Happy 80th Birthday, Nina Simone: Photographs by Alfred Wertheimer

3 minute read

Alfred Wertheimer’s pictures of the fierce, regal, beautiful Nina Simone don’t merely capture the spirit of an artist — although, if that’s all they did, they would still be extraordinary. Instead, Wertheimer’s portraits of the singer, songwriter and civil rights activist place us directly in the path of a force of nature.

Nina Simone (born Eunice Kathleen Waymon in North Carolina in 1933) was a creative rebel, uncompromising in her craft and utterly uninterested in appeasing her audience. Her songs, and especially her singular, throaty vocals — which borrowed from gospel, jazz, blues and classical music — were challenging, even confrontational. Few musicians could be as unsettling and as uplifting as Simone sometimes was in the very same song — as when she touched the outer poles of defiance and despair in her 1968 single, “Ain’t Got No/I Got Life.” (At the time Wertheimer was shooting the portraits in this gallery, in the mid-1960s, Simone’s big song was “Mississippi Goddam” — a caustic, unsettlingly uptempo protest tune banned in several Southern states.)

At a concert at NYU, January 1965.©Alfred Wertheimer

Wertheimer, meanwhile, hardly shied away from chronicling what could occasionally seem like disdain in the face that Simone showed to the world. Employing what he famously characterized as “available darkness” — rather than available light — in making his photographs, Wertheimer rendered Simone as a woman both formidable and vulnerable, bolstering his assertion that one could more authentically capture a person’s true nature by shooting, as it were, in the dark.

That he was able to so sympathetically depict a figure as chimerical as Nina Simone is perhaps all the more remarkable considering that, before this, the two did not know one another. This was, in one sense, just another gig for the photographer, one for which he was hired by Anne Fulchino, Simone’s personal rep. Almost a decade earlier, in her previous position as head of PR for RCA Victor records, Fulchino had commissioned Wertheimer to make what would rightly become his best-known images: breathtaking portraits of a young Elvis Presley on the cusp of superstardom.

Here, on Nina Simone’s 80th birthday, LightBox celebrates her life and her legacy with a series of Wertheimer’s magnificent, intimate portraits. Her life was hardly an easy one. She was, it seemed, incapable of not speaking her mind — and we all know where that will get you. Her native country’s innate racism was an enduring, searing affront. (She died far from the U.S., in the south of France, in 2003). But her presence — her talent, creativity and courage — brought joy and solace to millions across the decades. We will not see, or hear, her like again.


For more on Nina Simone, visit Legacy Records and NinaSimone.com.

Alfred Wertheimer is a New York-based photographer, best known for his photographs of Elvis taken in 1956. His work has appeared in publications including LIFE, Paris Match and Rolling Stone.


Nina Simone getting ready in a motel room in Buffalo, New York. December 1964.©Alfred Wertheimer
Teaching her daughter, Simone, to play piano. December 1964.©Alfred Wertheimer
In the car coming back from rehearsal with her daughter. December 1964. ©Alfred Wertheimer
At home with Simone in Westchester, New York. December 1964. ©Alfred Wertheimer
NINA_SIMONE_PRINTS_06
At the piano with her babysitter in the foreground. December 1964.©Alfred Wertheimer
At home in Westchester, New York, with daughter, Simone and husband, Andy Stroud, standing in doorway. December 1964.©Alfred Wertheimer
In front of her home in the Westchester suburbs of New York. December 1964. ©Alfred Wertheimer
At the LaGuardia Airport coffee counter on her way to play a concert in Buffalo. December 1964. ©Alfred Wertheimer
On a short flight to Buffalo, New York. December 1964.©Alfred Wertheimer
Disembarking a plane at the airport in Buffalo, New York. December 1964.©Alfred Wertheimer
Simone with her husband and manager in LaGuardia Airport, New York. December 1964. ©Alfred Wertheimer
Gesturing at well-wishers after a concert at NYU in New York City. December 1964.©Alfred Wertheimer
Backstage at an NYU concert in New York City. January 1965.©Alfred Wertheimer
In a motel room in Buffalo, New York. December 1964.©Alfred Wertheimer
Simone and her husband in a motel room in Buffalo, New York. December 1964.©Alfred Wertheimer
A reflection in a motel room mirror in Buffalo, New York. December 1964.©Alfred Wertheimer
Backstage at Carnegie Hall in New York City. January 1965. ©Alfred Wertheimer
Simone at Carnegie Hall in New York City. January 1965.©Alfred Wertheimer
Her reflection was visible onstage while singing at NYU. December 1964.©Alfred Wertheimer
In concert at Carnegie Hall in New York City. January 1965.©Alfred Wertheimer
Backstage at Carnegie Hall in New York City. January 1965.©Alfred Wertheimer

More Must-Reads From TIME

Contact us at letters@time.com