The themes that have defined the more than 30-year career of Thomas Ruff were born while the influential German photographer was studying under famed photographers Bernd and Hilla Becher at the Düsseldorf Art Academy from 1977 to 1985. Known for their typology work of water towers in which they photographed with a straightforward point of view, the Bechers believed that images which were photographed objectively were more truthful. Bernd Becher criticized Ruff’s student work, faulting his photographs for not being his own. They were simply clichés, Becher argued, mimicking fictionalized images in magazines. Ruff turned the criticism on its head—he began to make images that questioned the very methodology of image making.
“Most of the photos we come across today are not really authentic anymore,” Ruff once said. “They have the authenticity of a manipulated and prearranged reality. You have to know the conditions of a particular photograph in order to understand it properly.”
It’s easy to see these ideas in Ruff’s space work, the topic of a new exhibition and book called Stellar Landscapes, which premiered at the Frankfurt Book Fair last weekend. In his book, Ruff includes appropriated imagery of space that he has collected over the last 20 years. In some of the photographs, Ruff used images made from NASA satellites, which he downloaded for free online. Ruff often took images that seemed to be abstract renderings of the surface of a planet and used color to abstract them further. Other times, the photographer hand colored the NASA photographs to make abstract scenes more realistic. Ruff has always had a fascination with the dialogue between photography and context of a photograph. It seems only natural, then, that Ruff translated this idea into reworking existing NASA images of to present another—and equally important—view of space.
Stellar Landscapes is on view at the Landesmuseum für Kunst und Kulturgeschichte, Münster through January 8. The book is available now through Kerher Verlag.