TIME olympics

Russian Figure Skater Takes a Fall, and More Surprises from the Ladies Short Program

Russia's Yulia Lipnitskaya loses her balance during the ladies short program of Figure Skating at the 2014 Sochi Winter Olympic Games, on Feb. 19, 2014.
Russia's Yulia Lipnitskaya loses her balance during the ladies short program of Figure Skating at the 2014 Sochi Winter Olympic Games, on Feb. 19, 2014. Wang Lili—Xinhua/SIPA USA

Russian figure skating star Yulia Lipnitskaya fell on her triple flip, which cost her an automatic one point deduction and lowered her technical score for the jump before Japan’s Mao Asada also took a spill leaving her in sixteenth place

The marquee event of Winter Olympics skating, the ladies’ event, got off to a dramatic start Wednesday as overnight sensation Yulia Lipnitskaya of Russia went head-to-head with the reigning Olympic champion, Queen Yuna Kim of Korea.

In the confrontation between experience and exuberance, years and youth, experience proved the victor. Kim, who has only skated at two events this season due to injury, took to the ice in Sochi and floated through her program as if no time had passed since her record-setting, gold-medal winning routines in Vancouver four years ago. Earning 74.92 points for a quiet, lyrical program set to Send In the Clowns, the Korean wooed the judges with her trademark presentation, outscoring the 15-year-old Lipnitskaya on skating skills, transitions and timing.

MORE: Team Figure Skating at the Winter Olympics: What You Need to Know

Lipnitskaya, skating hours after the Russian men’s hockey team failed to earn a spot in the medal round, finally showed some of the strain from the international and national attention she received following her stellar skating in the team event. She fell on her triple flip, which cost her an automatic one point deduction and lowered her technical score for the jump. Showing her age, the teen couldn’t hide her disappointment, refusing to look up in the kiss and cry when her scores came up.

Her teammate, Adelina Sotnikova, who before Lipnitskaya stole the stage was Russia’s rising star, emerged from the younger teen’s shadow to plant herself in second with an inspired skate to Bizet’s Haanera.

MORE: Meryl Davis and Charlie White Win First Ice Dance Gold for U.S.

Italy’s Carolina Kostner, who at 27 is among the oldest competitors in the field, enthralled with a balletic performance to Ave Maria to finish in a surprise third place.

But perhaps the biggest shock of the night came from Japan’s Mao Asada, the silver medalist from Vancouver and the only woman performing a triple axel. Asada, who made history in 2010 as the first woman to land two of the forward-take off jumps in Olympic competition, hasn’t landed one this season, and continued the streak in Sochi. Her fall, and turning another triple jump into a double, cost her precious points; she finished 16th among the 30 skaters.

MORE: Ashley Wagner’s Suit of Armor

Americans Gracie Gold, Ashley Wagner and Polina Edmunds and all skated clean programs to finish fourth, sixth and seventh, respectively, which puts them in good position to move on to the podium. Gold was slightly more tentative than she was at nationals, and admitted to being more nervous about skating the short program, which contains eight required elements, than the free program.

TIME olympics

Russian Figure Skater Takes a Fall, and More Surprises from the Ladies Short Program

Russia's Yulia Lipnitskaya loses her balance during the ladies short program of Figure Skating at the 2014 Sochi Winter Olympic Games, on Feb. 19, 2014.
Russia's Yulia Lipnitskaya loses her balance during the ladies short program of Figure Skating at the 2014 Sochi Winter Olympic Games, on Feb. 19, 2014. Wang Lili—Xinhua/Sipa USA

It was a tough night for some of the sports’ favorites, while unforgettable routines came from unexpected places

The marquee event of Winter Olympics skating, the ladies’ event, got off to a dramatic start Wednesday as overnight sensation Yulia Lipnitskaya of Russia went head-to-head with the reigning Olympic champion, Queen Yuna Kim of Korea.

In the confrontation between experience and exuberance, years and youth, experience proved the victor. Kim, who has only skated at two events this season due to injury, took to the ice in Sochi and floated through her program as if no time had passed since her record-setting, gold-medal winning routines in Vancouver four years ago. Earning 74.92 points for a quiet, lyrical program set to Send In the Clowns, the Korean wooed the judges with her trademark presentation, outscoring the 15-year-old Lipnitskaya on skating skills, transitions and timing.

MORE: Team Figure Skating at the Winter Olympics: What You Need to Know

Lipnitskaya, skating hours after the Russian men’s hockey team failed to earn a spot in the medal round, finally showed some of the strain from the international and national attention she received following her stellar skating in the team event. She fell on her triple flip, which cost her an automatic one point deduction and lowered her technical score for the jump. Showing her age, the teen couldn’t hide her disappointment, refusing to look up in the kiss and cry when her scores came up.

Her teammate, Adelina Sotnikova, who before Lipnitskaya stole the stage was Russia’s rising star, emerged from the younger teen’s shadow to plant herself in second with an inspired skate to Bizet’s Habanera.

MORE: Meryl Davis and Charlie White Win First Ice Dance Gold for U.S.

Italy’s Carolina Kostner, who at 27 is among the oldest competitors in the field, enthralled with a balletic performance to Ave Maria to finish in a surprise third place.

But perhaps the biggest shock of the night came from Japan’s Mao Asada, the silver medalist from Vancouver and the only woman performing a triple axel. Asada, who made history in 2010 as the first woman to land two of the forward-take off jumps in Olympic competition, hasn’t landed one this season, and continued the streak in Sochi. Her fall, and turning another triple jump into a double, cost her precious points; she finished 16th among the 30 skaters.

MORE: Ashley Wagner’s Suit of Armor

Americans Gracie Gold, Ashley Wagner and Polina Edmunds and all skated clean programs to finish fourth, sixth and seventh, respectively, which puts them in good position to move on to the podium. Gold was slightly more tentative than she was at nationals, and admitted to being more nervous about skating the short program, which contains eight required elements, than the free program.

TIME olympics

Jamaican Bobsled Team Slides Into Last Place

Jamaica's Winston Watts and Marvin Dixon speed down the track during the two-man bobsleigh event at the 2014 Sochi Winter Olympics
Jamaica's Winston Watts and Marvin Dixon speed down the track during the two-man bobsleigh event at the 2014 Sochi Winter Olympics, at the Sanki Sliding Center in Rosa Khutor February 16, 2014. Fabrizio Bensch—Reuters

The Sochi games are the bobsled team's first Olympics appearance since 2002

The storied Jamaican bobsled team that inspired the 1993 film Cool Runnings slid into last place Monday after three heats of the two-man bobsled at the Winter Olympics in Sochi.

The two-man team, made up of 30-year-old Marvin Dixon and 46-year-old Olympic veteran Winston Watts, was technically 29th out of 30 teams after three heats, and the only team behind Jamaica was the Serbian squad, which did not start the race. With a time of 1:57.23, they are a full 4.41 second behind the leading Russian pair.

The team first appeared in the 1988 Calgary Games, but hadn’t qualified since the 2002 Games before qualifying for the Sochi games. They’ve attracted a lot of attention this year, partially because of the novelty of hailing from a subtropical climate, as well as the 1993 classic Disney film. And if Jamaica’s performance in Monday’s qualifying bobsled rounds didn’t get the team noticed, maybe dance moves will suffice:

TIME olympics

Did Bode Miller Delay Grieving His Brother’s Death?

Bode Miller arrives on the podium during the Men's Alpine Skiing Super-G Flower Ceremony.
Bode Miller arrives on the podium during the Men's Alpine Skiing Super-G Flower Ceremony. Alexander Klein—AFP/Getty Images

Research doesn’t support the idea that people put off grieving, but bereavement does come in unexpected waves

When U.S. Olympic skier Bode Miller broke down on camera Sunday during an interview following his bronze-medal-winning run in the Super G, viewers decried the insensitivity of the probing reporter. A former Olympic ski medalist herself, correspondent Christin Cooper took the opportunity to ask about Miller’s recently deceased brother Chelone–after Miller brought it up. Cooper then asked Miller, with tears in his eyes, about a pre-race moment in which he seemed to be talking to someone as he stared into the sky. Miller became so overcome with emotion that he couldn’t finish the interview, moved to a nearby barrier, and dropped to his knees to compose himself.

“You sometimes don’t realize how much you can contain that stuff until the dam breaks and then it’s just a real outpouring,” Miller told Matt Lauer the next day.

Miller’s reaction highlighted one of the most challenging questions in grief research – do people experience delayed grief, and how long after can such sadness re-emerge to blindside those who have suffered loss?

MORE: Bode Miller Defends Reporter Who Brought Him to Tears

“Grief is always tidal. People have the capacity to delay that response but they don’t have the capacity to deny,” says Jackson Rainer, head of psychology at Valdosta State University and author of Life After Loss: Contemporary Grief Counseling and Therapy. And any strong emotion – whether joy, anger, frustration or sadness – can break the dam and send the emotions flooding through.

That might have been case for Miller. One of the first skiers to compete, he watched medal-contender after medal-contender either skid off the course or finish behind him. Knowing how much his brother, Chelone, a promising snowboarder, wanted to compete in Sochi, Miller was already emotional when he arrived for the post-race interview on NBC.

PHOTOS: Must-See Photos From Day 12 of the Sochi Olympics

These waves may be more frequent and more intense immediately after the loss, as the first raw feelings of abandonment and bereavement start to emerge and those who have lost struggle to find ways of handling their overwhelming feelings. But there is no time limit to these waves, and they can occur at any time, even years after the loss, depending on the individual and on the circumstances. That’s what the latest studies suggest, contrary to older notions that bereavement that continues too long – beyond a year or so – can be signs of trouble for depression or other mental health problems. “The idea that after a year, you should be beyond the loss is something that’s inaccurate,” says Ann Rosen Spector, a clinical psychologist in Philadelphia and retired from the faculty at Rutgers University. “Nothing really ends in that year.”

MORE: Meryl Davis and Charlie White Win First Ice Dance Gold for U.S.

It’s possible that the intensity of the emotional episodes gets reduced over time, but grief, says Rainer, isn’t a finite experience. “We don’t do very well in our American culture with helping people to grieve,” he says. “We look at bereavement as an event rather than as a process. This is a process, and Bode Miller will miss his brother for the rest of his life.”

“I don’t think you ever build up so much scar tissue that you can never have what’s called an outburst,” says Spector. “Sometimes it’s like a domino effect and for whatever reason, everything hits, and missing that person overwhelms you.”

The healthiest way to manage grief? There isn’t a one size fits all formula, as psychologists are learning. For some, talk therapy can help, by giving grievers an outlet for reminiscing and remembering the person they lost until the memories become warmer and less painful. For others, time may be the only healer; studies don’t always show that grief counseling, for example, helps people to overcome their loss more quickly or with less psychic pain. “If you are going to be attached, one of the things that is going to happen is loss,” says Spector. “You don’t have to have an outburst, or cry at the funeral. You will always feel the loss but it doesn’t mean you can’t both grieve and create or strengthen other relationships so the loss doesn’t feel so dire.”

TIME olympics

Awe-Inspiring Photos from Day 13 of the Sochi Olympics

Cross country skiing, hockey and more from the 13th day of the Olympics.

Cross country skiing, hockey and more from the 13th day of the Olympics.

TIME olympics

Ashley Wagner’s Suit of Armor and Other Secrets of Figure Skating Costume Designers

Ashley Wagner’s suit of armor and others

TIME olympics

Ashley Wagner’s Suit of Armor

Figure Skating - Winter Olympics Day 1
Ashley Wagner in the Figure Skating Team Ladies Short Program during day one of the Sochi 2014 Winter Olympics, Feb. 8, 2014. Streeter Lecka—Getty Images

The secrets behind the costumes that cost skaters thousands of dollars and the coveted designers who craft Sochi's most eye-catching uniforms

For an Olympic level skater, there are certain relationships that can make or break champions. Mom, dad and family rank pretty high, as do the coach and choreographer. But in figure skating, you can add one more – costume designer.

That’s because ocasionally the outfits become much more than showpieces, and the dressmaker much more than a seamstress. Take U.S. skater Ashley Wagner. After her disastrous performance at U.S. nationals, which were a big part of the Olympic selection process – she fell on two of her jumps in the free program – she was still named to the three-woman ladies’ team for Sochi based on her competitive record this season, over third-place finisher and Olympian Mirai Nagasu. She immediately became the target of hate mail, death threats and bullying about being gifted the spot on the Olympic squad.

“I have five kids, and all of a sudden, I lost the costumer perspective and became a mother first,” says Jan Longmire, who has been designing Wagner’s dresses for three years and designed for 2006 Olympic silver medalist Sasha Cohen. Longmire, who also creates outfits for Wagner’s close skating friends, knew from them that the skater was devastated by the response. “It wasn’t a happy thing, going to the Olympics again for me,” she says. “There was none of that excitement, and there was a cloud hanging over it, mostly because I was so concerned about her. She was demolished.”

MORE: Team Figure Skating at the Winter Olympics: What You Need to Know

So Longmire says she had a very different purpose in designing the dress Wagner will debut in the free skate in Sochi. “I never had a design process come from that place of not just wanting to make a nice dress for a skater that is well received because it’s pretty,” she says. “I needed to get her into a place of some kind of empowerment. I was not going to make her a dress, I was going to make her a suit of armor.”

That kind of suit doesn’t come cheap. Olympic caliber dresses can cost anywhere from $1500 to $3000 and up, and with most skaters commissioning several outfits per season, the annual bill for costumes alone can tally tens of thousands of dollars. Skating federations can pay for up to 50% of the cost of outfits for the most talented skaters, but for the rest, it’s up to them to find the right dressmaker who can sew up a competition-worthy outfit for the right price.

There are a handful of skating costumers that elite level competitors keep busy — from Jeff Billings, who designed 2002 gold medalist Sarah Hughes’ lavender creation; Tania Bass, who also worked with Hughes and was considered for reigning Olympic champion Yuna Kim’s costumes in Sochi; to Longmire.

The more, the better for some competitors, since skaters often keep tabs on which of their competitors are using a particular designer. Bass says she was asked by Korea’s Kim about her choice of outfits, which Kim debuted at an Olympic qualifying event in Croatia, after rival Mao Asada of Japan went to Kim’s longtime dress designer. Kim’s team decided to go with another costumer, but clearly wanted to ensure that the reigning queen of Olympic ice remained the only queen in the fashion department as well.

That’s likely why U.S. ice dancers Meryl Davis and Charlie White, who won the country’s historic first gold in the event in Sochi, have used the same local designers, Stephanie Miller and LuAnne Williams, who live near them in suburban Michigan, since the duo began skating in 1997. Davis, says Miller, has come a long way. Davis was once too modest to have any cutouts that showed skin underneath but competed this season in a bare midriff (albeit covered with illusion fabric).

It’s just a piece of clothing, but it’s no accident that in skating it’s also called a costume. Like theater actors who become their characters when they don their costumes, skaters too get a boost from having the right outfit to portray their story on the ice. Wagner herself said she “wasn’t able to connect well” with the Juliet character she adopted this season in her free program, and ordered three different dresses to help her get more comfortable with the role.

After her disappointing performance at nationals, Wagner begged her coach to allow her to bring back the conniving Delilah of Samson and Delilah fame, who she played last year, in a slightly reworked routine. The decision was symbolic in a way; she had skating followers buzzing over her choice of color in playing Delilah at the time because her dress was…yellow.

“It was very controversial because skaters just don’t wear yellow; it’s one of those no-no things,” says Longmire.

MORE: Medals Aren’t Enough: Female Olympians Still Have to Sell Sexiness

Why? There doesn’t appear to be any rational reason for it, says Longmire, but may be based on color snobbery that considers yellow less classic than the more traditional colors on the ice.

Well, hold on to your sequins because when Wagner commissioned a new dress to portray Delilah in Sochi, “I said it could be any color as long as it was yellow,” says Longmire. “I told her, you are going to be the defiant girl you were last year.”

This time, however, Delilah got an upgrade. “Delilah last year was a working girl, and now she’s been paid off, and she’s gone downtown to do some serious shopping,” says Longmire. “The look this year has more jewelry, more crystal.”

MORE: Lessons from The Team Event: Why It’s Tough to Be a Skater If You’re Not From Russia

She produced a new dress in a week a half, record time for couture-worthy creations that generally take 70 hours to 100 hours to make. Longmire rushed the costume over to Wagner’s last practice in California before she left for Sochi, and made it just in time for her to skate around in the outfit for a few minutes. She took the dress home for some last minute changes, and delivered it to Wagner’s house at midnight that evening, four hours before her early morning flight to Russia.

“I mentioned that this was her suit of armor, and I said that I thought of her with every bead I sewed on,” says Longmire. “I told her that this dress was for her to kick butt for no other reason than that she deserved the power in that dress.”

Whether Wagner brings home any hardware from Sochi isn’t important; for Longmire, she simply hopes that the girl who started paying for her dresses with earnings from selling jeans at the mall, comes back from the Olympics with positive memories instead of more demons. If a dress can do that, it’s worth every penny.

TIME

Must-See Photos From Day 12 of the Sochi Olympics

Meryl Davis and Charlie White win USA’s first ever Olympic ice dance gold.

Meryl Davis and Charlie White win USA’s first ever Olympic ice dance gold.

TIME olympics

Russia Leaps Up Sochi Medals Table to Vanquish the Ghosts of Vancouver

Bobsleigh - Winter Olympics Day 10
Russian gold medalists Alexander Zubkov, left, and Alexei Voevoda celebrate after winning the two-man bobsleigh event at the Sochi Winter Olympics on Feb. 17, 2014 Alex Livesey—Getty Images

The party is warming up for the host team at the Winter Olympics

Eleven days into the Sochi Olympics, Russia finally broke into the upper echelons of the medals table on Monday with a surprise gold in the two-man bobsleigh event. The relief was palpable. For a week and a half, the host country was not even in the top five, and officials were getting worried that the ghosts of Vancouver, where Russia had its worst Winter Olympic showing ever in 2010, might still be dragging the athletes down. Now those fears have passed. With a total of 18 medals, five of them gold, Russia is now in second place in the overall tally, behind Germany but catching up fast. It already has two more gold medals than it took home at the end of the Games in 2010.

On Sunday night at Sochi’s seaport building, where the athletes go to unwind after competitions, the sense of redemption after Vancouver was already potent enough to make the Olympians start popping corks in celebration. Around midnight, six of the medalists got together for an old tradition: they dipped two of their medals into a jug of bubbly and then passed it around, taking big gulps from the communal chalice as if it were some ancient Grecian kylix. Asked afterward how it had tasted, Ksenia Stolbova, who won a silver medal last week in the pairs free-skating event, closed her eyes and said, “Divine,” drawing out the word as if to savor it.

(MORE: It’s Time to Get Over the ‘Miracle On Ice’)

That was a far cry from the mood at the seaport building on Feb. 6, the night before the opening ceremony, when the organizers staged a private party to kick off the Olympics. The celebrity guests at that event made a point to prepare reporters for the worst. “If we don’t perform well, please just don’t blame the athletes or the organizers,” said Iosif Kobzon, a famous Russian crooner. “There’s a lot of pressure on everyone. And we never promised to be the best.”

But on Sunday, the mood was good enough to bring back memories from the Olympic triumphs of the Soviet Union, which was a powerhouse in winter sports. Irina Rodnina, who won gold medals in figure skating for the Soviet team in three consecutive Winter Olympics — 1972, 1976 and 1980 — recalled that the champagne ritual was performed with a bit less flare in those days. It still went by the same name — obmyvanie, which means bathing or, more fancifully, ablution — but the term was used in a figurative sense in the frugal years under communism. “Back then, we didn’t have enough spare champagne to fill a whole bucket,” she told TIME. “So we drank from flutes, and you can’t fit a medal inside a flute.”

That ceased to be an issue in 2001, when the Russian apparel company Bosco Sport began dressing all of Russia’s Olympians. In Sochi, the firm set up this year’s Russian House in the luxuriously remodeled seaport building, which now boasts a nightclub decked out in red velvet with a view of the harbor full of yachts. More than a decade ago, at the 2002 Winter Games in Salt Lake City, the company’s managers were the ones who decided to take the ritual ablution of medals a lot more literally. “If you’re going to bathe, you have to bathe for real,” says the company’s president, Timur Guguberidze, who presided over the ceremony at the Russian House on Sunday.

(MORE: Russia’s Hockey Defeat Reopens Old Wounds)

So when the medalists were called up to the stage around midnight, a glass vase of champagne was poured out for them to bathe their medals. In a bit of an anticlimax, it turned out to be midshelf Italian prosecco, and only two of the athletes brought their medals for the alcoholic bath. “I didn’t want mine to get ruined,” says figure skater Maxim Trankov, who won gold in the pairs free-skating event on Feb. 12. “People keep asking to see it, to touch it. So I put it back in the box a few days ago and am keeping it hidden.”

The two medalists in the sport of skeleton, one the winner of a gold and the other of a bronze, turned out to be a bit less squeamish. But from the grimace on his face, it was hard to tell if Alexander Tretyakov, who won a gold medal in skeleton on Friday, was laughing or weeping as he dunked his treasure into the tub. “It had to be done,” Tretyakov told TIME afterward with a tired smile. “It’s a tradition.”

And even the athletes who didn’t get their medals sticky with prosecco got to sip from the chalice as it was passed around. Four of them then joined a banquet in the adjacent room, where a small group of Russian TV celebrities and politicians lined up to take pictures with them and continued drinking. The bad memories of the last Winter Games seemed as far away as Vancouver is from Sochi. But the guests were still careful not to jinx the final result. In the cautious words of Rodnina, who had the honor of lighting the Olympic torch at the opening ceremony 10 days earlier: “We still have a week to go.” And anything could happen.

MORE: Road to Redemption: Team Russia Seeks a Return to Glory After an Atrocious Vancouver Campaign

TIME olympics

Bode Miller Defends Reporter Who Brought Him to Tears

OLY-2014-SKI-ALPINE-SUPERG-MEN-PODIUM
US skier Bode Miller cries after the Men's Alpine Skiing Super-G at the Rosa Khutor Alpine Center during the Sochi Winter Olympics on February 16, 2014. Alexander Klein—AFP/Getty Images

Christin Cooper criticized by fans for questioning Miller about his brother who died last year

An NBC reporter brought American skier Bode Miller to tears Sunday after he won the bronze medal in the Super-G, with what many thought were excessive questions about his brother’s death. But Miller has since jumped to the reporter’s defense.

Miller made history as the oldest alpine skiing medalist when he won his sixth Olympic medal Sunday. NBC had been closely following the Miller family throughout this Olympics.

But fans said NBC may have pushed Miller too far after his bronze finish, focusing on the skier’s loss of his brother, snowboarder Chelone (Chilly) Miller,who was 29 when he died of a seizure last year.

Christin Cooper, a two-time Olympian and silver medalist who works as an alpine skiing analyst for NBC, interviewed him before the medal ceremony.

Cooper began by asking Miller if this medal was different from his last five.

Miller: “This [medal] was a little different. I think, you know, my brother passing away — I really wanted to come back here and race the way he sensed it. So this was a little different.”

Cooper: “Bode, you’re showing so much emotion down here, what’s going through your mind?”

Miller: “A lot, obviously. Just a long struggle coming in here. Just a though year.”

Cooper: “I know you wanted to be here with Chilly really experiencing these Games. How much does it mean to come with a great performance for him, or was it for him?”

Miller began to cry.

Miller: “It’s just a tough year. I don’t know if it’s really for him. I just wanted to come here and, I don’t know, I guess make myself proud.

Cooper: “When you’re looking up in the sky at the start… it just looks like you’re talking to somebody, what’s going on there?”

Miller doubled over crying, blocking his face from the camera with his arm. Cooper quickly apologized and comforted Miller.

Miller took a moment to compose himself squatting on the ground, before his wife came and hugged him. The camera continued to follow him for over a minute as he grieved. Critics expressed their outrage on Twitter. Some even pointed to Cooper’s quickly-edited Wikipedia page.

But after the furor on Twitter, Miller defended Cooper Monday morning. He tweeted that the correspondent only asked the questions any journalist would have asked:

Your browser, Internet Explorer 8 or below, is out of date. It has known security flaws and may not display all features of this and other websites.

Learn how to update your browser