TIME celebrities

Why Bruce Jenner’s Interview Could Be a Watershed Moment

13th Annual Michael Jordan Celebrity Invitational Gala At ARIA Resort & Casino
Ethan Miller—Getty Images Bruce Jenner attends the 13th annual Michael Jordan Celebrity Invitational gala at the ARIA Resort & Casino at CityCenter on April 4, 2014 in Las Vegas, NV.

ABC is doing the transgender community a service

Bruce Jenner, the Olympic gold medalist and Keeping Up With the Kardashians TV personality, has been the subject of intense media scrutiny lately, thanks to a rumored gender transition. Jenner’s body, and the manner in which he styles it, were long the province of Internet comment sections before mainstream outlets picked up the story. On Friday night, ABC will provide a welcome conclusive answer, one way or the other, on the question of Jenner’s story, and the network has done an admirable job of presenting the news with good taste.

If ABC does indeed have the story of Jenner announcing a gender transition, it’s completely understandable that it wouldn’t want to scoop itself with an errant commercial that says too much. And so it is that the promotions for Diane Sawyer’s interview with Jenner have operated with an abundance of caution. In one recent ad for the Jenner/Sawyer special, we see Jenner saying fairly simple statements that could mean anything. On family: “Those are the only ones I’m concerned with.”

But that caution in avoiding giving away the revelation (or lack of it) that would make viewers tune in is also tasteful, and better yet, fair. A person’s coming-out may not be ideally framed on a two-hour news special, but it would certainly be decontextualized and ill-used in a 30-second promo. If, indeed, Jenner is coming out as transgender on ABC’s air, the outlet he chose has done him a service by allowing him to tell his story, in full, to the audience, without preceding “spoilers.”

And it’s doing the transgender community a service, too, by advertising the Jenner interview as it has, broadcasting to a wide audience in a nondescript manner. For readers of tabloids or gossip blogs, the non-revelations of the Jenner promos are being read as tantalizing teasers: If Jenner comes out as transgender, those viewers brought in by ABC’s say-nothing approach will be exposed to the personal story of what could be the most famous transgender person in recent history. A network that could well have sensationalized the news has, to a surprising and fair degree, toned down the provocation. Whatever happens Friday night can and will speak for itself.

Read next: Meet the Transgender Man Leading the Men’s Health Cover Contest

Listen to the most important stories of the day.

TIME Music

Celebrate New Orleans Jazz Fest With These Photos of the 1940s Jazz Scene

A look back at the musicians who shaped New Orleans and the venues where they developed their singular sound

As the New Orleans Jazz and Heritage Festival kicks off on Friday, thousands flock to the city to pay tribute to the birthplace of jazz and conjure visions of a colorful musical history. Long before Bourbon Street became a hub for tourists weighed down with plastic beads, musicians advertised performances by playing in the backs of wagons, the details of upcoming shows hand-lettered on wooden signs. It didn’t matter whether the venue was a basement club or a neighbor’s living room. The music that emerged from New Orleans had an unmistakeable sound, a confluence of styles that could only have come from the place where the Mississippi River empties out into the Gulf of Mexico.

LIFE’s photographers were there to capture the feeling that accompanied that sound and the people who were creating it. The magazine’s archives offer a veritable who’s who of New Orleans jazz, from Louis Armstrong to Fats Pichon to Bunk Johnson, to the men and women whose contributions are palpable though their names are lost to history.

Liz Ronk, who edited this gallery, is the Photo Editor for LIFE.com. Follow her on Twitter at @LizabethRonk.

TIME Television

Review: Happyish Suffers from First-World Problems

Steve Coogan as Thom in Happyish (Season 1, Episode 1). - Photo:  Mark Schafer/SHOWTIME - happyish_101_09094.R
Mark Schafer/Showtime

Smarts and strong casting don't hide that there are old whines in this new bottle.

Meet Thom Payne (Steve Coogan). He’s just turned 44. He feels old. He has a wife, Lee (Kathryn Hahn), and a kid, Julius (Sawyer Shipman), and a suburban house and the pressure of keeping them all afloat. He hates his job, and he fears for it. He wonders if this is all there is. He–

Oh, you’ve already met? Sure; you’ve met one version of him or another–middle-aged, ennui-ridden, losing a step to the advancing hordes of The Youngs–in numerous cable dramas and comedies and dramedies. Sometimes he sells crystal meth, sometimes he does standup. In Showtime’s Happyish (premieres April 26), he works for an advertising agency–no, not that one–and his first campaign is to sell you on the urgency of his particular set of First World problems.

Thom knows he has it good by present-day standards: he pulls in a big income, takes a morning train from the affluent suburb of Woodstock, N.Y. It doesn’t feel enough, though; he lives in a society where the goal, created in part by his own profession is “happiness,” something more than mere contentment. He doesn’t know what that is, but he’s pretty sure he’s not feeling it.

In the mid-20th-century, Don Draper’s day, Thom would at least have the rest of his working life to stew in comfortable angst. But Thom lives in the post-security era. His agency has been taken over by two young Swedes, spouting clichés about youth and disruption and change. They want, for instance, to establish a social-media presence for their clients, Keebler. Unable to contain himself, Thom asks why you need that kind of intimacy for every cookie or digestive-aid product: “Who the f— wants to follow Pepto-Bismol on Twitter?” It’s a clever outburst, but, Thom is learning, clever’s stock is dropping, and his along with it.

Happyish is created by novelist and memoirist Shalom Auslander, and a little like FX’s Man Seeking Woman (born of short stories by Simon Rich), it often seems like it might work better on the page than the screen. It’s not badly written at all; there are tour de force bursts of monologue and magma blasts of white-collar rage. But it is very written, very writerly; the only thing organic in this high-end suburb is the Whole Foods. Over and over, characters dispense perfectly crafted aphorisms to ensure you never forget precisely what the show is about.

“It’s Lord of the Flies out there, and everyone over 18 is Piggy,” Thom tells us. Says his corporate-headhunter pal Dani (Ellen Barkin), “It doesn’t matter how many cars you have, how big your house is, or how much pussy you get–you hit your joy ceiling and you’re done.” (Did I mention the show is called Happyish?) Thom’s boss Jonathan (Bradley Whitford) is practically a Bartlett’s Familiar Quotations of middle-aged-male gloom: These days, he laments, “thinking’s not as important as tweeting.” And: “God’s a brand, and the brand’s in trouble.” And: “We’ve reached Peak America. We’re sitting in a puddle of was.” But we’re still the world’s leading exporter of midlife crises!

Happyish has a dark backstory of its own; it was meant to star the late Philip Seymour Hoffman and shot a pilot with him before his untimely death. The new version makes a nod to its British star–there’s an allusion to his “adopted” country in his opening rant on “the pursuit of happiness”–but it doesn’t give the acerbic Mancunian actor more of an outsider’s perspective on the American pop culture he toils in. Coogan tears beautifully into Thom’s twitchy, angry sarcasm, and he can do melancholy (see The Trip), but I have to wonder if Hoffman would have brought Thom a needed soulfulness.

Performances aren’t the show’s problem, though. It’s that we’ve seen so much of this before, like the manic reliance on voiceover and fantasy sequences. The most remarkable thing about the latter is that many use characters from actual ad campaigns to R-rated effect. They range from amusing to excruciating–you will never see the Keebler hollow tree again after the pilot–but it leaves the dispiriting feeling that this subversion is just another form of marketing.

At one point, Happyish acknowledges that it’s walking in past TV series’ loafers; “F— Mad Men,” Thom says, “Nothing about advertising is cool.” It’s an unfortunate contrast that Happyish premieres a week after a Mad Men episode, “The Forecast,” that more richly explored themes of youth vs. age and contentment vs. fulfillment (and even used a cookie advertising campaign to do it). There are signs of promise, as in the second episode, when Lee works through unresolved issue with her mother via a Jewish-guilt fantasy version of Dora the Explorer. But it squanders them with “We care why?” moments such as Thom imagining himself as Samuel Beckett, never writing his great works because of the pressures of paying the monthly nut on his suburban lifestyle.

Ultimately, Happyish shares Thom’s problem: it’s smart, it’s well-read and shows talent, and once that would have been enough, in an earlier age when the market allowed in less competition. Now it’s a buyer’s market for the anomie Happyish is selling; there are too many other diverse competing voices out there for a series to grab you simply by pointing out that a middle-aged professional with ample assets and options might kinda wish he were writing a novel instead.

It is, maybe, not fair to judge a series by its themes and its characters’ demographics. As Roger Ebert said, “It’s not what a movie is about, it’s how it is about it.” But for all its rhetorical flourishes, Happyish isn’t about its well-covered themes in any interesting way. Thom, in the end, is one more guy who’s mistaken his wants for needs–which in the end, is your best proof that advertising really does work.

TIME movies

Here’s the First Look at Jamie Dornan in Fifty Shades Darker

The movie will come out in 2017

Two months after the first Fifty Shades movie appeared in theaters, we already have our first photo of Jamie Dornan as Christian Grey in the sequel, Fifty Shades Darker. When the first movie comes out on digital HD on May 1, and on DVD and Blu-Ray on May 8, viewers will be able to see an exclusive first tease for the second film as well.

Access Hollywood premiered the exclusive first look on Thursday. Meanwhile, release dates were announced for Darker (Feb. 10, 2017) and the third movie, Fifty Shades Freed (Feb. 2018). Director Sam Taylor-Johnson and screenwriter Kelly Marcel will not return for the second and third movies, the New York Times reports. Instead, novelist E.L. James’ husband, Niall Leonard, will adapt the two books for film. A new director has not yet been announced, but production of both films is planned to begin next summer in Vancouver.

[Access Hollywood]

TIME On Our Radar

See the World’s Most Impressive Opera Houses

“In the English-speaking world they say ‘Break a leg.’ But in Italy, they say, ‘In bocca al lupo,’ which means, ‘In the wolf’s mouth.’ Because when we singers face the audience from the stage of a traditional, horseshoe-shaped opera house, with its tiers of boxes and galleries, we feel that we could be in the jaws of some gigantic beast with multiple rows of teeth, hoping that it will treat us kindly.”

—Plácido Domingo, from his foreword to “Opera”

The architectural photographer David Leventi probably got a taste of this famous tenor’s words many times in the eight years he spent producing Opera.

For this project, Leventi shot more than 40 opera houses in almost 20 countries, from the tiny (Teatro di Villa Aldrovandi Mazzacorati, capacity: 80) to the mammoth (The Metropolitan Opera, capacity: 3,975). The work is being exhibited at Rick Wester Fine Art (with prints up to seven and a half feet wide) starting May 7 and is being released as a book by Damiani in June 2015.

David, who is the son of two architects, shot his first opera house while researching his family history on a trip to Romania. He is drawn to what he calls “the spectacle of opera. The combining of many art forms: architecture, acoustic design, costumes, stage design, voice, fabric, sound, music, etc.”

While there is always one more opera house he would like to photograph, Leventi selected these spaces “based on their interiors, history, or because they have interesting stories,” he says. “I wanted a mix of both new and old.”

The buildings he found are simply extraordinary. The Palais Garnier in Paris has a Marc Chagall-painted ceiling over 2,500 square feet in size. The Metropolitan Opera in New York used so much twenty-four-karat gold-leaf on the ceiling that a weekly quota had to be imposed during construction to avoid harming other businesses.

“I experience an almost religious feeling walking into a grand space such as an opera house,” says Leventi. And yet from this sumptuousness he creates an ordered typology in a way that links his work to artists such as Bernd and Hilla Becher.

Part of the way Leventi achieves that order is by repeatedly photographing from the stage, looking back out at the audience—just where the singer might stand.

Indeed, that is a key part of the project. David’s Romanian grandfather was an opera singer himself. While a prisoner-of-war in a Soviet camp from 1942-48, he would sing for officers and other detainees. But in the tumultuous years following his release and relocation to Israel, Leventi’s grandfather found his dream slipping beyond reach.

Leventi says “the idea of standing on center stage and being in all these opera houses where he could have performed if there wasn’t the war and all these other circumstances, Communism—I guess you can say I’m living out his dreams.”

David Leventi is a photographer based in New York City.

Myles Little is an associate photo editor at TIME.

TIME remembrances

Everybody Loves Raymond Child Star Sawyer Sweeten Has Committed Suicide

8th Annual TV Land Awards - Arrivals
Jordan Strauss—Invision/AP Sawyer Sweeten, Madylin Sweeten and Sullivan Sweeten, left to right, arrives at 8th Annual TV Land Awards at Sony Studios on April 17, 2010, in Los Angeles, Calif.

He was just 19

Everybody Loves Raymond child star Sawyer Sweeten took his own life at his family’s Texas home on Thursday, according to the Hollywood Reporter, which cited a family statement. He was just 19.

“This morning a terrible family tragedy has occurred,” Sweeten’s family said. “We are devastated to report that our beloved brother, son, and friend, Sawyer Sweeten, took his own life.”

Sweeten appeared in the television comedy Everybody Loves Raymond from 1996 to 2005. He starred as Geoffrey Barone alongside his twin brother from the tender age of just 16 months. The popular sitcom, starring Ray Romano, centered on an oddball family living on Long Island.

Sweeten’s sister Madylin, who played Romano’s on-screen daughter Ally Barone, urged the public in a Facebook note “to reach out to the ones you love,” adding, “Let them have no doubt of what they mean to you.”

[THR]

Listen to the most important stories of the day.

TIME movies

Every High School in America Is Getting a Free DVD of Selma

A scene from SELMA.
Atsushi Nishijima—AP

Teachers can also request companion study guides

Paramount is sending a free DVD of Selma to every high school in America, public and private, as part of an extended “Selma for Students” initiative.

Director Ava DuVernay made the announcement at a United Nations event on Thursday night where U.S. Ambassador Samantha Power was present. Companion study guides will also be made available to the nation’s tens of thousands of high schools for any teachers who want to teach the movie in their classrooms.

The movie about Martin Luther King, Jr.’s march from Montgomery to Selma, Ala. came at a pivotal time in American politics, hitting theaters between a spate of racially charged incidents of police brutality that sparked major protests. Paramount executive Megan Colligan pointed out in a statement that the nation’s high schoolers are a particularly important audience for the film.

“With many of these students preparing to vote for the first time in next year’s elections,” she said, “it is especially fitting that they witness the bravery and fortitude of those who fought to establish the Voting Rights Act of 1965.”

TIME Television

Grey’s Anatomy Star Patrick Dempsey Discusses Show’s Shocking Twist

Scott Garfield—ABC via Getty Images
Scott Garfield—ABC via Getty Images File Photo of Patrick Dempsey as he stars as "McDreamy" in Greys Anatomy.

"It just sort of unfolded in a very organic way"

Amid Thursday’s devastating Grey’s Anatomy revelation, Entertainment Weekly sat down with Patrick Dempsey, the man in the middle of the drama, to talk about his 11 years on the show and hear from behind the scenes of the explosive episode.

“Things happened very quickly, where we were like, ‘Oh this is where it’s going to go.’ It just sort of unfolded in a very organic way… It happened very quickly,” Dempsey said in the interview.

Executive producer Shonda Rhimes also released a statement to console fans.

Read the full interview with Dempsey from our partners at Entertainment Weekly here.

TIME celebrities

Cobie Smulders Opens Up About Ovarian Cancer Diagnosis at Age 25

Cobie Smulders attends the Chanel Dinner during the 2015 Tribeca Film Festival at Balthazar on April 20, 2015 in New York City.
Jamie McCarth—Getty Images Cobie Smulders attends the Chanel Dinner during the 2015 Tribeca Film Festival at Balthazar on April 20, 2015 in New York City.

"I don't think I'll ever feel like I'm cancer-free"

How I Met Your Mother actress Cobie Smulders revealed publicly for the first time that she was diagnosed with ovarian cancer at age 25. in the May issue of Women’s Health.

“I had tumors on both ovaries and the cancer had spread into my lymph nodes and surrounding tissues,” the actress, who can be seen in The Avengers: Age of Ultron next month, says in an interview with Women’s Health.

Diagnosed during the third season of the hit CBS sitcom, Smulders, 33, says she had multiple surgeries across two years instead of chemotherapy and radiation because of the location of the cancerous tissue on her body. And even though doctors said she wouldn’t be able to naturally conceive, Smulders did become pregnant with daughter Shaelyn, now 5, and welcomed another son with husband and Saturday Night Live star Taran Killam earlier this year.

“I don’t think I’ll ever feel like I’m cancer-free,” Smulders says. “Now that I’m five years out, I’m trying to think of it as a positive thing and what can I learn from it. And if I can create more awareness, I’ll do it.”

[Women’s Health]

TIME Television

The Unbelievable Just Happened on Grey’s Anatomy

ABC's "Grey's Anatomy" - Season Ten
Danny Feld—ABC/Getty Images

Did that really just happen on Grey’s Anatomy?

In a shocking twist, the beloved character Dr. Derek Shepherd, aka McDreamy, was killed off in Thursday’s episode of the ABC drama. The development is particularly surprising because Patrick Dempsey, 49, signed a two-year contract extension last year that would have kept him on Grey’s through a 12th season.

The episode, however, made it clear that Dempsey’s run on the show that made him a worldwide star is definitely over.

“Derek Shepherd is and will always be an incredibly important character – for Meredith, for me and for the fans. I absolutely never imagined saying goodbye to our ‘Mcdreamy,’ ” creator/executive producer Shonda Rhimes said in a statement. “Patrick Dempsey’s performance shaped Derek in a way that I know we both hope became a meaningful example – happy, sad, romantic, painful and always true – of what young women should demand from modern love.

“His loss will be felt by all. Now, Meredith and the entire Grey’s Anatomy family are about to enter uncharted territory as we head into this new chapter of her life. The possibilities for what may come are endless. As Ellis Grey would say … the carousel never stops turning.”

Derek’s death wasn’t that surprising given all the bread crumbs that ABC and Rhimes have been dropping over the last few weeks. First, the drama began to foreshadow the possibility by having him miss a meeting in Washington, D.C., which worried his wife Meredith (Ellen Pompeo).

Then, promos began airing after last week’s episode that seemed to suggest that Derek was involved in a fiery car wreck. After helping victims of a car accident, Derek ended up getting into one himself and was taken to a hospital that didn’t follow proper protocol to save him.

This article originally appeared on PEOPLE.com

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