TIME Google

See Google’s Absolutely Stunning New Headquarters Design

Google wants to build a new Mountain View campus with sweeping glass structures

Google has unveiled its ambitious new plans for a sprawling, modern Googleplex. The new facility, being developed by architect Bjarke Ingels, features a series of glass, canopies the size of city blocks, new biking and walking paths and an emphasis on green space. Renowned designer Thomas Heatherwick is also involved in the project. Google hopes to complete the first stage of development by 2020, but the company will first have to win approval from Mountain View’s city council amid growing concern over Google’s control over the development of the community.

TIME architecture

Why the Washington Monument Has ‘Shrunk’ By 10 Inches

US-WEATHER-STORM
Karen Bleier—AFP/Getty Images A jogger passes the Washington Monument on a cold blustery morning January 27, 2015 in Washington, DC.

Symbol of the nation's capital loses a little of its stature

The Washington Monument now stands 10 inches shorter than when it was completed in 1884, or at least that’s what a new government measurement announced Monday suggests.

The National Oceanic and Atmospheric Administration (NOAA) used new technology to calculate the monument’s height at 554 feet 7 and 11/32 inches. But in 1884, the towering obelisk was measured at 555 feet 5⅛ inches.

What’s behind the incredible shrinking monument? A difference in the way the measurement was conducted likely accounts for most of the difference, according to NOAA. Engineers today used international standards to measure from the “lowest, significant, open-air, pedestrian entrance” to the structure’s peak. It’s unclear what standard engineers used when the monument was first built.

“We have to be cautious in comparing this new height to the historic one, since we do not know precisely the actual starting point that U.S. Army Corps of Engineers Lt. Col. Thomas Casey used in 1884,” said Dru Smith, a NOAA scientist. “Today’s elevation reflects the international standards for measurement of a building’s height as well as considerable technological improvements.”

The change in height not due to the difference in measurement standards is likely three-eighths of an inch, according to a report in the Washington Post. That change is likely due to wear and tear to the monument’s cap.

TIME Innovation

Five Best Ideas of the Day: January 30

The Aspen Institute is an educational and policy studies organization based in Washington, D.C.

1. What if football helmet safety ratings are measuring the wrong hits?

By Bryan Gruley in Bloomberg Business

2. If France wants fewer radicalized Muslims, it must clean up its prisons.

By Michael Birnbaum in the Washington Post

3. They 3D-printed a car.

By Umair Irfan in Scientific American

4. The low price of meat doesn’t reflect its true cost.

By the New Scientist

5. Lesser-known cities and young architects are perfect for each other.

By Amanda Kolson Hurley in CityLab

The Aspen Institute is an educational and policy studies organization based in Washington, D.C.

TIME Ideas hosts the world's leading voices, providing commentary and expertise on the most compelling events in news, society, and culture. We welcome outside contributions. To submit a piece, email ideas@time.com.

TIME Innovation

Five Best Ideas of the Day: January 26

The Aspen Institute is an educational and policy studies organization based in Washington, D.C.

1. We spent more than $170 billion on the wars they fought for us. Can we spend $5 billion to give veterans a guaranteed income?

By Gar Alperovitz in Al Jazeera America

2. A ‘teaching hospital’ model could work for journalism education by making students work collectively to produce professional results.

By Adam Ragusea at Neiman Lab

3. Humans are born with an intimate understanding of pitch, rhythm, and tone. We’re all musical geniuses.

By Elizabeth Hellmuth Margulis in Aeon

4. WarkaWater Towers — which produce up to 25 gallons of water out of fog and dew every day — could change lives in drought-stricken countries.

By Liz Stinson in Wired

5. Private sector investment savvy and funds can help us tackle poverty’s toughest challenges. It’s time for impact investing.

By Anne Mosle in The Hill

The Aspen Institute is an educational and policy studies organization based in Washington, D.C.

TIME Ideas hosts the world's leading voices, providing commentary and expertise on the most compelling events in news, society, and culture. We welcome outside contributions. To submit a piece, email ideas@time.com.

TIME On Our Radar

Explore the Relationship Between Photography and Architecture

Closing this week, the exhibition Constructing Worlds sees photography and architecture as strange, beautiful bedfellows

It is perhaps not surprising that Alona Pardo and Elias Redstone, curators of Constructing Worlds: Photography and Architecture in the Modern Age, chose the work of Berenice Abbot as a starting point for their exhibition. Abbot, who made powerful images of the architectural changes that gripped 1930s New York, seemed to not only document what she saw, but to question it, too.

While Abbot herself might disagree (she was an avid documentarian who rejected the idea photography should ever express feelings) there is an inescapable unease to her 1936 shot of Park Avenue towers soaring over a two-story show house, and a hazy peculiarity to her famous image of midtown Manhattan from the Empire State Building. It as is if this city of contrasts, which she closely documented, was changing so quickly that an equivocal attitude was the best one to take. And for Pardo and Redstone, Abbot’s work certainly sets the tone for the rest of the show: Here, photography and architecture are beautifully, inextricably linked. They are so close, in fact, that they can seem to be both life-long loves and the strangest of bedfellows.

Indeed, as artist David Campany notes, the two disciplines may have been joined at the hip since Nicéphore Niépce shot his family home, producing the first ever photo from nature, but there has always been dissent: “Just as the discipline of art history has had intermittent doubts over its use of photography as innocent reproduction,” he notes in the catalog accompanying the exhibition, “so the field of architecture has sustained an important current of reflection about its use of images.”

Closing this week, Constructing Worlds comes well-reviewed from both The Guardian and the LA Times, and brings together 250 works by 18 photographers. We see the colorful, sometimes playful work of Luigi Ghirri, the almost mournful eye of Walker Evans and the alien, painterly quality of Nadav Kander’s images. On show, too, are Lucien Hervé, Julius Shulman, Hélène Binet and Stephen Shore. among others.

Constructing Worlds: Photography and Architecture in the Modern Age is on show at the Barbican, London until Jan. 11, 2015.

Richard Conway is Reporter/Producer for TIME LightBox.

TIME Pop Culture

Artist’s Rendering of George Lucas Museum Unveiled

Lucas Museum of Narrative Art A computer rendering of the proposed Lucas Museum of Narrative Art in Chicago

That's no moon

The architectural firm behind George Lucas’ Chicago museum unveiled its first rendering of the building on Tuesday, and it’s appropriately out of this world.

A 100-foot-tall, undulating white mountain topped by a chrome halo will rise up from the shore of Lake Michigan, on the same property where Bears fans currently gather for tailgating merriment.

Lucas tapped architects from the Beijing-based firm, MAD Architects, to design a building that “pushes the envelope of 21st century design,” Fast Company reports.

The museum will house Lucas’ collection of Star Wars memorabilia as well rare artworks from his private collection. The museum is slated to open — and push envelopes — in 2018.

TIME Arts

Artist Creates 88 Mind-Bending Versions of a Hotel

This Munich building got some eye-popping computer makeovers

Munich’s Deutscher Kaiser hotel looks like any sleek modern building. But re-imagined through the mind (and lens) of artist Víctor Enrich, the structure becomes something mind-bendingly crazy — Salvador Dali meets Inception.

The Spanish native spent months turning out these 88 startling computer-aided distortions of the four-star urban lodging. Why? Recent emigrant Enrich had passed the Deutscher Kaiser daily while job-hunting in the German city and quickly tired of looking at it. What started off as novel way to motivate himself, turned into a fully realized passion project.

Speaking to TIME from Barcelona, Enrich says “I always try to express myself as much as I can. If I’m not having fun, I will never do anything!”

We’ve picked some of our favorites, but you can see Víctor’s full series here.

TIME Art

See Stunning Photos of Frank Gehry’s Latest Building

The Fondation Louis Vuitton opens to the public on October 27

The unveiling of any major new building by Frank Gehry is always an occasion. But some of them — his Guggenheim Museum in Bilbao, Spain; his Walt Disney Concert Hall in Los Angeles; his 76-story condo tower in Manhattan with its undulating stainless steel exterior —have been architectural game changers. His latest project, Fondation Louis Vuitton in Paris, which opens later this month in the Bois de Boulogne, may well be another of those.

It was commissioned by Bernard Arnault, the chairman and C.E.O. of the luxury goods company LVMH Moët Hennessey Louis Vuitton, to serve as a cultural center and a museum holding work from the corporation’s collection of contemporary art. The 126,000 square foot (11,706 sq. meters) building delves further into the expressive gestures that Gehry developed for the Guggenheim and the Disney Hall. But where the billowing silhouettes of those were clad in titanium or stainless steel, the Fondation carries them out largely in glass. The word “soaring” gets applied a lot to Gehry’s virtuoso designs, but this one looks from some angles like it really is ready to take flight. See for yourself.

TIME

Panama Opens a Frank Gehry–Designed Biodiversity Museum

Panama Gehry Museum
Arnulfo Franco—AP In this Sept. 27, 2014, photo, two men stand in the atrium of the Biomuseo, designed by world-renowned architect Frank Gehry, in Panama City

The project has been a long time coming, construction having started in 1999

Panama has opened a biodiversity museum designed by renowned architect Frank Gehry, his first project in Latin America.

The Biomuseo — a hodgepodge of bright-colored metal canopies swopping over the eight galleries inside — presents a tour of the Central American nation’s rich, diverse ecosystems, the BBC reports.

The building itself “was designed to tell the story of how the isthmus of Panama rose from the sea, uniting two continents, separating a vast ocean in two, and changing the planet’s biodiversity forever,” the museum’s website says.

Gehry’s other high-profile works include the Guggenheim museum in Bilbao, Spain, and the Walt Disney Concert Hall in Los Angeles.

The BBC reports that the project has been beset by budget overruns and delays since work began on it in 1999.

TIME Apple

Here’s the Secret Nobody Understands About Apple

Apple
Michael Nagle--Bloomberg/Getty Images

Here's what you need to know about the company's amazing new headquarters

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This post is in partnership with Fortune, which offers the latest business and finance news. Read the article below originally published at Fortune.com.

For reasons that would take too long to explain I find myself in Durban, South Africa, this week at a gathering of 6,000 architects from around the world. I haven’t yet found one who likes Steve Jobs’ design for the new Apple headquarters — the Pentagon-sized edifice, now under construction in Cupertino, Calif., that Jobs described as looking a little like a spaceship had landed.

“Does it have to be a spaceship?” asked an official at the American Institute of Architects.

Jobs is not here to answer for his design, but Ed Catmull is.

Catmull, who worked with Steve Jobs for 26 years as president of Pixar and Walt Disney Animation, has written a terrific book called Creativity Inc. that ends with a long chapter about what that collaboration was like.

Jobs famously took a hands off approach to Pixar, sensing that the people there knew more about computer filmmaking and storytelling than he ever would.

For the rest of the story, please go to Fortune.com.

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