TIME Photographer Spotlight

Photographer Spotlight: Michael Rougier

On the anniversary of his death, revisiting the work of the English-born photographer who was as celebrated for his compassion as for the excellence of his pictures.

Born in England on June 16, 1925, Michael Rougier began his career as a photographer for the Montreal Standard newspaper. His big break came when he was assigned to photograph cattle being shipped to Argentina from Canada. While in Argentina, he made photos of the then-camera shy Eva Perón, eventually smuggling the pictures out of the country and back north. Those images ran in both the Standard and in LIFE, where he was hired as a staff photographer in November 1947, remaining with the magazine for more than two decades. (He eventually left at the end of 1971, a year before LIFE ceased publishing as a weekly.)

During his 24 years with the magazine, Rougier displayed the sort of versatility for which so many of LIFE’s photographers were known. He covered the Korean War — with his greatest work focusing on children orphaned by that conflict. He covered the Hungarian revolution of 1956, weddings in North Dakota, Boy Scouts, horse racing, drug-addled Japanese teens and countless other stories, in countless other locations. He exemplified the ideal of the staff photographer, for whom no assignment was too small (or too big).

Early in his career at LIFE, he accepted a handful of assignments that illuminated his compassion for the powerless. The first was a story about a blind poodle named Midget. The story goes that he almost passed out in the operation room while Midget was being operated on to restore her sight. He also photographed a story in Texas in 1948 about a cat that got around via wheelchair. He even adopted a goat after covering a “goat round-up” in Virginia in 1950.

The one story that most perfectly captures Rougier’s remarkable empathy for his subjects, however, involved a Korean orphan named Kang (see slide #4 in this gallery). In 1951, he was sent to southeast Asia to cover the Korean War (replacing his LIFE colleague, John Dominis). While there, Rougier came across the Taegu orphanage and met Kang, a boy who would eventually be introduced to the LIFE’s readers as “the boy who wouldn’t smile.”

Michael Rougier—Time & Life Pictures/Getty Images

At one point, Rougier (pictured at left with a Korean orphan) sent a remarkable open letter to his colleagues back at Time Inc. in New York Time, asking — in fact, almost begging — for assistance to help Kang and the orphanage. (“You might be a helluva long way from war in a bar in New York but these kids can’t remember anything but war — few of them remember anything of their life before their mothers, fathers, brothers and sisters were killed right before their eyes. Get the contacts of my first take and look at them — look at Kang — and then please — send some stuff.”)

The letter got results. The orphanage received money, books, vitamins, clothing. Kang did, eventually, smile and was adopted by an American family.

From the first, Rougier was recognized as a stellar photojournalist by his peers, and won Magazine Photographer of the Year honors from the National Press Photographers Association in 1954.

In 1964, meanwhile, on assignment in Antarctica, Rougier almost met his death when he was seriously injured after tumbling more than 600 feet down a mountainside while covering scientists who were working at the bottom of the world studying glaciers. Today, the peak is called “Rougier Hill,” in honor of the intrepid photographer who nearly died on its slopes.

Michael Rougier, who was an accomplished sculptor in addition to being a masterful photojournalist, died in Canada on January 5, 2012.

— Liz Ronk is the Photo Editor for LIFE.com. Follow her on Twitter at @LizabethRonk.

Your browser is out of date. Please update your browser at http://update.microsoft.com


Dear TIME Reader,

As a regular visitor to TIME.com, we are sure you enjoy all the great journalism created by our editors and reporters. Great journalism has great value, and it costs money to make it. One of the main ways we cover our costs is through advertising.

The use of software that blocks ads limits our ability to provide you with the journalism you enjoy. Consider turning your Ad Blocker off so that we can continue to provide the world class journalism you have become accustomed to.

The TIME Team