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---
description: Inspired by painters Mark Rothko and Barnett Newman, photographer Tommy Clarke set out to create abstract work from Earth&#x27;s landscapes
title: An Aerial Photographer Finds Art on Earth
image: https://static.time.com/v3/assets/bltea6093859af6183b/bltaaac0a706ef7e595/6988a9950a4a220aa89cb9a0/tommy-clarke-diptych.jpg?branch=production&amp;width=3840&amp;quality=75&amp;auto=webp&amp;crop=16:9
---

![](https://static.time.com/v3/assets/bltea6093859af6183b/bltaaac0a706ef7e595/6988a9950a4a220aa89cb9a0/tommy-clarke-diptych.jpg?branch=production&width=3840&quality=75&auto=webp&crop=16:9)

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# An Aerial Photographer Finds Art on Earth


by [Marisa Gertz](/author/marisa-gertz/) and [Kim Bubello](/author/kim-bubello/)

Oct 18, 2016 8:00 AM CUT

![](https://static.time.com/v3/assets/bltea6093859af6183b/bltaaac0a706ef7e595/6988a9950a4a220aa89cb9a0/tommy-clarke-diptych.jpg?branch=production&width=3840&quality=75&auto=webp&crop=3:2)

Tommy Clarke

by [Marisa Gertz](/author/marisa-gertz/) and [Kim Bubello](/author/kim-bubello/)

Oct 18, 2016 8:00 AM CUT

While living in Sydney, photographer [Tommy Clarke](http://tommyclarke.co.uk/ "undefined") found himself falling out of love with fashion photography. Eager to create something from a new perspective and enamored with Sydney’s beaches, Clarke, after some careful saving, took his first helicopter ride. It was as a photographic frenzy, he says. Having worked out how much the trip was costing per minute, any moment he didn’t have his camera at his eye felt like a missed opportunity.

But it’s only when he was flying over the salt ponds in Utah that Clarke was finally able to relax. It “was so calm and peaceful, with these pastel tones in the water, that I actually sat back for a while and just enjoyed the view,” he says.

The multi-colored pastel ponds that Clarke found so breathtaking are part of the process of mining potash, a salt used for fertilizer, [NASA’s Earth Observatory](http://earthobservatory.nasa.gov/IOTD/view.php?id=83905 "undefined") reports. Briny water is pumped up from deep underground into shallow evaporation ponds, where it is dyed dark blue in order to speed up the evaporation process. Depending on the pond’s salinity and algae content, it can appear in a variety of colors from deep blue to vibrant orange or dusty pink.

Inspired by abstract expressionist painters [Mark Rothko](http://time.com/4236970/a-fake-rothko-and-the-rise-of-modern-fraud/ "undefined") and Barnett Newman, Clarke wanted to create abstract work himself, without resorting to image manipulation. He spent months researching locations using satellite imagery, before discovering Utah’s salt ponds, where he found the perfect combination of color, line, and geometry.

With a photographic style that borders both fine art and travel photography, shooting from a helicopter has provided Clarke with more than just a new perspective. “The ability to sit up there with no obstructions in front of you for a few hours if you need, is just incredible. It gives you time to really compose your shots and then even find new ones you didn’t plan on.”

Clarke finds the trips to be well worth the expense, mentioning that [drones](http://time.com/4402695/best-drone-photos-2016/ "undefined"), another option for [aerial photography](http://time.com/4235493/oil-refineries-aerial-photographs/ "undefined"), lack the range available to a helicopter and “at the end of the day,” he says, “hanging out the side of a doorless helicopter has to be more fun than standing in a field with a remote control in your hands.”

“I hope that the viewer can appreciate what a beautiful planet we live on,” he adds. “It may sound simple but even from our colorful industrial landscapes to the coral reefs of Antigua or the busy beaches of St Tropez, there are so many landscapes out there to explore.”

Clarke’s first solo exhibition, [Up in the Air](http://trumanbrewery.com/cgi-bin/events.pl "undefined"), opens in London on Oct. 14, and after that, he’s not slowing down, heading out to shoot a collaborative project in the Caribbean and then over to France to photograph ski resorts. At the top of his wishlist is [Iceland’s](http://time.com/4514167/iceland-aurora-borealis-northern-lights/ "undefined") volcanic rivers and glaciers—”It looks like nowhere else on Earth.”


[**_Tommy Clarke_**](http://tommyclarke.co.uk/ "undefined") _is a photographer based in London. His exhibition,_ [_Up in the Air_](http://trumanbrewery.com/cgi-bin/events.pl "undefined")_, will be held at The Old Truman Brewery in London until Oct. 25._

[**_Marisa Gertz_**](http://www.marisagertz.com/ "undefined")_and_[**_Kim Bubello_**](http://www.kimbubello.com "undefined")**_,_** _photo coordinators at TIME.com, wrote and edited this photo essay._ _Follow Marisa on_ [_Instagram_](https://www.instagram.com/marisagertz/ "undefined") _and_ [_Tumblr_](http://marisagertz.tumblr.com/ "undefined")_. Follow Kim on_ [_Instagram_](https://www.instagram.com/kimbubello/ "undefined")_._

![Orange on White](https://static.time.com/v3/assets/bltea6093859af6183b/blt89d823664115486a/6988a95acd1bba9a09702a48/tommy-clarke-01.jpg?branch=production&width=3840&quality=75&auto=webp)

Orange on White Tommy Clarke

![Useless Loop IV](https://static.time.com/v3/assets/bltea6093859af6183b/blt9a2367dd280f2ec3/6988a95be20a870ca7a92b85/tommy-clarke-08.jpg?branch=production&width=2400&quality=75&auto=webp)

Useless Loop IV Tommy Clarke

![Red Road](https://static.time.com/v3/assets/bltea6093859af6183b/blt2931302eb6a5f782/6988a991428a9e4564cd4967/tommy-clarke-16.jpg?branch=production&width=3840&quality=75&auto=webp)

Red Road Tommy Clarke


![Orange Stroke](https://static.time.com/v3/assets/bltea6093859af6183b/blt285ff114254a2546/6988a990f887dc2cf7e97c24/tommy-clarke-13.jpg?branch=production&width=3840&quality=75&auto=webp)

Orange Stroke Tommy Clarke

![Rose on Yellow](https://static.time.com/v3/assets/bltea6093859af6183b/bltf497239f4be22ed0/6988a95a8e06018aad467ca5/tommy-clarke-04.jpg?branch=production&width=2400&quality=75&auto=webp)

Rose on Yellow Tommy Clarke

![Useless Loop II](https://static.time.com/v3/assets/bltea6093859af6183b/blt574e40677b10d0d3/6988a96c0b72e3df4e6eb4c7/tommy-clarke-12.jpg?branch=production&width=2400&quality=75&auto=webp)

Useless Loop II Tommy Clarke


![Utah Green](https://static.time.com/v3/assets/bltea6093859af6183b/blt0133b89d0c2ec0e2/6988a991fb4eac571888f6f9/tommy-clarke-18.jpg?branch=production&width=3840&quality=75&auto=webp)

Utah Green Tommy Clarke

![Sand](https://static.time.com/v3/assets/bltea6093859af6183b/blta7efc0b700a74d0c/6988a95a428a9ecf97cd491c/tommy-clarke-03.jpg?branch=production&width=3840&quality=75&auto=webp)

Sand Tommy Clarke

![Thirds](https://static.time.com/v3/assets/bltea6093859af6183b/bltf375fbf909ff1462/6988a991656a3f771fbcd6a9/tommy-clarke-15.jpg?branch=production&width=2400&quality=75&auto=webp)

Thirds Tommy Clarke


![Useless Loop III](https://static.time.com/v3/assets/bltea6093859af6183b/blt560d1a10e6942a99/6988a95bbc6cfcf8f63deded/tommy-clarke-06.jpg?branch=production&width=2400&quality=75&auto=webp)

Useless Loop III Tommy Clarke

![Tracks](https://static.time.com/v3/assets/bltea6093859af6183b/bltfb53a6490fa3b50b/6988a992524fc05433df9d02/tommy-clarke-17.jpg?branch=production&width=3840&quality=75&auto=webp)

Tracks Tommy Clarke

![Useless Loop I](https://static.time.com/v3/assets/bltea6093859af6183b/blt8c4ac90ca9e32a2d/6988a95b8e0601a37d467ca9/tommy-clarke-10.jpg?branch=production&width=2400&quality=75&auto=webp)

Useless Loop I Tommy Clarke


![Pylon](https://static.time.com/v3/assets/bltea6093859af6183b/blt6606cffef09027e2/6988a9905f570f56c5b22d8d/tommy-clarke-14.jpg?branch=production&width=3840&quality=75&auto=webp)

Pylon Tommy Clarke

![Pink I](https://static.time.com/v3/assets/bltea6093859af6183b/blta955de2a1f9a1248/6988a992a988ca16586b9b84/tommy-clarke-19.jpg?branch=production&width=3840&quality=75&auto=webp)

Pink I Tommy Clarke

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