--- title: Ingrid Bergman's Centennial: How That Famous Photo Was Made description: On the 100th anniversary of Ingrid Bergman's birth, a look back at the story behind one of the most treasured photographs of her ever made. canonical: https://time.com/3998559/ingrid-bergman-gordon-parks-stromboli/ author: John Edwin Mason article:opinion: false article:content_tier: free article:published_time: 2015-08-28T14:38:07.000Z article:modified_time: 2026-05-11T05:02:02.514Z og:title: Ingrid Bergman's Centennial: How That Famous Photo Was Made og:description: On the 100th anniversary of Ingrid Bergman's birth, a look back at the story behind one of the most treasured photographs of her ever made. og:url: https://time.com/3998559/ingrid-bergman-gordon-parks-stromboli/ og:site_name: TIME og:image: https://static.time.com/v3/assets/bltea6093859af6183b/bltadf59846042bad1b/69885f56e53aba00834df164/150814-ingrid-bergman-01.jpg?branch=production&width=1200&quality=75&auto=webp&crop=16:9 og:image:width: 1980 og:image:height: 1114 og:image:alt: Ingrid Bergman 1949 og:type: article twitter:card: summary_large_image twitter:title: Ingrid Bergman's Centennial: How That Famous Photo Was Made twitter:description: On the 100th anniversary of Ingrid Bergman's birth, a look back at the story behind one of the most treasured photographs of her ever made. twitter:image: https://static.time.com/v3/assets/bltea6093859af6183b/bltadf59846042bad1b/69885f56e53aba00834df164/150814-ingrid-bergman-01.jpg?branch=production&width=1200&quality=75&auto=webp&crop=16:9 ---  # Ingrid Bergman: How a Photograph Never Made Led to Her Most Memorable Portrait > Sponsored content. 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Worth Your Time is TIME's culture recommendation newsletter, edited by culture editor Eliza Berman. Twice a week it surfaces the books, shows, films and ideas TIME's editors think are worth your attention, and explains why. It is free at time.com/newsletters. #### Does TIME have a culture newsletter? Yes. Worth Your Time is TIME's culture newsletter, published Tuesdays and Saturdays. #### Who writes TIME's culture recommendations? Culture editor Eliza Berman writes Worth Your Time, drawing on TIME's critics and culture desk. #### Is Worth Your Time free? Yes. It is a free newsletter available at time.com/newsletters. by [John Edwin Mason](https://time.com/author/john-edwin-mason/) ## John Edwin Mason Aug 28, 2015 2:38 PM UTC  Ingrid Bergman on location for the film Stromboli, in 1949. Ingrid Bergman on location for the film Stromboli, in 1949. Gordon Parks—The LIFE Picture Collection/Getty Images by [John Edwin Mason](https://time.com/author/john-edwin-mason/) ## John Edwin Mason Aug 28, 2015 2:38 PM UTC Gordon Parks had been a member of LIFE Magazine’s staff for no more than a month when a tantalizing assignment dropped into his lap. His editors sent him to the small volcanic island of Stromboli, not far off the coast of Sicily, where the Italian neo-realist director Roberto Rossellini was making a film with the actress Ingrid Bergman. Parks’ mission had little to do with the film and everything to do with the love affair between the director and his star, who had left her husband and child for him. It was an international scandal. Bergman’s fans, who perhaps took her recent roles as a nun in _The Bells of St. Mary’s_ (1945) and the virgin saint in _Joan of Arc_ too seriously, had turned on her. Knowing that a good scandal can drive sales, magazines and newspapers throughout Europe and the United States were locked in a fierce competition to get the first photographs of the couple in an embrace. As Parks told the story in his various memoirs, he and Maria Sermolino, a writer from LIFE’s Rome bureau, arrived on the island just in time to watch Rossellini, in a fit of exasperation, order the press away. Rossellini, Parks said, ruled the island like a dictator. But he allowed Parks and Sermolino to stay, and that was due entirely to Bergman’s intervention. Bergman had been impressed with the sensitivity that Parks brought to “[Harlem Gang Leader](http://time.com/3461593/revisiting-gordon-parks-classic-photo-essay-harlem-gang-leader/),” a photo essay that he had photographed for LIFE as a freelancer in 1948\. She felt that she could trust him to treat her and Rossellini with respect. (Bergman was not the photo essay’s only fan. It had won Parks his permanent position at the magazine.) In _Voices in the Mirror_, a memoir, Parks wrote that he was well aware of the bind that she created for him. LIFE’s editors wanted what the world wanted—“that unguarded moment of passion.” “If the moment arrived,” he wrote, “either LIFE or the melancholy lovers would suffer.” When the chance to betray Bergman presented itself, Parks let it pass. After a day’s filming had ended, he entered the darkened set and found her and Rossellini holding each other in an intimate embrace, one that was “comforting rather than… lustful.” It was the kind of “unguarded moment” that he was on the island to capture. He began to raise his camera, but immediately put it down and left the room, hoping that neither of the lovers had noticed his presence. “The moment that slipped away,” he wrote, “was undeserving of betrayal.” Bergman had noticed, however, and she was grateful. A few days later, she invited him to follow along as she and Rossellini walked along the island’s shore. On their own terms, they gave Parks the photographs that his editors wanted. Parks and Sermolino spent two weeks on Stromboli, eventually winning Rossellini’s trust as well as Bergman’s. Parks photographed the movie’s cast and crew on the set and during the actual shooting. He made portraits of Bergman and her co-star, Mario Vitale. An unposed photograph of Rossellini and Bergman in a small boat on a dark day captures the emotional strain that both were under. (That strain would soon lift, as the pair would marry the following year and have three children together, including the actress Isabella Rossellini, before divorcing in 1957.) The most remarkable photographs that Parks made on Stromboli are two slightly different portraits of Bergman in a distant part of the island. As he was photographing her, he writes in _A Hungry Heart_, the last of his memoirs, “three women stopped on the hill above us. Clad in black, and resembling ominous birds, they stared at her with curiosity. Aware of their presence, Ingrid waited for them to leave. I allowed my camera to record this sardonic moment.” Despite their range and emotional power, LIFE chose not to use any of Parks’ photographs in the story that it ran on Rossellini and Bergman’s affair. But Parks published and exhibited the two photographs of Bergman and the three women in black throughout his lifetime. In one, Parks emphasizes Bergman’s vulnerability; in the other, she seems more knowing. Both seem to reveal a rare intimacy between the photographer and the subject, and in the decades since he made them, they have become two of his most iconic images.  Ingrid Bergman attracts curiosity of local women in the village where she is on location for the film "Stromboli". Gordon Parks—The LIFE Picture Collection/Getty Images _Liz Ronk, who edited this gallery, is the Photo Editor for LIFE.com. Follow her on Twitter_ [_@lizabethronk_](https://twitter.com/LizabethRonk)_._  Ingrid Bergman on location for the film Stromboli, in 1949. Gordon Parks—The LIFE Picture Collection/Getty Images  Ingrid Bergman on location for the film Stromboli, in 1949. Gordon Parks—The LIFE Picture Collection/Getty Images  Ingrid Bergman and director Roberto Rossellini shooting the film Stromboli, in 1949. Gordon Parks—The LIFE Picture Collection/Getty Images  A portrait of Ingrid Bergman on the set of the film Stromboli, in 1949. Gordon Parks—The LIFE Picture Collection/Getty Images  A production crew sets up a scene in the film Stromboli. Gordon Parks—The LIFE Picture Collection/Getty Images  On location for the filming of Stromboli. Gordon Parks—The LIFE Picture Collection/Getty Images  Director Roberto Rossellini (seated beside camera) at work during the filming of Stromboli. Gordon Parks—The LIFE Picture Collection/Getty Images  Ingrid Bergman and director Roberto Rossellini on location for the film Stromboli, in 1949. Gordon Parks—The LIFE Picture Collection/Getty Images  Ingrid Bergman and Mario Vitale on the set of Stromboli, in 1949. Gordon Parks—The LIFE Picture Collection/Getty Images  Roberto Rossellini and Ingrid Bergman have dinner during a break in the filming of Stromboli. Gordon Parks—The LIFE Picture Collection/Getty Images  Ingrid Bergman, Roberto Rossellini and Mario Vitale on location for the filming of Stromboli. Gordon Parks—The LIFE Picture Collection/Getty Images  Mario Vitale on the set of Stromboli. Gordon Parks—The LIFE Picture Collection/Getty Images  Ingrid Bergman on location for the film Stromboli, in 1949. Gordon Parks—The LIFE Picture Collection/Getty Images  Ingrid Bergman on location for the film Stromboli, in 1949. Gordon Parks—The LIFE Picture Collection/Getty Images  Ingrid Bergman with her lover, Roberto Rossellini, traveling in a boat from Stromboli Island to Messina to meet with her husband about getting a divorce. 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