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Everett

Buffy the Vampire Slayer

Aug 14, 2014

Who says there are no second chances in Hollywood? Joss Whedon saw his script for the 1992 movie Buffy the Vampire Slayer made into a one-joke travesty of a teen comedy. Five years later, like a mystic being resurrected within a pentagram, it came back to life as a magical dramedy, a ripping thriller and the smartest work of girls-kick-ass feminism ever crafted by a pudgy guy who’s into comic books. Sarah Michelle Gellar nimbly handled the show’s undead allegories for coming-of-age conflicts (her stunt double nimbly handled the rest). And the show unspooled a rich mythology, realistic family and relationship stories and the best Sondheimian musical episode ever written for hour long television. The demons and ghouls were comically rubber-faced, but Buffy’s spirit was achingly real.

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