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title: Review: Ta-Nehisi Coates "We Were Eight Years in Power"
description: 'We Were Eight Years in Power' is about the work of black people, and the striving and strife they have lived through in America.
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author: Claire Howorth
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article:published_time: 2017-10-12T11:20:53.000Z
article:modified_time: 2026-05-11T04:58:24.746Z
article:section: Ideas
og:title: Review: 'We Were Eight Years In Power' By Ta-Nehisi Coates
og:description: What was the price of achieving a black ambition as old as the country itself?
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# Review: _We Were Eight Years In Power_ By Ta-Nehisi Coates

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![Claire Howorth](https://static.time.com/v3/assets/bltea6093859af6183b/blt9e5069799daf162d/698892be2dce0167549e9074/claire-howorth1.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1:1)

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[Claire Howorth](https://time.com/author/claire-howorth/)


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## Claire Howorth


Oct 12, 2017 11:20 AM UTC

![Illustrations on the book’s endpapers represent each of Coates’ essays](https://static.time.com/v3/assets/bltea6093859af6183b/blt12002b31a595c441/6988e19597cdff2ea06b2cd9/we-were-eight-years-power-ta-nehisi-coates-paper.jpg?branch=production&width=1200&quality=75&auto=webp&crop=3:2)

Illustrations on the book’s endpapers represent each of Coates’ essays

Illustrations on the book’s endpapers represent each of Coates’ essays Dan Funderburgh

![Claire Howorth](https://static.time.com/v3/assets/bltea6093859af6183b/blt9e5069799daf162d/698892be2dce0167549e9074/claire-howorth1.jpg?branch=production&width=1200&quality=75&auto=webp&crop=1:1)

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[Claire Howorth](https://time.com/author/claire-howorth/)


![Claire Howorth](https://static.time.com/v3/assets/bltea6093859af6183b/blt9e5069799daf162d/698892be2dce0167549e9074/claire-howorth1.jpg?branch=production&width=96&quality=75&auto=webp)

## Claire Howorth


Oct 12, 2017 11:20 AM UTC

The symbolism in Ta-Nehisi Coates’ new book, [_We Were Eight Years in Power_](https://www.amazon.com/dp/0399590560?tag=timecom-20), runs cover to cover, starting with the binding materials. The book’s endpapers, that wallpaper glued to the inside cover, are both adhesive and cohesive, serving as a visual table of contents and tone-setting allegory.

The design is toile, the whitest of white-bread decor, a textile steeped in colonialism and cotton. Coates chose illustrator Dan Funderburgh’s subversion of the traditional form to complement other historical allusions (including the cover design, which Coates wanted to reference the autobiography of [Frederick Douglass](http://time.com/4657862/donald-trump-black-history-month/)). Then there’s the word itself — toile. An _e_ away from “work.”

_Eight Years_ is about the work of black people, and the striving and strife they have lived through in America, and is based on eight columns that Coates wrote for the _Atlantic_, one to represent each year of Barack Obama’s presidency. “Obama was the realization of generations, a black ambition as old as this country.” But what was the price? Coates wonders. The _Atlantic_ columns are enriched with personal memoir, and a stocktaking, as Coates takes the reader through his own life and reflects on how the columns relate to the present. Now things seem to be slipping scarily back into the past under [Trump](http://time.com/time-person-of-the-year-2016-donald-trump-choice/), whom Coates has dubbed our “first white President.” Obama isn’t so much a subject as a lens. The titular eight years are from a quote by a South Carolina Congressman reflecting on the brief egalitarian respite of Reconstruction, progress that eventually fell victim to racist backlash.

![The book follows Coates’ 2015 polemic, Between the World and Me, which won the National Book Award](https://static.time.com/v3/assets/bltea6093859af6183b/blt2662e8cb90fd06ee/6988e1960a4a22a0589d0495/we-were-eight-years-power-ta-nehisi-coates1.jpg?branch=production&width=1200&quality=75&auto=webp)

The book follows Coates’ 2015 polemic, Between the World and Me, which won the National Book Award 


These are themes that Coates has explored throughout his career as a “Black writer,” a mantle that he had been hesitant to adopt but that eventually became a calling — one for which readers of all races should be grateful. “The notion that writing about race, which is to say, the force of white supremacy, is marginal and provincial is itself parcel to white supremacy, premised on the notion that the foundational crimes of this country are mostly irrelevant to its existence.” The notion that reading about race is similarly marginal seems disastrous too. It is foundational to our national identity. Which is why Coates says Trump’s race signaling makes him America’s “most dangerous President — and made more dangerous still by the fact that those charged with analyzing him cannot name his essential nature, because they too are implicated in it.”

No race or gender is a monolith — just ask the women who voted for Trump — and Coates has detractors, most recently and vociferously Thomas Chatterton Williams, who wrote in the _New York Times_ that Coates “fetishizes” race, giving whiteness power. But for those of us who would like not to be complicit in a backward-lurching culture, we can’t “privilege the appearance of knowing over the work of finding out,” to borrow an eloquent Coatesian turn. I’m ready to do the work.

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