TIME Sports

Odell Beckham’s Insane Catch Gets the Full Meme Treatment

Odell Beckham #13 of the New York Giants scores a touchdown in the second quarter against the Dallas Cowboys at MetLife Stadium on Nov. 23, 2014 in East Rutherford, N.J.
Odell Beckham #13 of the New York Giants scores a touchdown in the second quarter against the Dallas Cowboys at MetLife Stadium on Nov. 23, 2014 in East Rutherford, N.J. Al Bello—Getty Images

Even Kim Kardashian gets in on the action

On Sunday, the New York Giants’ rookie wide receiver Odell Beckham made an absolutely ridiculous one-armed catch during a game against the Dallas Cowboys.

By making good on that one incredibly unlikely catch, Beckham scored a touchdown, cemented his reputation as a go-to receiver, earned a spot in NFL highlight reels and, naturally, became an Internet meme.

The Internet has Photoshopped Beckham’s three-fingered catch by adding him to everything from the Sistine Chapel to Kim Kardashian’s instantly infamous Paper magazine cover to what could have been a game-changing play against an equally infamous Chicago Cubs’ fan.


Read next: Watch This Ridiculous 1-Handed Touchdown Catch

TIME viral

Here’s the Nelly-Bee Gees Mashup You Never Asked For But Can’t Stop Listening To

It's stayin' hot in here.

There are many mysteries about the Internet: Who created Bitcoin? Will we ever figure out the secret behind black holes? What’s with the Markovian Parallax Denigrate? One other mystery that no one seems to be able to crack? What makes a video go viral?

Take for example this mashup of Nelly’s “Getting Hot in Here” with The Bee Gee’s Saturday Night Fever classic, “Stayin’ Alive.” The video, appropriately called “Stayin’ Hot,” was created in 2011 by LobsterMashups and while the Internet usually revolves on a steady diet of the latest and greatest, yesterday the mashup sat on Reddit’s front page all day and is still near the top today, even though the video is so three years ago.

If we’re engaging in Internet archaeology, check out this video mashing up the same track from The Bee Gees with AC/DC’s “Back in Black.”

TIME Sports

Watch: Marshawn Lynch Gives One-Word Answers During Post-Game Interview


After the Seattle Seahawks defeated the Arizona Cardinals (19-3) Sunday night, reporters crowded around Seahawks running back Lynch, posing several questions that he answered with a simple “Yeah.”

“How does your back feel, Marshawn?” asked one reporter. Lynch’s answer: “Yeah.”

“How are you feeling, Marshawn?” asked another. The reply: “Yeah.”

“Talk about the Cardinals defense.” Also: “Yeah.”

To be fair, Lewis did throw a few other answers into the mix. When a reporter asked if it was tough to rebound from his game on Thursday after feeling unwell, Lynch said, “Maybe.” He gave one two-word response when asked what he listened to on the way over: “No Juice.”

The especially brief replies come after Lynch was fined $100,000 for refusing to speak with reporters after a losing game. His entire interview can be watched on NFL.com, or see the transcript below with his full responses:

TIME movies

Mike Nichols: A Look Back at the Director’s Best Films

Director Mike Nichols.
Director Mike Nichols. Gerald Holubowicz—Polaris

The director passed away Nov. 20 at the age of 83

Director Mike Nichols passed away today at the age of 83. The revered director (and husband of Diane Sawyer) was best known for directing films like The Graduate and Working Girl and The Remains of the Day, which he also produced. He was a member of the select group of EGOT winners — those who have earned an Emmy, Grammy, Oscar and Tony Awards.

Nichols excelled at translating stage productions into sublime films, including Neil Simon’s Biloxi Blues and Who’s Afraid of Virginia Woolf?, which earned him the Oscar for best director. He also staged the original theatrical productions of Barefoot in the Park, The Odd Couple and Spamalot, winning his eighth Tony Award a few years ago for his revival of Death of a Salesman.

In addition to the films he directed for the screen, he also directed some incredible features for television, including the mini-series Angels in America and Wit, which both earned Emmy Awards.

As a primer for newcomers or a walk down cinematic memory lane for those looking to honor the memory of a great director, here are eight of his best films:

The Graduate (1967)

Catch-22 (1970)

Biloxi Blues (1988)

Silkwood (1983)

Working Girl (1988)

Closer (2004)

The Birdcage (1996)

Who’s Afraid of Virginia Woolf? (1966)


An Infant’s Brain Maps Language From Birth, Study Says

Rear view of baby girl
Vladimir Godnik—Getty Images

The infant's brain retains language that it hears at birth and recognizes it years later, even if the child no longer speaks that language.

A new study study reveals that an infant’s brain may remember a language, even if the child has no idea how to speak a word of it.

The finding comes from a new study performed by a team of researchers from McGill University’s Department of Psychology and Montreal’s Neurological Institute who are working to understand how the brain learns language.

As it turns out, the language that an infant hears starting at birth creates neural patterns that the unconscious brain retains years later, even if the child completely stops using the language. The study offers the first neural evidence that traces of so-called “lost” languages remain in the brain.

Because these lost languages commonly occur within the context of international adoptions—when a child is born where one language is spoken and then reared in another country with another language—the researchers recruited test subjects from the international adoption community in Montreal. They studied 48 girls between the ages of nine and 17 years old. One group was born and raised speaking only French. The second group was bilingual, speaking French and Chinese fluently. And the third was Chinese-speaking children who were adopted as infants and later became French speakers, but discontinued exposure to Chinese after the first few years of life. They had no conscious recollection of the Chinese language. “They were essentially monolingual French at this point,” explained Dr. Denise Klein, one of the researchers, in an interview with TIME. “But they had been exposed to the Chinese language during the first year or two of their life.”

The three groups were asked to perform a Chinese tonal task–“It’s simply differentiating a tone,” said Klein. “Everybody can do it equally.” Scans were taken of their brains while they performed the task and the researchers studied the images. The results of the study, published in the November 17 edition of the scientific journal Proceedings of the National Academy of Sciences (PNAS), showed that the brain activation pattern of the adopted Chinese who “lost” or completely discontinued using the language, matched the brain activation patterns for those who continued speaking Chinese since birth—and was completely different from the group of monolingual French speakers.

The researchers interpret this to believe that the neural pathways for the Chinese language could only have been acquired during the first months of life. In layman’s terms, this means that the infant brain developed Chinese language patterns at birth and never forgot them, even though the child no longer speaks or understands the language.

“We looked at language that was abruptly cut off, so we could see what happens developmentally in that early period,” said Klein. “The sound of languages are acquired relatively early in life, usually within the first year. We’ve learned through a lot of seminal work that is out there that children start out as global citizens who turn their heads equally to all sounds and only later start to edit and become experts in the languages that they’re regularly exposed to.” The question for the researchers was whether the brains of the Chinese-born children who no longer spoke their native language would react like a French speaker or like a bilingual group.

To see what neural pathways might still exist in a brain and to see what a brain might remember of the mother tongue, the researchers used Chinese language tones, which infants in China would have been exposed to before coming to live in French-speaking Montreal. “If you have never been exposed to Chinese, you would just process the tones as ‘sounds,'” said Klein. However, if someone had been previously exposed to Chinese, like the bilingual Chinese-French speakers, they would process the tone linguistically, using neural pathways in the language-processing hemisphere of their brain, not just the sound-processing ones. Even though they could have completed the task without activating the language hemisphere of their brain, their brains simply couldn’t suppress the fact that the sound was a language that they recognized. Even though they did not speak or understand the language, their brains still processed it as such.

The results were that the brain patterns of the Chinese-born children who had “lost” their native tongue looked like the brains of the bilingual group, and almost nothing like the monolingual French group. This was true, even though the children didn’t actually speak any Chinese. “These templates are maintained in the brain, even though they no longer have any knowledge of Chinese,” said Klein, who was not surprised that these elements remained in the brain.

As with most scientific research, this finding opens the door to even more questions, particularly as to whether children exposed to a language early on in life, even if they don’t use the language, will have an easier time learning that language later in life. Don’t go rushing to Baby Einstein quite yet, though. “We haven’t tested whether children who are exposed to language early, re-learn the language more easily later,” said Dr. Klein, “But it is what we predict.”

What the study does suggest though is the importance of this early phase of language exposure. “What the study points out is how quite surprisingly early this all takes place,” said Klein. “There has been a lot of debate about what the optimal period for the development of language and lots of people argued for around the ages of 4 or 5 as one period, then around age 7 as another and then around adolescence as another critical period. This really highlights the importance of the first year from a neural perspective.”

“Everything about language processing follows on the early ability to do these phonological discriminations,” said Klein. “You become better readers if you do these things.”

While Klein isn’t an expert in the field of language acquisition, she does surmise that the more languages you are exposed to the better for neural pathway development, but she hasn’t fully tested that hypothesis. She mentioned other studies that show that early exposure to multiple languages can lead to more lingual “flexibility” down the road. Before you clean out Berlitz and build a Thai-Kurdish-German-Mandarin language playlist for your infant, Klein doesn’t recommend loading kids up with “thousands of languages.” She explains: “I don’t think bombarding somebody with multiple languages necessarily improves or changes anything.” Klein thought ensuring future lingual flexibility could come from exposure to just two or three languages at an early age.

To that end, Klein does think it’s important to develop these neural templates early in life, which she considers similar to wiring a room—put in the plugs, ports and outlets first and if you need to add a light later, you won’t have to start from scratch. Luckily there are no products required to develop a language template in the brain: simply talking to your baby in your native tongue is enough to develop those all-important neural pathways. If you want to invest in Baby Berlitz, well, the studies aren’t in yet, but it can’t hurt.

TIME Comedy

Watch Alec Baldwin Give Out Relationship Advice in His New Web Series

His unsolicited counseling sessions take place in a taxi cab

There’s no doubt that Alec Baldwin has made a few mistakes in his life, but he’s learned a few things and wants to share his relationship insights with the world. In a new web series from Above Average, aptly-named “Alec Baldwin’s Love Ride,” Baldwin is taking those valuable life lessons and turning them into (sometimes NSFW) golden nuggets of truth that he is handing out for free in the back of a New York City taxi. As you do.

Aided and abetted by behind-the-scenes advisor (and long-time SNL scribe Paula Pell) in each episode, Baldwin grabs a couple off the street and takes them for a ride, doling out helpful (-ish) relationship advice along the way. First up is Corey and Francesca, an adorable young couple that seems perfectly happy in their relationship, but happy to hear Baldwin’s pearls of wisdom anyway. See another episode here.


TIME Television

Yes, Bill Cosby Actually Told a Joke About Drugging Women In a Comedy Routine

Bill Cosby
A portrait of Bill Cosby taken in 1969 Alfred Eisenstaedt—The LIFE Picture Collection/Getty Images

An old comedy routine takes on chilling tones as allegations against Cosby come into focus

Rape allegations against the comedian Bill Cosby were given new life last month when comedian Hannibal Buress called out Cosby during a standup routine. Buress’ bit went viral online, making it harder to ignore the fact that several women had long publicly asserted that one of America’s most beloved television dads drugged and assaulted them.

In a column published last week in the Washington Post, one accuser, Barbara Bowman, wrote that Cosby, now 77, “brainwashed me into viewing him as a father figure, and then assaulted me multiple times.” The two met on the set of The Cosby Show in 1985, when Bowman was 17 years old. In her essay, Bowman notes that it took “30 years for people to believe” her story about him, and that “only when a male comedian called Cosby a rapist did the accusation take hold.”

In Bowman’s account and the accounts of several other women, Cosby allegedly slipped incapacitating drugs into the women’s drinks. They would pass out and wake up with Cosby assaulting them. As it turns out, years before he was doling out folksy wisdom on The Cosby Show, Cosby used that exact kind of scenario as joke fodder.

In a clip recently unearthed by the Village Voice, Cosby unsettlingly laughs about slipping the aphrodisiac “Spanish Fly” into women’s drinks as if dosing women was a sort-of universal boys-will-be-boys lark. In the clip, Cosby even says he went to Spain with his costar from the television show I Spy — for which Cosby was the first African-American costar in a primetime series — in hopes of picking up some Spanish Fly while there.

It’s True! It’s True! was recorded live at Harrah’s in Lake Tahoe and is one of the few Cosby records that isn’t family-friendly. Aside from the now-chilling Spanish Fly routine, the comedian drops a few curse words, and discusses burlesque shows and gambling.

The album is something of an outlier in a career famously marked by “clean” routines, by the man who would become known as one of America’s most beloved dads, Cliff Huxtable, on The Cosby Show.

It’s True! It’s True! came out in 1969, which was a good year for Cosby, professionally speaking. He won a Grammy for his 1968 comedy album and took home an Emmy for his primetime comedy special The Bill Cosby Special.

That was also the year that another woman, named Joan Tarshis, claims Cosby invited her back to his bungalow to work on some comedy routines. “I thought, ‘That’s cool, getting to work with Bill Cosby on jokes,'” Tarshis told CNN. She alleges the comedian gave her a drugged cocktail and then raped her.

The allegations are all the more disturbing given the disparity between what these women claim to have experienced and what audiences know of Cosby’s gentle, avuncular humor and his status as a beloved television dad. Over the course of his decades-long comedy career, Cosby earned nine Grammy Awards, four Emmy Awards and countless other accolades.

Read next: Here’s Everything We Know (and Don’t Know) About the Bill Cosby Rape Allegations

TIME Music

Watch First Aid Kit Travel the Country in ‘America’ Video

The Swedish folk rockers update the Simon & Garfunkel hit

First Aid Kit has been staging a slow invasion of the United States. Swedish sisters Johanna and Klara Söderberg have been making inroads into American pop culture on the strength of songs like “My Silver Lining” and their sweetly retro sound, which recalls Joni Mitchell and Fleetwood Mac.

As they criss-cross the country from coast to coast and everywhere in between, it’s no surprise that the band, whose sound harks back to the golden age of late ’60s music, has found solace in Simon & Garfunkel’s “America.”

“We who travel so much and have been around America so many times can really relate to it,” explained the girls of First Aid Kit in an interview with TIME. “We somehow can’t get tired of performing this song. It just won’t happen.”

The band has begun including the song in their sets: “It’s always a highlight at our shows,” they said. Now, they are releasing the track on 10″ vinyl for Record Store Day on Black Friday, Nov. 28. The album will feature the concert favorite “America,” plus the unreleased song “Brother” and acoustic versions of two tracks from First Aid Kit’s latest full-length release Stay Gold. In addition, the band put together a video documenting their travels across America and set to the sweetly haunting tune, which TIME is premiering today.

As they prepare for the special release of the song, the band emailed with TIME about the song:

How did you choose to cover this particular song?

In Sweden there’s this award called The Polar Music Prize that gets handed out to a popular music artist every year. During the award ceremony, they invite a bunch of Swedish artists to perform the winner’s songs for the winner. The recipient in 2012 was Paul Simon and we were asked to perform at the ceremony. We had about six months to prepare and we went through the entire Simon & Garfunkel catalogue. In the end, we felt strongly that America was the song we wanted to do, even though it was quite a challenge because we thought the original was so magical. To us, it stands out among the Simon & Garfunkel songs.

What made it resonate for you?

It’s an incredible tune in many ways. Even though we play it with only one acoustic guitar and some pedal steel, it’s very dynamic and builds up into a dramatic ending. The structure of the song and the melody just make for an epic journey. The lyrics are like a poem, without a single rhyme. It contains some of our favorite lines, like, “Toss me a cigarette I think there’s one in my raincoat,” and, “Kathy I’m lost I said though I knew she was sleeping.”

What was it like performing the song for Paul Simon?

Terrifying, but amazing. We have huge respect for Mr. Simon as a songwriter and performer. It’s very scary to go up in front of someone you admire and sing their own song to them. It’s such a huge honor. You never know what they will think of your performance. There was also some pressure for us because the year before we performed for Patti Smith at the Polar Music Prize and she cried – so everyone was waiting for Paul’s reaction! He did give us a standing ovation in the end so it was a good night.

Your cover of Fleet Foxes “Tiger Mountain Peasant Song” helped establish your career. As artists, what is the difference between playing a cover as opposed to playing your own songs?

Our own original songs are, of course, more personal to us in a different way. For us songwriting is a way to connect with other people. When we sing covers of other people’s songs it is a great joy. You get to take something that isn’t yours and try to make it your own. It’s a challenge and it’s magical if and when you get there.

Have you seen people cover your songs?

Yes! We’re amazed by how many people cover our songs on YouTube. We watch those videos all the time. It’s inspiring and so flattering. It’s the biggest compliment you can get.

First Aid Kit America

First Aid Kit’s America 10″ will be available in record stores on Black Friday, November 28.

TIME Television

Dancing With the Stars Watch: The Semifinals Unplugged

Adam Taylor—ABC

Find out who made it to the finals

It was the semifinal round of Dancing With the Stars, and the five remaining couples had their work cut out for them — and not just getting into their skin-tight spandex costumes. Tonight, the semifinalists had to perform a classic DWTS routine followed by a slowed-down performance to an acoustic version of the same song. At the end of the night, one person goes home and the rest advance to the finals, which are efficiently spread out over two nights next week.

Here’s what happened in the semifinal round of Dancing With the Stars:

Sadie Robertson and Mark Ballas: Last week, the judges completely missed the fact that Sadie miffed the last minute of her routine, but Sadie knew in her heart she had screwed up and cried on Mark’s shoulder. This week, she hit the floor in head-to-toe sequins and managed to perform a quick step to Ariana Grande’s “Problem” without a single, yep, problem. Head judge Len Goodman was “disappointed” with the routine “because there was nothing [he] didn’t like about it.” 37/40, including a 10 from Len, but mostly because she bribed him with this photo.

Tommy Chong and Peta Murgatroyd: Tommy had his bags packed to leave last week, but at 76 years old he made it to the semifinals to dance a jazz routine with a leather-and-lace-clad Peta to “Tainted Love.” Beats retiring to Boca, eh? Len admitted that he couldn’t have done what Tommy just did on the dance floor, while Bruno Tonioli gave the credit to Peta, whom he referred to as “a human defibrillator.” Maybe she should make herself available to the Red Cross? 28/40

Bethany Mota and Derek Hough: After their excellent scores in last week’s threesome round, Derek decided to relive the magic by bringing in troupe member Sasha for a fast-paced and fall-themed samba to the Jackson Five. But before he came up with that sorta-not-really brilliant idea he had a rehearsal meltdown and Bethany had to talk him down from his creative ledge. After the routine that Len called “cotton candy,” Derek’s sister Julianne suggested that he “get out of [his] head” and stop overthinking the routines, which is good advice that Derek will probably ignore. 36/40

Janel Parrish and Val Chmerkovskiy: Val imported his big brother Maks for a rehearsal-room pep talk and an adorable Chmerkovskiy brother spin across the dance floor. Val is really worried that he’s getting older and hasn’t won a Mirror Ball yet and is determined to make a real go at it with Janel. To wit, he delivered a black-clad dramatic paso doble to Calvin Harris’ “Blame.” The second it ended, the crowd was on its feet cheering, and Carrie Ann Inaba was begging for more. Len was worried that Maks was going to be a bad influence on Val, but even Len was impressed with the chic routine. 40/40

Alfonso Ribeiro and Witney Carson: Alfonso told TIME last week that the biggest question mark about this competition was whether his body would hold up for the rest of his run. Last week, while attempting to protect his groin injury, he injured his back and ended up at the doctor, who urged him to give his body a break. Instead, he hit the dance floor for an Argentine tango. The judges admitted that they could tell he was in pain while he danced, but threw around lots of words like fighter and tough while Alfonso cried actual tears and swore he was going to make it through the next dance. Carrie Ann encouraged to “go safe, but go hard” in the next round. 36/40

Sadie and Mark, Part II: For the big push into the finals, Sadie called in the troops, and the entire Duck Dynasty crew came out for the video package, which also included clips of baby Sadie preaching about her love of God. For their Argentine tango, Mark kept it PG-rated by keeping a guitar between them at all times, which was an odd but effective chaperone for the couple. Len was not impressed by the guitar maneuver, but Utah girl (and Flashdance star) Julianne understood the need to be chaste. For her part, Sadie thinks she’s matured a lot over the course of the nine-week competition. 36/40

Tommy and Peta, Part II: For his video package, Tommy’s wife and children, including Rae Dawn Chong, naturally, talked about how proud they are of their dad. Then his comedy partner, Cheech, reminded the world that Tommy is just really freakin’ awesome. After that lead-in, there was no way he couldn’t deliver on the dance floor. Their Christmas-toymaker-themed rumba to “Tainted Love” was one of those only-on-Dancing With the Stars moments. Peta played a snow-globe doll that came to life to dance with her velvet-clad toymaker — and it kind of worked? Julianne, who is Tommy’s biggest booster, thought it was “magical,” “awesome” and “so great” and almost broke into tears. Carrie Ann was crying by the end of the routine, tears were rolling down Peta’s face and Erin Andrews was all choked up too. 34/40

Bethany and Derek, Part II: Bethany was bullied before she found her voice on YouTube, and in her video package, her family recounted her tough years. Luckily, it clearly all turned out well, because Bethany is now dancing with a shirtless Derek on national television. Their contemporary routine was set to a surprisingly haunting acoustic version of Jackson Five’s “I Want You Back.” Bruno said the routine belonged in an art gallery and called it a “modern masterpiece” and Carrie Ann said she “didn’t want to blink” so she wouldn’t miss a moment. 40/40

Janel and Val, Part II: Janel’s family left Hawaii so Janel could follow her dreams of acting and dancing, which is probably a lot of pressure for a young girl, but she finally got a job as Mona on Pretty Little Liars, so all’s well that ends in paychecks. The band Time for Three (with a guest appearance by Val on violin!) performed a string version of Calvin Harris’ “Blame” to accompany their Argentine tango. The routine was filled with fluid movements and jaw-dropping lifts (made even more jaw-dropping by the fact that Janel performed them in a low-cut, high-cut sparkly lace dress). Len thought they put the “oo in mood” and confirmed that she is an incredible dancer, but Lift Police Carrie Ann thought the transitions between the lifts were rough. 38/40

Alfonso and Witney, Part II: If there was ever going to be a moment for the Fresh Prince himself to come out and support his “brother” it would be now, but apparently Will Smith is just too busy. Alfonso did however get Ricky Schroeder to show up and remind us that he was on Silver Spoons. Plus, his Bel Air sisters Tatyana Ali and Karyn Parsons and butler Joseph Marcell showed up to recount some behind-the-scenes moments from the Fresh Prince set. Then, for absolutely no reason other than to entertain, well, me, former Vice President of the United States Dan Quayle endorsed Alfonso for Mirror Ball holder. Once on the dance floor, Alfonso’s and Witney’s contemporary routine to Christina Grimmie’s cover of One Republic’s “‘Til The Love Runs Out” was the dance equivalent of the satin pajamas they wore for the number — fluid, shiny and easy on the eyes. 39/40

In jeopardy: Unfortunately for Alfonso, he has to return next week and continue to watch his body crumble. Also headed to the finals are Bethany and Derek, and Janel and Val. That left Sadie and Tommy in jeopardy.

Who went home: Tommy Chong. While it was always fun to watch Tommy dance, he remained on the show due to his charm and humor, more than talent. His departure before the final is no real surprise, but no less sad.

Best reason to come back next week: It’s the finals, and someone is taking home the Mirror Ball trophy.

Read next: Alfonso Ribeiro Talks About Heading to the Semi-Finals on Dancing with the Stars

TIME viral

This Couple Tricked Everyone Into Being in Their Pregnancy Announcement

They created a brilliant keepsake

Katharine and Kris Camilli wanted to tell their friends and family that Kat was pregnant, but they didn’t want to send a boring old email or post a boring old picture of an ultrasound to Facebook and wait for the comments to roll in. They wanted real life human interaction and presumably, real hugs, not just the Facebook version of them.

The couple devised a clever, but simple scheme to capture that moment. They got their friends and family together and had them pose together for pictures, but instead of saying “Cheese!” they had them say, “Kat’s pregnant!” With a little sleight of hand, the cameras were set to video instead of photo and the reactions to the announcement were all caught on film.

Kat’s sister edited the various videos together and uploaded the completed clip to YouTube as an incredible digital keepsake for the family — and a great idea for other soon-to-be parents.

[H/T Uproxx]

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