona Pop sings about in the duo’s new single is an emergency of the dance-related variety. When an ambulance is summoned, it seems to be for the express purpose of saving a victim who is lost in the music, perhaps too far gone for rescue.

The song moves with a sense of urgency, its cadence reminiscent of Pharrell’s “Come Get It Bae.” But it swaps out that track’s funky beat for a backbone of marching piano and trumpet solos worthy of the Gatsby era. Had it been released a couple of years earlier, it would have been a shoo-in for the soundtrack to Baz Luhrmann’s Great Gatsby adaptation.

Icona Pop’s “I Love It,” a collaboration with Charli XCX released in 2012, was a top-ten song of that summer. While “Emergency” doesn’t have quite the same undeniable song-of-summer quality as their breakout stateside hit, it may well be a close second.

TIME Music

Watch Jake Miller’s Trippy New Video Dazed and Confused Featuring Travie McCoy

His Dazed and Confused Tour kicks off July 8

Rapper and singer Jake Miller dropped a music video Tuesday for his latest single “Dazed and Confused.”

Featuring Gym Class Heroes frontman Travie McCoy, and with a special appearance from Austin Mahone, Miller’s new video is all about showing off his “quirky sense of humor.”

Set in a supermarket, cashier Miller (a throwback to when he used to work in a store) sees a girl who leaves him dumbfounded. When he gets knocked out by slipping on some marbles, he enters a bizarro dream world where fruit sings and his head is trapped in a freezer. It’s so trippy you’d think you were watching the 1993 cult classic of the same name.

Miller’s upcoming Dazed and Confused Tour kicks off July 8, in Sayreville, New Jersey.

TIME celebrities

Justin Bieber Explains Why It Ain’t Easy Being the Bieb

Comedy Central Roast Of Justin Bieber - Arrivals
Jason LaVeris — Getty Images Justin Bieber attends the Comedy Central Roast of Justin Bieber on March 14, 2015, in Los Angeles

“Unless you're stupid, I don't think you would think it's easy to be who I am”

Being young, rich, famous and talented isn’t always what it’s cracked up to be. Just ask Justin Bieber.

During an exclusive interview with USA Today, the Canadian pop star opened up about the trials and tribulations that come with teenage stardom.

“Just use your head, you’ll understand that my life is not easy. Not having privacy. Growing up in front of the cameras since I was 13, 14,” explains Bieber.

However, after numerous run-ins with the law last year, the 21-year-old says he’s finally turning a corner and embarking on an odyssey of self-discovery.

“Yeah, I’m growing, figuring some stuff out. As you do when you grow up,” said Bieber. “You figure out what type of man you want to be, that’s where I’m at.”

Read more at USA Today

TIME Music

Listen to Prince’s Surprise New Song

Ahead of his tour, which was also supposed to be a surprise

Looks like Prince has pulled a Beyonce. The enigmatic artist suddenly released his latest single, “What If?” Friday, with no advance warning.

“What If?” was released the day before Prince is scheduled to start his Hit & Run Tour, which was itself supposed to be a surprise until word leaked online. The tour, which will consist of surprise shows with his band 3rdEyeGirl, is scheduled to start Saturday in Louisville, Ky., Vulture reports.

Check out the new track here:


TIME Music

‘It’s My Party’ Singer Lesley Gore Dies at 68: Listen to 5 of Her Best Songs

The '60s pop star made a hit career out of musical moping

Lesley Gore was an icon to young women in the 1960s with feisty hits that expressed the frustrations of being a teenager. It’s a theme that could easily feel stale in 2015, but “It’s My Party” remains popular on oldies stations and “You Don’t Own Me” still holds lessons for girls in the 21st century.

The singer-songwriter died of cancer Monday at age 68, her longtime partner Lois Sasson confirmed. In honor of her life and influence, here are five of the New Jersey-raised singer’s best hits.

1. “You Don’t Own Me”

The 1963 feminist anthem hit No. 2 on the Billboard pop singles chart and still feels raw today. “When I heard that song at the age of 17,” Gore said in a 2005 interview, “it felt like a humanist song to me. I could see a guy singing that to a young woman as easily as I could see a young woman singing it to her boyfriend or her father.”

2. “It’s My Party”

Gore’s first and biggest hit reached No. 1 and has stuck around on the radio for decades. Sure, the tale of a spurned teen crying over her boyfriend ditching her for someone else is pretty sappy—but wouldn’t you cry, too, if it happened to you?

3. “Judy’s Turn to Cry”

The lesser-known sequel to “It’s My Party” sees Johnny come back to Lesley. You know what that means: It’s Judy’s turn to cry.

4. “She’s a Fool”

Gore did a lot of musical moping over boys who prefer other girls, so it may have come as a surprise to some when she opened up later in life about being a lesbian.

5. “Maybe I Know”

Once again, the musical protagonist is the victim of heartbreak by cheating. Somehow, it never seems to get old.

TIME Music

Taylor Swift’s 1989 Is Heading Right Back to the Top of the Charts

2015 InStyle And Warner Bros. 72nd Annual Golden Globe Awards Post-Party - Arrivals
Jason Merritt—Getty Images Recording artist Taylor Swift attends the 2015 InStyle And Warner Bros. 72nd Annual Golden Globe Awards Post-Party at The Beverly Hilton Hotel on January 11, 2015 in Beverly Hills, California.

There's no stopping this girl

Taylor Swift’s 1989 could be topping the Billboard 200 chart again.

After two weeks out of the top spot, the Shake It Off singer’s smash-hit album is currently sitting at No. 2 and those in the know believe it has the power to reach No. 1 for a tenth week, Billboard reports.

If 1989 has no successful challengers, it will be one of only 11 albums ever to have racked up 10 weeks at No. 1 on the Billboard 200.

Swift’s album Fearless made it to 11 weeks, making her one of only four women to have accomplished the feat.

Can she do it again? You’ll find out on Feb. 4 when Billboard announces the new top 10.


TIME portfolio

Go Behind TIME’s Taylor Swift Cover With Photographer Martin Schoeller

For this week’s issue of TIME, photographer Martin Schoeller traveled from New York to photograph Taylor Swift for our cover. The location? Forest Hills, Tennessee near the star’s adopted base of Nashville. The studio? Swift’s family home.

“I wanted to show her in an unexpected light,” Schoeller tells TIME. “We are used to seeing her portrayed a certain way, quite ‘pop-like’. I wanted her to come across a bit differently.”

Martin Schoeller for TIMETaylor Swift photographed playing the piano at her parents’ home in Forest Hills, Tennessee on September 29, 2014.

So for the cover, Schoeller made one of his signature “close up” style images: tight framing, brightly lit. In the resulting image we see the pop star in a new light, up close and straight on.

The entire TIME shoot took nearly an hour and the photographer and his team tried several set ups: in the garden, in a living room space and in various parts of the house. In an image used in the magazine story, we see Swift drooped over a family piano, seemingly deep in thought. In a second shot, we see her in the garden in bright sunlight.

Martin Schoeller for TIMETaylor Swift photographed at her parents home in Forest Hills, Tennessee on September 29, 2014.

“She knew exactly how to sit for a shoot,” Schoeller adds. “It went incredibly smoothly. It’s pretty exciting to photograph a star like her.”

Martin Schoeller is a New York-based photographer whose work has appeared in the New Yorker, GQ and TIME among many others. Read Schoeller’s LightBox piece The Photo That Made Me.

Richard Conway is reporter/producer for TIME LightBox

TIME Television

Jennifer Hudson’s Son Idolizes a Pop Star… And It’s Not Her

Hint: He wears a white glove and a sequin jacket

Jennifer Hudson said on Late Night with Seth Meyers that her 5-year-old son, David, is a big fan of the late Michael Jackson.

Hudson showed a cell-phone video clip of her little son dancing like Jackson to “Beat It.” Her son is so taken with Michael Jackson, he even said he liked him more than his own mother. He later took his statement back, Hudson said on the show, and said Michael Jackson was his favorite dancer, and Hudson was his favorite singer.

TIME Music

Betty Who Gets Hearts Racing With New Song “Runaways”: Listen

Betty Who and her bad boy beau go Bonnie & Clyde on a new highlight from her upcoming debut

Betty Who has a knack for capturing the very essence of euphoria — from her glittering, Whitney Houston-inspired 2013 debut single “Somebody Loves You” to her crunchy anthem “Heartbreak Dream,” she manages to create lightning-in-a-bottle bursts of pop time and time again. Ahead of the release of her debut LP Take Me When You Go on October 7, the rising pop diva has delivered another heart-racing rush with “Runaways,” a sleek and shimmering highlight from the upcoming record.

“We sneak out late after midnight, highjack your daddy’s car / You’re my best bad kind of habit, I’m your backseat movie star,” Who purrs above a steady ’80’s-inspired synth pulse. It’s an all out us-against-the-world teen rebel anthem, armed with the kind of unstoppable, sing-along yelp of a chorus (and an even more catchy chant afterward) that makes everything feel infinite.

TIME Music

Nick Jonas: I Want a Career Like Elvis Presley

Nick Jonas
Gabriel Olsen—Getty Images Nick Jonas rehearses in Los Angeles for his new self titled album on August 22, 2014 in West Hollywood, California.

Also: his new single was inspired by a time when another guy was looking at his girlfriend's ass

Nick Jonas is redefining himself this year. The musician and actor, formerly one-third of the Jonas Brothers, will unveil an R&B-inspired solo album this fall and stars on Kingdom, a gritty TV drama about martial arts fighting. For the series, which premieres October 8 on DirectTV and also stars Frank Grillo, Jonas bulked up and learned how to fight, focusing intently on creating a role that showcased a more dramatic side of his acting abilities. His album is equally sincere, but not quite as serious, a collection of songs that reveal a new side of Jonas as a musician.

The self-titled album features collaborations with Mike Posner, Angel Haze and Demi Lovato. TIME caught up with Jonas at his management’s Los Angeles office, where he and his live band have been rehearsing the new material.

TIME: Is your new album finished?

Nick Jonas: Yeah, we’re finished. Just working on liner notes and album art now, which is the fun part. The plan is actually to roll right into another [album]. I want to get it started and ready to go hopefully in the next month or so. The mentality was to take the new way of releasing music, which is to just always have something out. It feels like a good plan.

Did you go into this album with a vision for the music?

I did. I came in really wanting to make a record that was different from anything I’d done in the past, but that was true to my influences: Stevie Wonder, Prince, Bee Gees. And then, more recently, The Weeknd and Frank Ocean. That whole vibe of alternative R&B/pop. It just fell into a really natural place really early. To the point where we were six songs in, like, “Oh, we have a record taking shape.” I came in really sure of what I wanted to do.

What did you want to say on the album lyrically?

I think that fear was a big thing in the songs I was writing. The song “Jealous” — the root of that is fear. A song called “Nothing Will Be Better” has fear at the forefront. In a lot of ways, as an artist you’re best way to free yourself of whatever it is that’s bothering you or causing the fear is to just write and get it all out. I tried to do that. I think I said a lot. I made myself uncomfortable at times in what I was saying, which I think is good. I wanted to make the kind of record that left the audience with more questions than answers. I think the best art does that. Hopefully the second installment answers some of those [questions].

You said the album poses a lot of questions. What do you think is the most significant question it asks?

One of the biggest questions is, “What is it you fear and why do you fear it and how does it affect you?” For me, it was fear of the unknown, fear of my next steps, fear of making bold choices. In creating the music and feeling free in that way, I think the questions were answered and the fear was gone. I feel really good now!

What do you think was the boldest choice you’ve made with your solo career?

Just starting it. That was pretty bold. That took a lot just to get to that place where I could have that conversation and roll it out from there. And I really did push myself to step outside of my comfort zone and work with people that I’d never worked with before. I’d become really selective with who I worked with, and I think that limited me in a lot of ways. Trying to open my mind up to new people and new collaborators was a big thing.

What’s your goal for your career overall going forward?

My goal is to be the kind of performer that can be in movies and television shows, like the show Kingdom I’m doing now. Be in that and have a career in that, but also do my music. Both are a form of my artistry and it’s a shame that sometimes you’re limited to one. A lot of people feel like you have to focus on one at a time, but I want to be greedy and do both. I hope I can. I look at people like Elvis, who did both, and it was amazing. There’s a million examples of people who have made the transition from one to the other, but I’d love to be able to do both and make an impact in both.

How did you get the role in Kingdom?

Once the [Jonas] Brothers and I finished that chapter, I met with the team and said, “I want to make acting a priority.” I took a bunch of meetings. There were a lot of obstacles to overcome, trying to make a transition to things that were grittier and had heavier subject matter. There were a lot of “no”s. I kept working hard and finally got in for this show, which is a big reach. But they said my work was great, and the role was mine. It was a big win. It’s very intense. It’s heavy. It was about an hour drive to set every day and I was so thankful for that ride because on the way home I needed an hour just to turn on some classical music and clear my head because it was really heavy stuff.

Do you know yet if it will get a second season?

We don’t know yet. We literally finished last Tuesday. We’ll probably find out after the first week.

You clearly got really fit for the role. How did you prepare physically for playing a fighter?

I’ve gotten pretty into physical fitness this last year. Getting to the gym more, eating healthier. I really enjoyed that and when I got this role the goal was to put on 15 pounds of muscle. Just to have an animalistic aesthetic and feel. These fighters have a very specific physicality so it was about trying to capture that. I worked with a trainer here in LA and did the fight training on top. I was on a really strict diet plan that had me eating about 4,500 calories a day, just getting huge.

So you actually learned how to fight?

I did, yeah! It was really amazing training. We worked with this guy Joe Daddy Stevenson, who is a famous fighters himself. We did a bootcamp with him for a couple of weeks and really got in the mind of the fighters. We all built up our own reasons why we, as our characters, were fighting.

Have you personally ever been in a fight?

No. Growing up with brothers, you push each other around and wrestle a little bit. Now they don’t really touch me, because I actually know how to handle myself.

How do your brothers feel about you pursuing your own career?

Any kind of transition, when you come from a family set up both in a band and also the extension of that, is going to be complicated at first. Luckily we’re all in a place now where we’re all doing what we want and what we love. That’s where it needed to be. So Kevin is with his family and enjoying that, and Joe is starting to work on some music projects and some DJing stuff. It feels like a really good time in all of our lives.

When you look back at the Jonas Brothers do you feel like that music represents you as an artist?

Yeah, I think so. We really tapped into a moment in pop culture that was band oriented. When we broke through it was on the back end of the pop-emo takeover. When we came into that our pop-rock sound fit. It was organic to who we were. We were writing all those songs. It was important to us then. And now, looking back on it, are there things I would have done a little differently? No, I don’t know that I would have. It was who we were then and each moment as an artist is that moment. You have to continue to grow and that happens over time.

Can you tease anything about your upcoming single “Jealous”?

The night before [we wrote it] I was out with my girl and this guy looked at her ass while we were out. I was all hyped up on the fighting I was doing. I was had to be like, “Okay, let’s stop for a minute.” Not only was I frustrated that he was disrespecting me like that, but also, I could actually take care of this situation. I got really passionate about it. I realized that jealousy was something that I was harboring so I wrote this song about it. It’s a fun song so it’s ironic that it came out of a situation that made me so angry. I love the song. The video is really special. I think it’s the best video I’ve made.

So instead of fighting people you’ll just write songs about them?

Yeah, that’s better. Make art, not war, right?

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