TIME movies

Dumb and Dumber To Posters Get the Lucy Treatment

Tagline: "The average person uses 10% of their brain capacity. Imagine what he could do with 1%"

In preparation for the big sequel release, Dumb and Dumber To stars Jim Carrey and Jeff Daniels have tweeted out a pair of promotional posters.

The posters are clearly a spoof of those for this summer’s action flick Lucy. But while Lucy‘s posters asked viewers to imagine what Scarlett Johansson’s character could do with 100 percent of her brain power, rather than the standard 10, Dumb and Dumber To‘s posters set a much, much lower bar.

Dumb and Dumber To hits theaters on Nov. 14.

TIME celebrities

Christina Aguilera Gives Birth to Baby Girl

The baby girl, named Summer Rain, is the second child for the singer and her first with fiancé Matt Rutler

+ READ ARTICLE

Christina Aguilera gave birth to a baby girl on Saturday at Cedars-Sinai Medical Center in Los Angeles Los Angeles. The singer and The Voice star shared the news on Twitter Sunday night, revealing the baby’s name.

Aguilera announced she was pregnant with her first child with fiancé Matt Rutler back in February. (The singer also has a six-year-old son Max from her previous marriage to Jordan Bratman.)

The Voice star announced that she and Rutler were expecting a girl in March. “I’m really excited to meet our baby girl,” she told People earlier this summer. “This has been a very easy and enjoyable pregnancy.”

[People]

TIME Television

Don’t Call It a RomCom! Maligned Genre Is Coming Back

Chris Geere and Aya Cash in FX's "You're the Worst."
Chris Geere and Aya Cash in FX's "You're the Worst." NBC/FX

They prefer to be called "relationship shows"

What’s love got to do with it? Apparently, everything, when it comes to TV.

Romantic comedies may be dead at the movies, but on television, suddenly, the genre is thriving. Or, at least, trying to. But don’t call shows on the air or coming soon “romcoms” — the preference is to refer to them as “relationship shows” so that visions of that last cinematic disaster you experienced doesn’t creep into your mind.

Marketing ploy? Maybe, but it’s also not unreasonable. Tales of love and romance are a tough sell in this age of brooding anti-heroes and sarcastic, narcissistic protagonists…

Read the rest of the story from our partners at NBC News

TIME Television

RECAP: True Blood Watch: ‘Love Is to Die’

HBO

In which Bill mansplains it all

This week on True Blood, the show’s worst season yet also the show’s best final season continues where it left off. Last week’s big cliff-hanger was that as Vampire Bill sat on True Death’s door he’s decided not to accept the cure. Turns out that he doesn’t want to be healed of Hep V and doesn’t want to continue his recently rekindled relationship with Sookie. Sorry, Sookie, he’s just not that into you.

Here’s what happened on True Blood:

In the wake of Bill’s decision to accept True Death instead of sucking on Sarah’s neck (can’t totally blame him for that choice), both Jessica and Sookie are nonplussed and making Emmy-worthy WTF faces. Bill shrugs and Jessica starts yelling and then Sookie starts yelling and as they holler his decisionmaking process becomes a little clearer. Sookie demands that he make a choice, because Bill’s leave-it-to-fate streak manages to even get under her skin, which is saying something. Bill nods. He gets it. He makes his choice: True Death over another few centuries with these two. Jessica gasps and demands answers. Sookie slaps him and demands answers. He says he can’t explain it. Sookie slaps him again, more deservedly this time. Eric finally steps in to put a stop to the slap fight (à la How I Met Your Mother a.k.a. the only show with a worse final season than this one). Jessica demands that Bill release her if he’s going to be such a dillweed and, with a soporific, wedding toast-esque speech that recounts their past, present and future, he does. Sookie wisely cuddles close to Eric’s chest as Bill leaves. As Jessica cries, Pam (Pam!) goes to comfort her with only a smidge of her characteristic causticness warning Jessica that if she cries on her jacket she owes her a new one.

In a fit of despair, Sookie finally remembers her old friend Sam. She heads to his trailer only to find it empty. Apparently Sam capitulated to Nicole’s ultimatum and made the “choice” to leave Bon Temps with his baby mama. Luckily he left Sookie a note (are shape shifters unable to get phone plans?) and as Sookie reads it, we get a dramatic re-enactment of Sam and Nicole packing up the truck and leaving town without bothering to say goodbye to his lifelong friends or, you know, renouncing his mayoralty.

Sookie heads to Sam’s old bar to break the news of his departure to everyone he knows. No one seems especially shocked or bothered by it, just clutching their fake pearls for a moment before turning back to helping Arlene get the party started at Bellefleur’s. Sookie takes Sheriff Andy into the backroom of the bar to give him the letter that Sam left him in private and, as it turns out, Sam did one thing right and did renounce his mayoralty. Jessica isn’t exactly in a party mood, but she is in a deeply thoughtful mood that allows her to forgive James and Lafayette for their transgressions. Then she heads to Hoyt’s house to seek his forgiveness for the things that he can’t even remember. Jessica shows up on his front steps just as he has convinced his girlfriend Bridget that she has nothing to worry about from “that redheaded vampire.” Hoyt’s pants must have been on fire when he said that, though, because the second Jessica shows up, he’s out the door to talk to her, despite Bridget’s ultimatum (the ladies of Bon Temps love the ultimatums) that if he goes, she goes. As Hoyt chases after Jessica to rekindle their romance, Bridget heads straight for Jason Stackhouse. As you do.

Over at Bellefleur’s, party pooper Sookie sits by herself at the bar while most of her nearest and dearest laugh, drink and lollygag at a table not 5 ft. away. Adilyn psychically asks her if she’s O.K., and she says no, so Arlene who boringly uses words to talk, goes to find out what’s up. Sookie tells her that Bill’s dying and finally admits that she held herself back from Alcide’s heart, if not his abs, because she wasn’t over Bill. Arlene smiles and nods politely at that slice of obvious cake she was just served and then tells Sookie that if she wants to move on with her life, she has to decide that she wants to. So Sookie does and goes to eat with her friends. It’s very easy to move past the death of one loved one and the impending death of another, apparently.

There’s a knock on Bill’s door. It’s Eric to the rescue or, you know, just to talk about feelings. He tells Bill that he understands his death wish, because he felt that way himself when he was infected. Bill just needs to get over himself and live … for Sookie. Bill explains that his death is the best thing for Sookie, even though she won’t see it that way for a while, if ever. It’s taken him centuries to work up an ego this large and he wants his last act on earth to be one of extreme arrogance and mansplaining. It’s best for everyone that way. He knows that Sookie only likes him because she is a fae and drawn to darkness, but she just won’t listen, so he has to die. He knows what’s best for her and so he is going to let himself find True Death. Much like Quaker Oats, it’s the right thing to do. Only hitch is, he doesn’t want to be the one to tell Sookie that he’s doing it for her. Damn woman won’t let him get a word in edgewise! (Seriously, was this episode written by Archie Bunker?) He wants Eric to do it for him. Instead of shaking some sense into him, Eric agrees on the grounds that this is the last favor that Bill ever ever gets to ask him. Bill smiles weakly.

Bridget calls Jason, who is the only person she knows in town, to come get her, but when Jason realizes the story that Jessica is about to tell Hoyt, he rushes over to defend his actions as best as someone who sleeps with his best friend’s girlfriend can do. Hoyt plays a one-man round of the knock-out game and fells Jason with one punch. He wakes up in his own squad car with Bridget driving him to the hospital. They head to his house instead and he uses his Southern charms, not to seduce her, but to get her airline ticket change fees waived, which is a true act of modern chivalry. In return, Bridget teaches him how not to sleep with women he shouldn’t.

Over at Fangtasia, Sarah is dragged upstairs. Not to die, but for dye. Pam announces that Sarah’s going back to blonde, and that’s not a euphemism. Out of boredom or an Oscar Wildean aesthetic demi-urge, Pam bleaches Sarah back to blonde and tells her the plan to drain her blood bit by bit and make a mazillion dollars.

Eric is lurking in the shadows as the party at Bellefleur’s breaks up and the sheriff happily watches everyone drunk-drive home. Eric pulls Sookie aside to tell her that Bill is not in fact acting like a “suicidal toddler” who can only say “because” when asked why he wants to die, but in fact has actual reasons behind his death wish. Sookie doesn’t buy it, but when Eric offers her a lift home so she’ll be there when Bill stops by to chat, she takes him up on it, because he’s Eric. She may be sad, but she’s not blind. He drops her off and she invites him in (not dumb, that Sookie), but he turns her down, because he’s not dumb either … sort of.

Back at Fangtasia, he decides to finally give resident barfly fangbanger Ginger what she wants. It takes about a minute, before Ginger is snoozing like a cat on the floor. He’s lucky that it was quick, because while he was making Ginger’s dreams come true, Pam was living in a nightmare. Gus Jr. had her tied to a table with a plus-size stake poised over her heart. Gus Jr. wants to know if Sookie knows the truth about Sarah. After a few false starts, Eric admits she does. Pam is given a momentary reprieve, but Gus Jr. wants Sookie’s address in restitution.

Over at Sookie’s house, Bill stands on the porch working up the courage to knock.

MORE: Game of Thrones Takes Crown for Online Piracy

MORE: Outlander Recap: Claire and Jamie’s Road to Star-Crossed Love

TIME celebrities

Chris Pratt’s Ice Bucket Challenge Video May Be the Best Yet

Ooga-chugga, ooga-chugga, ooga-ooga-ooga-chugga

+ READ ARTICLE

Guardians of the Galaxy star Chris Pratt added himself to a long line of celebrities–from Conan O’Brien to Bill Gates–who have participated in the trendy-though-highly-debated publicity stunt that raises money and awareness for ALS or Lou Gehrig’s disease by getting people to dump buckets (or other containers) full of freezing water over their heads.

Accepting a double challenge from both Disney CEO Bob Iger and Actor Vincent D’Onofrio, Pratt explains on camera that he’s going to do things “slightly different.” Eyes a’twinkle, he produces a tiny bottle of Blue Ice Vodka, which he dispatches quickly. For the second challenge, he begins to gulp down a bottle of Smirnoff Ice.

Much to our comic delight, however, forces gather to thwart Pratt’s plans to avoid getting wet and chilled to the bone–as you’ll see in the video below.

TIME movies

Moviegoers Find The Expendables 3 Dispensable

BRAY_20130917_EXP3_12291.dng
Phil Bray—Lionsgate

But Ninja Turtles and Guardians of the Galaxy continue to dominate

The latest instalment in the Expendables franchise proved to be, well, expendable at the box office this weekend, pulling in the lowest domestic opening weekend of the series.

The Expendables 3 grossed only $16.2 million domestically, finishing in fourth place behind Teenage Mutant Ninja Turtles and Guardians of the Galaxy, the No. 1 and No. 2 films, respectively. The movie’s new PG-13 rating failed to drawn more viewers than its R-rated predecessors, according to The Hollywood Reporter, and an online leak of the film may have hurt its chances in theaters as well.

Let’s Be Cops, which opened Wednesday, snagged the third spot with a $17.7 million weekend — about how much it cost to make — bringing its five-day gross up to $26.1 million.

The Expendables 3, which stars Sylvester Stallone and Jason Statham among many others, wasn’t the only disappointment: the decades-in-the-making adaptation of The Giver, starring Jeff Bridges and Meryl Streep, came in fifth with a gross of $12.8 million.

[THR]

TIME Television

Orange Is the New Black Locks Up 3 Creative Arts Emmy Awards

Uzo Aduba
Uzo Aduba accepts the award for outstanding guest actress in a comedy series for her work on “Orange Is the New Black” at the Television Academy's Creative Arts Emmy Awards at the Nokia Theater on Aug. 16, 2014, in Los Angeles. Phil McCarten—Invision/AP

Uzo Aduba won for Outstanding Guest Actress in a Comedy Series

The main Emmy Awards are a little more than a week away, but Netflix upstart Orange Is the New Black has already stolen a march on its big-name competitors.

At the 2014 Primetime Creative Arts Emmys — a precursor to the main event that mainly focuses on the technical, behind-the-scenes work of television production — the comedy drama set behind the bars of a women’s prison took home three big awards.

Uzo Aduba, who plays Suzanne “Crazy Eyes” Warren, claimed the award for Outstanding Guest Actress in a Comedy Series on Saturday, while the show’s casting director, Jennifer Euston, won for Outstanding Casting for a Comedy Series.

“I don’t know how to say how incredibly impressed I am to be a part of this show day in, day out,” Aduba said while accepting her award, according to The Hollywood Reporter. The show also won an editing award.

Among the other winners were HBO’s Game of Thrones, which took home 4 awards, and Saturday Night Live, which won 5.

Aduba’s co-stars Laverne Cox — the first openly transgender woman to be nominated for an Emmy — and Natasha Lyonne were also nominated for the same guest-star category. The show is up for several more awards, including Outstanding Comedy Series, during the main awards due to take place on Aug. 25.

TIME Television

Game of Thrones Takes Crown for Online Piracy

Game of Thrones
Helen Sloan—HBO

Fans illegally download Game of Thrones 300,000 times every day

Correction appended

Game of Thrones rules over all challengers when it comes to online piracy.

Just a few months after setting online downloading records with its season premiere, the hit HBO show has been named the most pirated form of entertainment, the Wall Street Journal reports.

Semetric, a company that monitors online media consumption, says that episodes of Game of Thrones at the height of their popularity make up more than half of all television-related downloads on piracy websites that use the BitTorrent file-sharing protocol — that’s more than the total of all music downloads on those sites.

While the rise of streaming services has somewhat supplanted music piracy, Game of Thrones is still in high demand. The show ended its fourth season in June — when fans downloaded the finale 2 million times within 24 hours — but there are still approximately 300,000 downloads of the series each day.

The original version of this story incorrectly described the role of BitTorrent in Semetric’s findings.

[WSJ]

TIME Television

Downton Abbey Cast Laughs Off Water Bottle Gaffe on Instagram

The actors posed for a group photoshoot to raise awareness about limited access to clean water in developing countries

The stuffy aristocrats of Downton Abbey have a sense of humor after all.

Last week, an uncropped publicity photo of Downton Abbey characters Robert, Earl of Grantham (Hugh Bonneville) and Lady Edith Crawley (Laura Carmichael) revealed an embarrassing anachronism: a plastic water bottle that was clearly out of a place in a show set in the 1910s and ’20s.

After much mocking — the incident sparked its very own Internet meme — the hit program appears to be taking it in stride. Several members of the cast “embraced ‘water bottle-gate'” Saturday and posed with water bottles on Instagram in order to raise awareness for WaterAid, a U.K. charity that works to provide access to clean water around the world.

“After seeing the reaction the picture caused earlier this week, the cast and crew came up with the idea of turning some of this attention towards an issue around water that really matters,” said a spokesperson for ITV, the channel the show airs on across the pond, in a statement. The Instagram post includes a link to information about how viewers can donate.

“Raising awareness” doesn’t always make a difference, of course — but it certainly did with the ice bucket challenge this month.

TIME celebrities

Tavi Gevinson: A Power Teen’s New Direction

"This Is Our Youth" Cast Photo Call
Actress Tavi Gevinson attends the "This Is Our Youth" Cast Photo Call at Cort Theatre on August 14, 2014 in New York City. Cindy Ord—Getty Images

Tavi Gevinson became a hero to a generation of girls — then she graduated from high school

This article originally appeared on Rolling Stone.

Recently, Tavi Gevinson – editor-in-chief of Rookie magazine, budding Broadway star and possibly the most influential 18-year-old in America – went to her first and last high school rager. Earlier that day, she’d graduated from Oak Park and River Forest High in suburban Chicago, tromping around the football field in the blazing heat. In terms of doing the classic high school party thing, she thought, it was now or never. “It was at this guy’s house,” she says, “and I was like, ‘Oh, you know what makes social anxiety better is if you just keep drinking.'” Which she did until things got messy (“There was vomit”), though not too messy (“I didn’t try to seduce anyone”), after which Gevinson made her way home, where her mom helped her into bed: “In the morning she gave me a flower and explained why drinking is extremely dangerous and why not to mix stuff and to eat first and to not do it until I’m 21. Then my dad came in, and they both laughed at me.”

If Gevinson has failed to indulge in such iconic teenage pastimes to date, that’s thanks to her many pressing duties as our culture’s Teenager Par Excellence. Gevinson’s role as universal expert on all things teenage has, somewhat ironically, left her little time for iconic teenage experiences like this one. At 11, she started Style Rookie, a blog that garnered the attention of fashionistas the world over with its pictures of a tiny, unsmiling Gevinson, standing in a suburban backyard and wearing the most fantastical of garments. Soon she was flying to Paris for Fashion Week, meeting Karl Lagerfeld and Anna Wintour. Sporting a dyed silver-blue bob, thick glasses and Iris Apfel-inspired outré-granny chic (“People talked about how when you’re a woman of a certain age you stop caring about certain things, and I was like, ‘If I can try that now I will be ahead of the curve'”), she became a sort of high-fashion mascot, half prodigy, half pet.

MORE: In Pics: 9 Shocking Teen Star Meltdowns

And then, just like that, Gevinson decided to leave these childish things behind. “I was like, ‘This is so goofy: We’re watching people wear clothes.'” Inspired by now-defunct alt-teen magazine Sassy, and with the guidance of Sassy‘s founding editor, Jane Pratt – who was listed on the masthead as “fairy godmother” – and This American Life‘s Ira Glass, Gevinson launched Rookie. It since has become the Web’s most famous one-stop compendium of what it is to be a teenage girl, ruminating on everything from Carl Sagan to how to wear a leotard “without giving a damn,” and casting all of its topics through a smart, feminist lens (instead of dating advice, it has a column called “Ask a Grown Man,” to which Jon Hamm and Thom Yorke have contributed).

Rookie‘s popularity is such that it has created a sort of clubhouse effect, spawning an annual yearbook and a nationwide tour – in which girls crammed into ice cream parlors and record stores from Brooklyn to L.A. in the hopes of meeting Gevinson – and turning its petite founder into both a media juggernaut and a generational spokeswoman with friends like Lena Dunham (who once stopped by for takeout when Gevinson was grounded) and Lorde, who tells me, “Had I not been fortunate enough to grow up with the never-ending wisdom and confusion of Tavi, I wouldn’t be the same. She is fearsome. Her writing, her aesthetic leanings, her need to have more, to know more, sparked that in me and infected everyone young today. I’m lucky to have her as my friend.”

MORE: 50 Things Millennials Know That Gen-Xers Don’t

Gevinson, the daughter of a Jewish high school English teacher and a Norwegian weaver, grew up the youngest of three sisters, watching Friends and That ’70s Show, hiding out in the bathroom at school when she felt overwhelmed (“A girl would come and be like, ‘Mrs. Carter sent me to see if you’re OK,’ and I’d be like, ‘I’m pooping'”) and, until recently, getting an allowance of $8 a week. Then there was the toggling between her middle-class Midwestern upbringing and her international fame; the endless recording of her youth for the masses, which, she says, “made it hard for me to live in a moment because I was always narrating it,” and the juxtaposition of standard adolescent milestones with very nonstandard ones. “I went on The Colbert Report. I came home. The next day I went to school, then I lost my virginity,” she declares matter-of-factly before cracking a wry smile. “Now someone’s going to be like, ‘Oh, I’m gonna go watch that video and see if I can sense that she’s about to be deflowered.'”

As Gevinson is saying all this, she’s sitting cross-legged on the sofa of a high-rise Chicago apartment that represents a decidedly more adult moment for her. After a memorable turn in the 2013 movie Enough Said, she’s starring opposite Michael Cera and Kieran Culkin in a Steppenwolf Theatre remounting of Kenneth Lonergan’s This Is Our Youth, which moves to Broadway in September. The play skewers the rudderless angst of suspended adolescence. Gevinson’s performance has drawn raves. Last night, the cast had gathered in Culkin’s apartment to play Mario Kart and guitar until 4:30 a.m., at which point Gevinson retired to her place to take a bubble bath and eat chocolate before falling asleep to The Last Days of Disco. When she’d answered the door just past noon, her hair was still wet from the shower, and she was cheerfully dunking a bag of green tea into a cup of hot water. “This morning,” she’d said, “I was really pleased at my desire to meet the day.”

MORE: In Pics: Millennials’ Most Earth-Shaking Sexual Moments

The apartment is the only place she’s lived besides her childhood home, where her room was “the size of a van” and the hundreds of items sent to her over the years by Rookie readers are packed in the basement – an anthropological trove that she “prays doesn’t just deteriorate.” Only the most meaningful artifacts of her girlhood have accompanied her, among them a box made for her by a Rookie reader labeled FOR WHEN YOU FEEL LIKE SHIT and a book of haunting illustrations by German artist Sulamith Wülfing given to her by Stevie Nicks. “Tavi, study this,” reads the inscription. “It will change your life. She is one of us. The eldest angel. I love you, Stevie.”

Living alone is still so novel that Gevinson is excited by the mundane chores of housekeeping. “I really like grocery shopping, probably because I’m not a real adult, so it’s like a novelty to me,” she says. “Kieran and Michael were teasing me yesterday because I was like, ‘I can’t wait to go home and eat my groceries.’ And they were like, ‘That’s not a type of food. No one’s like, “I’m really in the mood for groceries.”‘”

Though Gevinson grew up acting in school plays and community theater, it’s a pursuit she’s only recently decided to revisit. And yet, she says, it taps into something that’s been an impulse for her all along: a way to try on different identities. “When you’re onstage, you can’t think, like, ‘Oh, how is the audience responding to me as a person?’ I mean, it just helped to kind of feel like more of a clean slate.”

Which, preparing for her life ahead, is what she feels she needs. This Is Our Youth runs on Broadway through January 4th, and next fall she’ll be attending NYU. While her role as top editor and curator of Rookie will remain unchanged, the magazine will not age with her – it will maintain its focus on teen girls.

And, at least for the minute, Gevinson’s own focus has returned to fashion: She has begun creating a wardrobe for New York, costuming the version of herself she thinks she’ll be then (“I bought a lot of sequined tops”). In the meantime, she’s still feeling out what it means to be who she is now. “I know I’m not the person I was in high school,” she muses. “But I’m not a new person yet either. It’s just that kind of in between.”

MORE: 50 Things Millennials Have Never Heard Of

Your browser, Internet Explorer 8 or below, is out of date. It has known security flaws and may not display all features of this and other websites.

Learn how to update your browser
Follow

Get every new post delivered to your Inbox.

Join 45,180 other followers