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Aug 12, 2014

# _Twin Peaks_

<!-- video src="https://cdn.jwplayer.com/manifests/prfCDsoe.m3u8" -->
## Video: Twin Peaks

[Watch (HLS stream): Twin Peaks](https://cdn.jwplayer.com/manifests/prfCDsoe.m3u8) (0:33)

![Twin Peaks](https://cdn.jwplayer.com/v2/media/prfCDsoe/poster.jpg?width=720)

_Published 2007-09-04. David Lynch and Mark Frost turned primetime TV into a giant indie art-house theater, and regular American channel surfers by the millions became its black-turtlenecked denizens._

by 

[TIME Staff](/author/time-staff/)


## TIME Staff


![Sherilyn Fenn and Kyle MacLaughlin in Twin Peaks](https://static.time.com/v3/assets/bltea6093859af6183b/blt65681e5b8c8ab9e9/69869f36e8524b5b20604436/t100_tv_twin-peaks1.jpg?branch=production&width=3840&quality=75&auto=webp&crop=3:2)

Sherilyn Fenn and Kyle MacLaughlin in Twin Peaks

Sherilyn Fenn and Kyle MacLaughlin in Twin PeaksABC Photo Archives—ABC via Getty Images

David Lynch and Mark Frost made something really weird happen, and I’m not talking about Laura Palmer’s murder, a dancing dwarf, a Log Lady or an owl. They turned primetime TV into a giant indie art-house theater, and regular American channel surfers by the millions became its black-turtlenecked denizens. The story of a teen girl’s death in the Pacific Northwest—and the pie-eating, deadpan-soliloquy-spouting FBI agent investigating it—carried on the theme, from Lynch movies like _Blue Velvet_, of sordid secrets and ancient horrors hid behind a facade of wholesome Americana, proving that TV could equal or surpass film in its storytelling ambitions. _Twin Peaks_ may have had the shelf life of a freshly poured cup of coffee, but it was damn fine nonetheless.

[Get This TV Series](http://www.amazon.com/dp/B00005JKES/?tag=timecom-20 "undefined")


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