--- title: Joe Movie Review: Nicolas Cage's Comeback description: The mercurial star plays an exhausted ex-con with a fatherly soul in David Gordon Green's indie drama canonical: https://time.com/55304/joe-movie-review-nicolas-cage/ author: Richard Corliss article:opinion: false article:content_tier: free article:published_time: 2014-04-09T22:00:49.000Z article:modified_time: 2026-02-21T07:12:41.423Z article:section: Entertainment og:title: Joe Movie Review: Nicolas Cage's Comeback og:description: The mercurial star plays an exhausted ex-con with a fatherly soul in David Gordon Green's indie drama og:url: https://time.com/55304/joe-movie-review-nicolas-cage/ og:site_name: TIME og:image: https://static.time.com/v3/assets/bltea6093859af6183b/blt4fe5d41ffe67eb85/6986858a1eebf7e51e36fd54/joe.jpg?branch=production&width=3840&quality=75&auto=webp&crop=16:9 og:image:width: 1200 og:image:height: 675 og:image:alt: Nicolas Cage in David Gordon Green’s Joe. og:type: article twitter:card: summary_large_image twitter:title: Joe Movie Review: Nicolas Cage's Comeback twitter:description: The mercurial star plays an exhausted ex-con with a fatherly soul in David Gordon Green's indie drama twitter:image: https://static.time.com/v3/assets/bltea6093859af6183b/blt4fe5d41ffe67eb85/6986858a1eebf7e51e36fd54/joe.jpg?branch=production&width=3840&quality=75&auto=webp&crop=16:9 ---  # REVIEW: _Joe_ Reminds Us That Nicolas Cage Is a National Treasure > Sponsored content. 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Terms and conditions apply. * Savings buckets are a feature of Ally Bank's Savings Account. * No ATM fees from Ally Bank at Allpoint and Moneypass ATMs plus we reimburse for fees charged by other ATM owners nationwide up to $10 per statement cycle. * Early direct deposit offers eligible direct deposits up to two days sooner. * Spending buckets are a feature of Ally Bank's Spending Account. by [Richard Corliss](https://time.com/author/richard-corliss/) ## Richard Corliss Apr 9, 2014 10:00 PM UTC  Nicolas Cage in David Gordon Green’s Joe. Nicolas Cage in David Gordon Green’s Joe.Roadside Attractions by [Richard Corliss](https://time.com/author/richard-corliss/) ## Richard Corliss Apr 9, 2014 10:00 PM UTC Joe Ransom (Nicolas Cage) runs an illegal tree-poisoning operation for a company that plans to fill the land with healthier, more profitable saplings. Most of his employees are bottom-of-the-working-class, but one is Gary Jones (Tye Sheridan), the 15-year-old son of the abusive, alcoholic Wade (Gary Poulter). Joe, an ex-con who medicates his hard life and bad dreams with booze, cigarettes and whores, is an essentially moral person: a pillar of his community, respected by the shopkeepers and indulged by the local sheriff. When he becomes the father figure Gary never had, Wade takes savage objection. Oh, the twisted roads that Cage and director David Gordon Green took to get to _Joe_. Green, a graduate of the North Carolina School of the Arts, made the tender, acute pre-teen drama _George Washington_ when he was 24 and carved an artful indie niche with _All the Right Girls_, _Undertow_ and _Snow Angels_. He then joined his former UNCSA classmate Danny McBride for a spell of gross-out Hollywood comedy, directing McBride in _Pineapple Express_, _Your Highness_ and the HBO series _Eastbound and Down_. Now he’s returned to grim, sensitive indieland with this adaptation, written by Gary Hawkins, of Larry Brown’s 1991 novel _by the same name._ **(READ: Richard Corliss’s** [**review of David Gordon Green’s** **_George Washington_**](http://content.time.com/time/magazine/article/0,9171,998354,00.html)**)** Cage’s trip from indie to mainstream and back again is better known — we might say notorious. After three early movies (_Rumble Fish_, _The Cotton Club_, _Peggy Sue Got Married_) for his uncle Francis Ford Coppola, he brought his mopey, explosive verve to such sweet eccentricities as the Coen brothers’ _Raising Arizona_ and David Lynch’s _Wild at Heart_. His work as a suicidal alcoholic in _Leaving Las Vegas_ earned him an Oscar in 1996, and the same year he found a parallel career as a action star in Jerry Bruckheimer’s _The Rock_. Since then Cage has alternated Bruckheimer blockbusters (_Con Air_, _Gone in Sixty Seconds_, the _National Treasure_ tandem, _The Sorcerer’s Apprentice_) with more urgent work in small films like _Kick-Ass_ and Werner Herzog’s _Bad Lieutenant_ remake. At 50, he’s still got the weirdest and most watchable acting style of any star whose movies have grossed nearly $5 billion worldwide. “I don’t believe in the term ‘over the top,’” Cage told Lee Cowan in a _CBS News Sunday Morning_ profile this week. “I believe in the term ‘outside of the box.’ Let’s take chances, let’s keep trying new things, and that’s how you reinvent yourself. And that’s how you stay fresh.” **(READ:** [**Nicolas Cage as a loving-crazy superhero father figure in** **_Kick-Ass_**](http://content.time.com/time/arts/article/0,8599,2003934,00.html)**)** He also needs a sympathetic milieu, director and character, and found all of them here. His Joe motors and flails through a part of America that never emerged from the recent recession — or maybe from the Great Depression. Everyone is exhausted from brutal work or from trying to find it. In the first bloom of morning, they trudge as if they’ve been up all night with a sick relative. And for some, weariness has festered into malice. Gary’s dad Wade, who calls himself G-Dawg, is a wily, vengeful coot with a gift for bringing tragedy to a sad town. Shooting near Austin, Texas, Green cast non-actors in most of the supporting roles. Poulter, who lends Wade a surly charisma, was a homeless man who died not long after his one movie. By that standard, the young Sheridan is an old pro: three movies by his 17th birthday. He had similar roles as Brad Pitt’s middle son in _The Tree of Life_ and Matthew McConaughey’s adoring avatar in _Mud_. A gifted, unaffected performer, he’s always playing decent kids who try to connect with men undeserving of being his dad. **(READ: Mary Corliss’s** [**review of** **_Mud_**](http://entertainment.time.com/2013/04/26/mud-matthew-mcconaughey-as-an-outlaw-in-love/)**)** But the movie belongs to Cage, in a performance that recalls why he is fitfully acknowledged as one of cinema’s most powerful and subtle actors. His eyes reflect the haunt of past crimes in Joe; his torso — large, muscular, tattooed and somehow spent — shows the wear of life on a complicated soul. Like Green, Cage has gone outside the box and back to basics, for a well-drawn character study that, like Joe’s bad dreams, is memorable and haunting. 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